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MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT 09 SEPT

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tch Tch Tch”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

MIDNITE SPARES: Compiled by András and Instant Peterson (ES003)

Efficient Space

MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT NOW

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tsk Tsk Tsk”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

MIDNITE SPARES: Compiled by András and Instant Peterson(ES003) OUT NOW

Late

Midnite Spares

Sweet Sweet Hang

run out of stamps

Titre issu de la cassette d'Avventur remplie d'une heure de sentiments, sortie cette semaine chez Indian Redhead rcrds : http://indianredhead.bandcamp.com/album/avventur
Plonge sous la vague avec nous !

Avventur - Lise

such a big wonderful world

pre-order: https://habibifunkrecords.bandcamp.com/album/musique-original-de-films

هل تريدون الاستماع الى ما كنا نشتغل عليه الفترة الماضية ؟ يمكنم الآن أن تطلبو مسبقا إصدار " حبيبي فانك " الثالث، حيث سنأخذكم معنا هذه المرة بأنغامنا إلى الجزائر. إن أحمد مالك بمثابة إينيو موريكوني الجزائر، إذ ألف و أنتج معظم موسيقى الأفلام الجزائرية في السبعينيات. موسيقى رائعة، مفعمة بالأحاسيس و غير اعتيادية. بعد موافقة تامة من أهل الراحل، يمكنكم و أخيرا الاستماع للمرة الأولى إلى إحدى إنتاجاته، أو النقر على الرابط من أجل طلب مسبق.

I still remember the first time I heard Ahmed Malek. It was 2012. Back then I didn’t know much about Arabic music, but I was about to leave Berlin for a couple of weeks to go to Tunisia. I was working as a project manager for a music recoding session which ended up being released by Jakarta Records as the “Sawtuha” release. I knew I would have some time off during my stay and I was certain that I would dedicate some of this time to diggin. I asked some people whether they knew of any titles that I should look for. Roskow, who also ended up re-mastering this release, told me about an Algerian composer called Ahmed Malek whose music was also released in Tunisia. 

Fast forward three years: Arabic records have become my number one hobby and luckily I got my hands on a copy of Ahmed Malek’s “Musique Originale De Films” album. I already knew some of the tracks but listening to the music the way it was originally released, and not as a crappy Youtube version, made me fall in love with Malek’s compositions all the more. It manages to create this very special mood: melancholic and reflective, emotional and touching, but never depressing. Even without having seen any of the pictures created for this, it immediately brings visuals to one’s imagination. 

Around that time I became captivated with the idea of reissuing some of Ahmed Malek’s music. I knew some people had tried to locate his family but, but with no success. In the end it was an incredible amount of luck that made it possible for you to read these words and listen to this record. I had a DJ gig in Beirut playing old Arabic records and I mentioned my passion for Ahmed Malek’s music to a friend. She said she knew one person in Algier, and as much as it would be a shot in the dark, she could ask her if she had an idea of how to find Malek’s family. Two weeks went by before I heard back, and what I got was incredibly good news. Her Algerian friend was the neighbor of Ahmed Malek’s daughter! I’m not a spiritual person, but it felt like the universe wanted to see this release happen. 

I started to speak with Henya, Ahmed Malek’s daughter and she was more then happy with our idea. She assured us that her father would have loved the plan as well. She provided us with tons of awesome material, from great photos, to unseen video footage and unreleased tracks; she also told us more about her father’s life: 

Ahmed Malek was born on March, 6th 1932 at Bordj El Kiffan, Algiers. He was the oldest son of a family of 3 brothers and one sister. He went to work at a young age in factories to help his father to raise the family. His mother died when he was 12. It was then that decided he wanted to become a musician, and after graduating school he studied at the Algerian Conservatory. He gained recognition for his craft from an early stage and won several prizes and medals nationally and internationally (The "Premier grand prix des arts et des lettres de la composition" in 1972, the golden medal at the "Panafrican Festival" in 1976, and the "Prix du mérite national pour la composition musicale" in 1987). He was the conductor of the "Algerian Television Orchestra“ for many decades and represented his country at international events such as the Expo In Japan, Canada, Cuba and Spain. He passed on the 24th of July, 2008, at his home in El Mouradio, Algiers.


Habibi Funk 003: Ahmed Malek - Omar Gatlato (Unreleased version.  Pre-order link is description)

приходи весна

SKY GIRL 2LP/CD/DIG OUT NOW

Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.

08 Warfield Spillers - Daddy's Little Girl 4:53 (ES002)

07 The Rising Storm - Frozen Laughter 3:12 (ES002)

05 Gary Davenport - Sarra 5:02 (ES002)

02 Karen Marks - Cold Cafe 3:04 (ES002)

A small compilation of SimpsonWave for your summer.

ＳＵＮＤＡＹ ＳＣＨＯＯ- Lucien Hughes

Ｆ Ｅ Ｅ Ｌ Ｉ Ｎ ＇ Ｆ Ｉ Ｎ Ｅ - Cogmind

E Y E O N S P R I N G F I E L D - Midge

ＣＲＩＳＩ- Lucien Hughes

05 → ↑ → - Sedation 2:58 (ES003)

04 The Couch - Full Treatment (2:46)

03 Poets Of The Machine - Arabs 5:48 (ES003)

02 Whadya Want?  - Open Spaces 3:49 (ES003)

01 Maria Kozic And The MK Sound - Trust Me 4:33 (ES003)

h e l e n a

Recorded at Bar3000 by The DJ.
www.bar3000.ch
Picture by Nadja Stäubli

So-Low - 1968-2017 (Extended) by The DJ @ Bar3000 for 1-20 10

from 'Turmalinturm [Remixes] [CD|LP|DIGITAL]
Denovali Records · den302
available on all formats at [http://denovali.com/foghdepot]

Turmalinturm [remixes] is a scrupulous compilation of tracks inspired by the second Fogh Depot album released in October 2016 via Denovali Records. The idea was to compile pieces both from artists of the Denovali roster and of the booming Russian electronic scene.

The Tourmaline tower is crashed. A new town is being raised at its place, eclectic in architecture, but of a monolithic mood. Get ready for a dense atmospheric mix of magnetic darkness and genuine delicacy. This is an example of seductive and at the same time disturbing tunes at the confluence of drone, ambient, IDM and live electronica. The collection absorbes works of the most skillful producers of this noble genre demanding extreme precision.

Half of the London-based duo «Piano Interrupted» and also successful solo musician Franz Kirmann provides a shard of pure romanсе from Albion’s shore, while the experienced Moscow artist Dima Ustinov delicately and gently dissects the modal harmony of the track «Meduse». The prolific Sardinian producer Saffronkeira adds a detached, ephemeral and otherworldly piece and master of techno hymns Moa Pillar contributes a horror-drone remix of Quicksilver Spoon. For those who want to dance there is Monokle - an eclectic musician from Saint Petersburg - decomposing «Meduse» into a bassy club track. The Siberian dark lord of modular synthesizers Hmot totally deconstructs Oscar and literally distills all the piercing dramatic effect from the track, while an emotional and powerful piece by John Lemke, gloomy, affective and catchy, closes the remix album. 

The Tourmaline tower is crashed. But the town made of its remnants is no less fascinating than the original.

Turmalinturm [Remixes]

Fogh Depot - Svetly Prazdnik (John Lemke Remix)

The Chills - Complex

Moon Zero - Aeolus. 

Tape dubs and stairway recordings at Cable Street studios, Limehouse.  

Free download for the wav


Aeolus

Rose Len - Lennie Hibbert

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de