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Antarctica Ambient Music

Audiostāsts "Pagarinātās dienas grupa", par pamatu izmantots P. Bankovska stāsts no krājuma "Skola" (Valters un Rapa, 2006. g.)

Teksts: Pauls Bankovskis
Mūzika: oyaarss
Teicējs: Edgars Raginskis

01. oyaarss - Bads esmu es
02. Cloaks - Sixmenace Two (Sevenmenace Two by oyaarss)
03. oyaarss - Sarma
04. Pēteris Vasks - Canti Drammatici / Piano Quartet
05. Pēteris Vasks - Canti Drammatici (oyaara tautiskā romantisma apdarē)
06. oyaarss - malduguns


Pagarinatas dienas grupa

Tempera (Sinfonietta Rīga & conductor Normunds Šnē

Apcerīga epizode (var gadīties, ka ne tik daudz par dabu, cik cilvēku ilgām vienam pēc otra) no Valtera Sīļa izrādes "Zudusī Antarktīda" (dramaturgs Jānis Balodis, Ievas Kauliņas scenogrāfija, aktieris Toms Liepājnieks). DirtyDealTeatro, 2015
A contemplative episode (quite possibly not that much about nature rather than about longing one human being feels for another person) from a theatrical play by Valters Sīlis "Lost Antarctica" (playwright Jānis Balodis, scenography Ieva Kauliņa, performed by Toms Liepājnieks).

fotoattēla (c) Michael van Woert

Antarktīdas Ainava / Antarctic Landscape

Preview of 5 electronic ambience pieces for church organ compositions by https://soundcloud.com/edgars-raginskis

Church Organ Ambience

Timestretched to the length of the longest recording. Now available for download / vinyl: https://heyexit.bandcamp.com/album/every-recording-of-gymnopedie-1

buy the vinyl

Every Recording of Gymnopedie 1

Theatre play "After The End" (Dennis Kelly) directed by Valters Sīlis, The National Theatre of Latvia.
Music/sound by Edgars Raginskis, Arvids Laivinieks. 

https://www.youtube.com/watch?v=UDlXWYXtnrY
https://www.behance.net/gallery/37814383/Sound-DesignMusic-After-The-End-Theatre-Play
http://www.teatris.lv/lv/izrades/aktieru-zale/pec-beigam

After The End - Music & Sound Design

Date of Release: June 7th,16
Lido Pimienta's take on Rihanna's "Work", Camellando is slang for "working" in the north coast of Colombia. For more info, read --> http://remezcla.com/releases/music/lido-pimienta-work-premiere/

Recorded/Engineered at Josh Cole Studios (Toronto)
Co produced Lido Pimienta & Josh Cole

Camellando (Rihanna - Work) Lido Pimienta _  Barranquilla Slang Cover

Bandcamp - https://nabamusic.bandcamp.com/album/dzejas-disks-corpus-poesis-2016
Koncepcija un tekstu atlase - Herta, Ivars Šteinbergs, Anete Enikova
Mūzika - oyaarss
Vizuālais noformējums - Andris Grandbergs
Dzejas ieraksti tapuši radio NABA studijā un NABAKLAB,
piedaloties Simonai Orinskai un Laikmetīgās kustību mākslas studijas IDEAGNOSIS dalībniekiem, Edgaram Raginskim, Sintijai Žīgurei un "Baleta klasei", kā arī Edzim no Kalnaču Galadūķiem.

Corpus Poesis

Antarctica

A cycle inspired by four paintings by Vincent van Gogh (2003)
Performed by ensemble "Altera veritas" - Anda Zaborovska (kokle, bass kokle), Ieva Mežgaile (kokle, bass kokle), Aldis Jurisons (accordion), Andis Klučnieks (flute)
1. "Sea in the Storm" (00: 00 - 04: 10)
2. "The blossomig Plum Tree"(04: 15 - 06: 55)    
3. "The Sower" (07: 00 - 11: 41)
4. "The Starry Night" (11: 42)

Van Gogh Cycle

Painting by Latvian artist Janis Rozentals translated into music, collaboration with Edgars Raginskis https://soundcloud.com/edgars-raginskis

To be included in an upcoming compilation by https://soundcloud.com/nabamusic in 2017

Teiksma

Profiles Of Sand (Latvian National Symphony Orchestra, conductor Andris Poga)

Multi-layered, dark drone that even depresses myself …

Image: Dave Pape (Public Domain)
https://commons.wikimedia.org/wiki/File:Antarctica_6400px_from_Blue_Marble.jpg

The Australian Voices
Conductor | Gordon Hamilton

View the score: https://bit.ly/32Cd8AX

I wrote Antarctica during and after a trip to Casey Station, Antarctica onboard the icebreaker Aurora Australis – an Australian icon, nearing the end of her service. I was the lucky guest of the Australian Antarctic Division on an Aurora Legacy Fellowship.

The opening movement is an aria set against the backdrop of a recording I made of the ship cutting through sea-ice (standing in the bow while my stinging hands clenched the microphone! – I soon learned to glove-up!). A solo voice sings, hand-in-hand with mighty bricks of harmony: a blazing seascape coated in white. Aeliatoric music follows, depicting a hill near Casey Station where the scene can be divided into three colossal horizontal strips of sky, sea and ice. ‘Whalesong’ is a harmonisation of a finback whale call: the Aurora Australis recovered a hydrophone which had been recording the crooning of sea mammals. Over a year’s worth of sound was logged; I picked the bit in D-minor. Infinite Monochrome is a pock-marked canon inspired by – in the words of Voyage Leader James Maloney – “...the vision of a brilliant bright expanse where ice, snow and cloud coalesced, holding the ship suspended in white nothingness.” Every direction is a hiss of white (painful to the naked eye!) and the frozen sea bristles, splintered by town-sized icebergs. In the last movement ‘Reeve Hill’ short chorale-like utterances are sown among long thoughtful stillnesses, played over my recording of ice gently melting on Reeve Hill, far-off Adélie penguins and snow-petrels nattering to each other.

The work is for voices (their type unspecified), with various moments of solo singing.

Antarctica (for choir)

A dreamy sonic exploration of the eternal ice realm. Played live. 
Equipment used: Lyra-8, Monologue, Pigments 2.

Instructions of use: Listen while in a meditative state, in a low volume environment. Enjoy.

Antarktīdas Ainava / Antarctic Landscape

Edgars Raginskis

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