PREMIERES / REPOSTS / PROMOTION:
alex@suprematicagency.com

Suprematic Sounds is a platform for underground electronic music. We publish daily premieres, free tracks and podcasts from established artists and local talents.

Dance music platform promoting emerging & establish talent from around the world in the underground electronic music space. We focus on what's important: The Music.

Curated by When We Dip.

Submit your music for Repost & Premiere => dancefloorromancer@gmail.com

DJ / Producer / Visual Artist
@innervisions
@diynamic-music
@sudbeat
@sumoverhistoriesrecords
@naturasonoris

Founder @street_records
Bookings: apstemusic@gmail.com
https://linktr.ee/apste

Emerging from Buenos Aires, Apste has carved his name as a DJ, producer and visual artist. who blends the raw energy of techno with the deep soul of house.
Apste’s music has been supported and played by legends like Dixon, Âme, Solomun, and Hernán Cattáneo, and his tracks have echoed across the stages of Tomorrowland, Creamfields, DGTL Festival, Time Warp, Cercle and Exit Festival. With releases on renowned labels like Innervisions, Diynamic, Sudbeat, and Natura Sonoris, he continues to challenge the boundaries of electronic music.
As the founder of Street Records, Apste bridges the worlds of music production and visual art, creating a platform for artists with a shared vision. His releases have topped the charts, with tracks like IX reaching Beatport´s Top 10 Indie Dance and earning recognition from Pete Tong’s Hot Mix on BBC Radio 1.
His work, both in music and visual art, reflects a commitment to experimentation and innovation, making Apste a driving force in shaping the future of sound and art.

BOOKING:
info(at)eliogold.com

www.solo.to/eliogold

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


upcoming...
2024.12.20 Makes Me Human ft. Voigtmann, Succubass @ Monkey Loft / Seattle

memories...
2024.08.17 Makes Me Human ft. Mathew Jonson live @ Diffusion / Seattle
2024.03.30 Makes Me Human ft. Priku @ Diffusion / Seattle
2024.03.15 Rhizome pres. REFLEXO @ /CO, São Paulo / BRAZIL
2024.02.23 Global Warm / Vila Container, Belém / BRAZIL
2023.09.06 ATMOS @ Ammar, Belém / BRAZIL
2023.07.07 @ Flor de Lúpulo, Belém / BRAZIL
2023.06.24 @ Belchior, Belém / BRAZIL
2023.05.24 @ Flor de Lúpulo, Belém / BRAZIL
2023.04.28 E.X.O @ Flor de Lúpulo, Belém / BRAZIL
2023.03.10 De Boca En Boca @ Croft Alley / Los Angeles
2023.02.05 MMH afters, Mérida / MEXICO
2023.01.13 De Boca En Boca @ Croft Alley / Los Angeles
2022.10.07 Makes Me Human 1-year anniv ft. Mihai Pol @ Kremwerk / Seattle
2022.08.28-09.05 Burning Man, Black Rock Desert / NV
2022.08.05 Makes Me Human ft. Amir Javasoul @ Kremwerk / Seattle
2022.06.03 Deep Sexta @ Ammar, Belém / BRAZIL
2022.02.19 Pleasure Makes Me Human ft. Direkt @ Hour House / Seattle
2021.12.03 Makes Me Human ft. Mihigh @ Kremwerk / Seattle
2021.08.06 Drop ft. DJ Tennis @ Monkey Loft / Seattle
2021.07.30 b2b Kinjo @ Woodsky's / Seattle
2021.07.24 Luminosity, Shelton / WA
2021.07.17 b2b Kinjo @ Woodsky's 10th Anniv / Seattle
2021.06.22 Dose the Swamp EP release party @ Kremwerk Livestream Series
2020.10.16 Rhizome takeover @ Kremwerk Livestream Series
2020.03.04 b2b ELLEM, Art On The Rocks @ Pioneer Square / Seattle
2020.01.26 Beijos do Mar @ Re-bar / Seattle
2020.01.18 Harborbar 2020 @ Gig Harbor / WA
2020.01.01 b2b Kinjo, The Breakfast Club @ Monkey Loft / Seattle
2019.11.30 b2b ELLEM (Mirror&Web), Ke Society @ Re-bar / Seattle
2019.11.10 Flammable @ Re-bar / Seattle
2019.10.19 Seacompression 2019 / Seattle
2019.09.22 Kremfest afters / Seattle
2019.08.25-09.02 Burning Man, Black Rock Desert / NV
2019.08.16-18 ECHO, Cascade Mountains / WA
2019.07.21 SunseTy Eco Alter @ Ty, Alter do Chão / BRAZIL
2019.06.15 Mothership @ D-EDGE, São Paulo / BRAZIL
2019.05.18 Ty / Alter do Chão, BRAZIL
2019.05.04 Ty / Alter do Chão, BRAZIL
2019.03.23 Poraquê @ Ôvibe / Belém, BRAZIL
2019.03.05 secret forest party / Alter do Chão, BRAZIL
2019.02.22 Shisa Lounge / Belém, BRAZIL
2019.02.09 Poraquê @ Ôvibe / Belém, BRAZIL
2019.01.26 Sob Detroit / Belém, BRAZIL
2019.01.25 Poraquê @ Ôvibe / Belém, BRAZIL
2018.12.21 Traffic House / Belém, BRAZIL
2018.11.22 @ De Bubuia / Belém, BRAZIL
2018.09.23 w/ ELLEM @ Tremulant showcase, Kremfest SEATTLE
2018.09.08 Macedonian independence day SEATTLE
2018.08.26-09.03 Burning Man @ Black Rock Desert NEVADA
2018.08.10 Blue Spectral Storm ft. David Hohme @ Re-bar SEATTLE
2018.08.03-08.05 SAND BAR @ Mt. Hood OREGON
2018.07.27 Research Turns 3 w/ Mor Elian @ Complex SEATTLE
2018.07.20 b2b Kinjo: Robot Voices @ Timbre Room SEATTLE
2018.07.03 Timbre Room 2 Year Anniv @ Timbre Room SEATTLE
2018.03.23 b2b Kinjo: Goodlife pres. Matthew Dekay @ Re-bar / SEATTLE
2018.03.10 Honor the Earth: Winona LaDuke @ Open Space / VASHON ISLAND
2018.01.20 Lusio Lights w/ subMerge @ Volunteer Park Conservatory / SEATTLE
2017.11.25 Complex ft. ASC @ Kremwerk / Seattle

Curating the finest electronic music.
Founded by @justlaurenmusic.

www.equanimity.music


Submissions:

premieres/podcasts: music@melodicdiggers.com
label: demo@melodicdiggers.com

Steve Bug is one of electronic music’s true originals. His relentless commitment to quality - both in his own work and in the many producers he has championed - has made him one of the world’s most revered artists and curators, and along with his labels Poker Flat, Sublease Music, Audiomatique, Dessous Recordings, Traffic Signs or Raw Elements has made a sizeable contribution to building the European house and techno scene as we know it.

House, Disco, Indie, Nu Wave, Minimal and Leftfield- Formerly of Florida, now Seattle (est: 2013)

Founder of Give'nGroove, a charity dance series that combines community, philanthropy, and music to raise awareness and donations to Youth Services organizations

Resident: Makes Me Human 

Opened for : Soul Clap, Questlove, Eli Escobar, Treasure Fingers, Janeret, Satoshi Tomiie, Sonny Fodera, Lp Giobbi, Sacha Robotti, Life on Planets, Shonky, Dombresky, Nick Monaco

Message for booking inquiries

!! Don't expect any reply here. Please visit our Facebook page or send a mail!!

LOSSLESS is distributed by Word And Sound
www.wordandsound.net

Music label run by @MathiasSchober (SHOW-B) &  @thomas-herb-1

Lossless Bookings: james@sweatlodgeagency.com

Eliogold is following