An imaginative response to my haiku. Good job 😊

dac insomniac + r.s.stropharia - fuga din subsol - impro-set live (30.06.2020)

Improvising with Lekko into Cocoquantus into Cosmos, into a mixer with BIM and BAM on sends and BOUM for compression

Cosmos Lekko Test2

ENGLISH TEXT FOLLOWS

Auf der CD Sprühweißquellgold verleih mir Flügel , 2022

Programmnotiz
Im Sommer 2015 verbrachte ich zwei Monate (Juli und August) in der NES Artist Residency in Skagaströnd, Island. Jetzt, sechs Jahre später, habe ich ein elektroakustisches Stück komponiert, das ein wenig von Island inspiriert ist. Die Komposition besteht aus bearbeiteten Perkussionsklängen und unbearbeiteten Klängen (nur wenige Sekunden) von der CD „Duo Svanni – RÆTUR“ von Hildur Wågsjö Heimisdóttir und Júlia Traustadóttir Kondrup und der CD „Sounds of Island“ von Hafdis Bjarnadóttir.
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On the CD Sprühweißquellgold verleih mir Flügel , 2022

Program Note
In summer 2015 I spent two months (July and August) at the NES Artist Residency in Skagastrrönd, Iceland. Now, six years later, I created an electroacoustic composition, which is a little bit inspired by Iceland. The composition consists of edited percussion sounds and unedited sounds (just a few seconds) of the CD „Duo Svanni – RÆTUR“ by Hildur Heimisdottir and Julia Traustadottir and of the CD "Sounds of Iceland" by Hafdis Bjarnadottir.

I finished this work in January 2022

Sprühweißquellgold verleih mir Flügel - Electroacoustic Music

Inspired by this haiku:

Tall trees gently wave
Sending secret messages
Into the Spring breeze

The author John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge.
Haiku by John Hinks https://soundcloud.com/flownblue
Picture by Amanda Mocci https://unsplash.com/@amandamocci
Naviar Haiku: https://www.naviarrecords.com/2022/06/01/naviarhaiku439-tall-trees-gently-wave/

My Naviar Haiku

Existential Geometries (naviarhaiku439)

Created with Hyve Synth.

More on this 554th weekly Disquiet Junto project – Cage Chord (The Assignment: Riff on a chord by John Cage) – at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Cage Chord Sustain (disquiet0554)

Here's a collaboration I did with a cool thunderstorm passing by.
I put a bucket, a metal tin can and a glass jar to make the rhythm and I accompanied on the flute.
After my enthusiasm got carried away ^^
Artwork made with the #nightcafe IA

With The Laugh Wood

Made with my Korg SQ-64 and the Roland D70.
Recorded/played 64 step sequence which I speed up a bit and manipulates while replaying it with the sequencer, added delay to give it even more life.

Artwork by Gilbert Garcin: https://artfacts.net/artist/gilbert-garcin/17699

I Never Heard The Bell

SPECTRAL  DELIRIUM     3

Llorina secuencial porosa

Wyżyny Absurdu

240513

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/

Existential Geometries (naviarhaiku439)

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