Name: Spike Driver Blues - LIVE by J Dulva in Pure Piano/Jazz Of Mine Plus Re-Ex 8
Duration: 4 min 1 s
Description: Spike Driver Blues

Repost Exchange link
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slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

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itch.io profile link:
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https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

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Pure Piano/Jazz Of Mine Plus Re-Ex 8

Live from Anywhere

Spike Driver Blues - LIVE

this is my newest tune. recorded in summer 2022 using Marshall Heads and B.c. Rich guitars.

outcasts

basement bud

Basement Bud

Thanatology

All Shall Perish

Evening Song

"Big Marimba" spans 1:58 minutes, showcasing a marimba melody that masterfully transitions from solemn and introspective to joyful and lively. Beginning with an inquisitive verse, the melody is subtly underscored by a background that weaves in a touch of mystery. As it progresses to the chorus, the marimba adopts an upbeat, almost jingle-like quality, beautifully complemented by fast violins, crafting a sophisticated yet vibrant atmosphere. Set at a tempo of 95 BPM, "Big Marimba" is perfectly suited for a wide array of projects, offering a dynamic element of sophistication and mood contrast that enhances voice-overs and sync applications without overwhelming the narrative. Whether for advertising, educational content, or storytelling, this track provides a unique auditory journey from contemplation to celebration.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Big Marimba

Mir Bredberg Weber: Main vocal/piano/grand piano/composer
Henrik Nybo: El.guitar
Palle Hjort: Hammond
Jeppe Gram: Drums
Jakob Falgren: Bas
Carsten Sindvald:  alto saxophone
Finn Henriksen: saxophone/baritone/tenor
Dave Hennessy: Classic guitar

Live Out Loud

Everything is moving too fast, time to slow down and appreciate the details.

Let It Drop

This is a dedication song for the people of Wrexham, Ryan Reynolds, Rob McElhenney, and the glorious Wrexham A.F.C.  Plenty of symbolism and intentional meaning in this one too.  We're going up said three times, We rise said three times!  Champions!   We believe!

I Do

Everything I am because of you
The fire burns to dream you made it true 
We rise up from the ashes 
Who believes 
I do 

Stand and raise your eyes, you’ll come to see 
Long enough, my friend you’ve carried me 
My turn to have your back
Do you believe 
I do

This city on our shoulders we all sing together 
I do 
We rise we rise we rise we fight

Brave enough, the passion live in me
Champions us all in victory
How far we have to go
Do you believe
I do 

This city on our shoulders we all sing together 
I do

We rise we rise we rise we fight
We rise we rise we rise we fly

Avenue C & 5th Street

I Do

Shapeshifter

My spin on Caroline for the Repost Exchange contest.

Caroline - Symmetrik (Remixed by Just JIMM)

Pincelada Del Viento

Presence is not stability;
it fractures, reverberates—
an unstable murmur where bodies withdraw
from the burden of edges.
The outline wavers,
folds inward.
"I" is an unfinished utterance,
an origin abandoned
before it begins.

I do not accumulate,
nor am I erased.
I persist as deviation,
a fragile suspension between arrival and loss.
To exist is to unravel,
to slip through the lattice of certainty
into the shifting terrain of disappearance.

The gaze does not secure;
it frays.
To look is to undo:
the face seen liquefies in the act,
becoming residue,
less presence than dispersal.
Definition is a violence,
a collapsing of boundaries that
imprisons both seer and seen
within a structure that denies flux.

To be multitude
is to surrender the privilege of name.
To relinquish unity.
There is no coherence in the collective;
only the low hum of instability.
Each movement breaks a thread.
Each breath disperses into silence,
a silence so dense it erases itself.

In spaces where weight lifts
and form uncoils,
the idea of being fractures.
Existence does not hold.
It scatters into unseen gestures,
impressions too transient to possess.
No form belongs—
and none remains.

The other slips free,
an interval in flight,
no axis to pin it.
And I,
neither fixed nor returning,
am a wave refusing rhythm.
Between these fragments,
there is no union,
only a stillness formed of disintegration.

Self

This inevitably happens when a daughter asks you to re-watch "Whiplash" with her.

Support Gom

Store Your Data (In More Than 1 Place)

Hi there,
Enjoy Kabukicho. 

愛も夢も金も全部泡になる街、新宿歌舞伎町。 

Composed by Kaoru.TsUmekizaki.

I will move this track to YouTube. I'll be happy if you check the channell bellow, as well.

https://youtube.com/@mymanyselves?si=xcdF2wuSXPqXfqIT

Mr. Kabukicho

Have Yourself a Merry Little Christmas

Written and performed by Paul Greiner.
Recorded 4-30-25.
Lyrics: https://www.dropbox.com/scl/fi/13wno6zixdbdabbf43xu3/Taken-By-the-Aliens.pdf?rlkey=csklqss2fw5q3di1c3y5th3fq&st=eley3lrf&dl=0

Quarter-Century Songs vol. 5

Taken By the Aliens (4-30-25)

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

My name is Jack Miller. I am a guitar player/composer/multi-instrumentalist since 1972. Took a break while raising a family for about 18 years. Been at it again since March 2017 and loving it. I play solo and in the group, Counting Coup.

Spike Driver Blues - LIVE

J Dulva

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