Bandcamp

Inside Ambulance

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed. 

UTBCH6 (100 DAYS)

This playlist is of the tracks which I want to embed on my website.

Website Playlist

GUNRANDO : The End of the World

Anomaly

The Elephant City

Rigidigital vs the Shinjuku Dust Orchestra 
GUNRANDO 99 Bastards soundtrack

The Horse is Dying

Bruno Gussoni: flute
Alessandro Bona: flute

Flutenergy

Bruno Gussoni: alto flute
Alessandro Bona: flute

Flute and alto flute improvisation

Hello once again.
Feels so good to be back!
My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed.

First song:
Shepherd.
Made with an Upright Bass and Fretless bass
Tec used: Boss RC 2 looper, EDEN WTDI preamp for BG.

All shall be CC :)

Yours sincerely,
Eero

1. Shepherd

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed.

Day 2:
A western guitar

All shall be CC :)

Yours sincerely,
Eero

2. Bumlaby

"WERETAAL" ("Libataal")
My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed.

Day 3: 
I used a bucket of water and some stuff from the kitchen (represented on the image) to recreate a tabla. 
Tampura is made with a fretless precision bass and Boss RC-2
All shall be CC :)

Yours sincerely,
Eero


3. Libataal

Day 4 
@Work at the cafe
My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed.

Day 4:
A cupboard piano in the Cafe in Tallinn, where I work half-time. 
There will be more from there.

All shall be CC :)

Yours sincerely,
Eero
-text coming soon-

4. Mocha 1

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six. 
Rules are simple - all acoustic, pickups allowed.

Day 5: 
An acoustic guitar, classical

Yours sincerely,
Eero

5. That 60's Song

Im Memoriam

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six.
Rules are simple - all acoustic, pickups allowed.

Day 9:
I wrote this tune exactly a year ago to a friend who is now part of space: the final frontier. Exploring strange new worlds and seeking out new life and new civilisations. Going where none of us has gone before.
Happy travels.

But it was damn slow, the old recording, so I made it again. 
Recorded with his guitar actually. A duo piece. That's all. 

Yours sincerely,
Eero

PS: I'm sorry, but I can't release that tune under Creative Commons. Only that tune, because it is written for a different purpose. Thank You for understanding :)
Everything will get back to normal starting from tomorrow.

9. Goodmans Land

TRAVELLING
I'll soon get some recording done and all these first version songs will come to a hold, hopefully.

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six.
Rules are simple - all acoustic, pickups allowed.

Day 28:
I'm currently travelling in Palestine and I'll record as much as I can. Today, a segment from the recordings from the markets of Ramallah and my first contact with an oud.
Yours sincerely,
Eero

28. Ramallah 1

-Had a crash, now back :)-
-Worked on the sound as well, hope you like-
My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six.
Rules are simple - all acoustic, pickups allowed.

Day 55:
My brothers daughter is on that picture. I made that lullaby for her a year ago. Recorded today

Your's sincerely
Eero

55. A Western Lullaby

My name is Martin-Eero Kõressaar and I am an upright bass player from Estonia. I study in the Estonian Academy of Music.
I have done a similar project before, (search for: "Experiment 30,5 days")
This time the rules are pretty much the same:

"With one rule - base material for these must be acoustic recordings (pickups allowed). Manipulating them via audio software is allowed. But generating a whole new sound via DAW's isn't allowed in my little project." (Exp30,5)

But this time there is much less time and also travelling meanwhile so it's going to be quite the ride.

Why am I doing this?
Because it keeps me alive inside.

Thank You! :)

Long story short - I will make an audial composition every day until the big clock hits six.
Rules are simple - all acoustic, pickups allowed.

Day 67: That is made with an acoustic western. A lot of editing. Went a little off the books for myself.

Much love
Your's sincerely
Eero

67.Teenager

So there You are!
Inside Ambulance is almost ready. A matter of hours actually.
All design and stuff is done, still going through the list and making last minute changes to the songs before they hit the last master and burn.
I said it would be out on 23'rd but Christmas just kicked in and I took the time off.
And now I am back.

I wanted to share that one with You since it is one of the songs from Experiment 30,5 days. But I made a new version of that song for the album INSIDE AMBULANCE which consists of  works from either EXP 30,5 and UTBCH6!

Download from Bandcamp 
https://eero.bandcamp.com/track/job-interview

Job Interview

"BLIZZARDS" has a final version:
https://eero.bandcamp.com/track/blizzards-2

Written by Martin-Eero Kõressaar 
The song is inspired by the long and dark winters of eastern Europe. 

All source material is recorded with Tascam DR 100 by Martin-Eero Kõressaar in 2016-2017

Blizzards

For Laika.
Single for my second, offline, album "August".
Around the sample "Stray Dog" from UTBCH6

This is Mastered by Peeter Salmela

AUGUST:
https://eero.bandcamp.com/album/august

August

27.10.2019

Laika

Second single from my second EP August
Expedition II, the final turn of that song which has such a beautiful story behind it. 
Seems like it is time to upload it now
Im memoriam

https://martinkoressaar.org/august

Expedition II

Eero, From Estonia!
If you have questions or propositions, contact me via email:
martin.koressaar@gmail.com