Harbourside is the first on a series of aural postcards exploring the concepts of memory, identity, and displacement.
It contains a binaural recording of a sound walk at the Harbourside so it will be best experienced with headphones.
​
Timestamp for the words in English:

00’38’’ 		Hi Mum,
00’43’’ 		Everything is going well.
00’51’’ 		Plodding along as they say.
01’41’’ 		Ground keeps slipping away beneath the feet...
01’50’’		And the seagulls…  
02’02’’ 		I still can't get the seagulls. 
02’13’’ 		Here, seagulls don't speak Portuguese. 
02’34’’ 		They look at you suspiciously. 
03’09’’ 		And rain is just a fact.
03’14’’ 		I don't wait for it to stop anymore as I once did.
03’51’’ 		Now I know my way through town 
03’58’’ 		but it's still hard for me to set sail. 
05’20’’ 		People
05’25’’ 		run, carrying the weight of the world on their shoulders
05’42’’ 		"say 'tis good for ya heart."
07’28’’ 		I desperately need a hug, 
07'40''		with no mask.
09’00" 		Give dad a kiss
09’27’’ 		and another for grandpa.
10’36’’ 		Sometimes I remember grandma 
11’04’’ 		and think of you
11’38’’ 		or I think of you and remember her, not entirely sure.
13’04’’ 		I hope you're doing well.
13’30’’ 		Big kiss for you... 
13’34’’ 		until will meet again in July, at Foz.
14’17’’ 		From your son,
14’20’’ 		Eduardo

https://dogama.wixsite.com/eduardogama/post/aural-postcard-1-harbourside

Harbourside, Bristol. #1

O privilégio de cantar amigos de um planeta onde tudo é sempre tão grande! Viva o Planeta Tangerina!

Letra: Isabel Minhós 
Música: Fred Menos 

Voz: Marta & Fred Menos 
Guitarra: Fred Menos
Produção: Nuno Sanches 

Canção cada vez maior

Letra: Regina Guimarães
Música: Fred Menos

Voz e guitarra: Fred Menos
Guitarra e percussão: João Neves
Baixo e percussão: João Fragoso
Arranjos, produção e direção musical: Nuno Sanches

Fotografia: Carolina Lobo Amado

Modinha da minha rua

Sasha Tycko - Hyde Park Asunder (Original)

Deep Wireless 10 online album is published by New Adventures in Sound Art.

Myth and history are malleable stories – they evolve with time and depend upon how often the story has been told and who is telling it. With each narration, part of it is lost while new elements emerge. Using thousands of interview fragments reorganised in real-time alongside multichannel field recordings, the Golem interrogates our perception of the past. 

Emmanuel Spinelli is a composer and music lecturer. He has been involved in electro-acoustic composition and live electronics since 1998. His work explores acoustic ecology, psychogeography, narrative and history, through the manipulation of disembodied voices and the sonic environment.

Tom Mudd is a London based musician who writes software to allow him to harness electronic sounds for live performance. His research around this focuses on mapping techniques for physical controllers and generative tools to aid live improvisation.


Emmanuel Spinelli & Tom Mudd - The Golem of Hereford

Goldsmiths E.M.S presents
A Concert of Sound Arts
at the Queen Elizabeth Hall, London.
18:30—21:30, 9 May 2013

Harbourside, Bristol. #1

Eduardo Gama

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