Carol-Ann Belzil-Normand is interested in the concept of frivolity as a sensible and humorous methodological approach.

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Paolo Pastorino (1983) is an acousmatic composer.
He studied and graduated in computer music and sound technologies at the Conservatory of Sassari and he is specialized in new music technologies at the Conservatory of Cagliari.
His compositions have been presented in several contemporary and electroacoustic music festivals in different countries of the world.

Edit-Point is Scotland’s only electroacoustic ensemble. It was founded in 2010 and is run by composers Timothy Cooper, Matthew Whiteside and Nicholas Virgo. The group’s objectives are to present music that combines instruments and electronics and to provide a platform for artists to present technologically difficult to realise compositions.

Members:

Timothy Cooper

Nicholas Virgo

Matthew Whiteside 

An insightful series of Sonica Talks and Cryptic Conversations...

Sonica Glasgow, sonic art for the visually minded, produced by  Cryptic, is an award winning 11-day biennial festival, dedicated to world-class visual sonic arts, presenting exceptional international artists alongside UK talent.

Cryptic is a Glasgow based internationally-renowned producing art house, presenting today’s most imaginative, innovative artists whilst also nurturing the creative talent of tomorrow. We create memorable experiences that engage and inspire our audiences, ‘ravishing the senses’ with multi-media performances that fuse music, sonic and visual art.

Nordic Viola will take you on an extraordinary journey in words and music to the Faroe Islands, Orkney and Shetland, Iceland and Greenland.

Established in 1994, Cryptic is Scotland’s internationally renowned home of audiovisual art and experimentation. Founded by Cathie Boyd, and based in Glasgow but with a global reach, Cryptic presents and promotes the most dynamic talents of today and tomorrow as they explore new dimensions in live music, visual and sonic arts and performance, and the weird and wild areas where these disciplines intersect and cross over.

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