worldwide bookings : alex@neptunemusic.net
France bookings : cedreference@gmail.com
all others inquiries : damonjee64@gmail.com

others projects : NOZZ, Holographic Planes
bio :

We are all the product of our influences and there is no substitute for experience. Damon Jee is the embodiment of that statement. Over the last 20 years he has carved a career in a very unassuming way, unintentionally writing an exciting new chapter for the global electronic music scene. He is the journeyman who managed to shine brighter by staying true to himself, a musical alchemist experimenting with different sounds to create a deadly new potion. Today, the producer is considered the main exponent of a fresh and exciting new scene many are calling Dark Disco. 

Getting his start in the studio alongside fellow Frenchman Olivier Giacomotto, the duo became main players on the then booming electro house scene with an impressive run of productions on labels like Definitive and CR2. As he started producing more solo works, Jee naturally veered towards his rebellious heritage growing up on nineties rock and industrial bands like Nine Inch Nails, The Pixies, Nirvana and more. The organic appeal of live rock seeped into his productions: distorted guitars gliding atop fat, off-beat and two-fingered picked bass, all framed within a foundation of percussion and drums that carries Damon Jee’s immaculately engineered and distinct sound. The music he released under his NOZZ moniker is especially steeped in this unique and heavy-duty sound: powerful productions which doubles up as heat seeking missiles aimed straight at the heart of any dancefloor.

It was his remix of Pardon Moi’s ‘Power to the People’ that really pushed the affable Frenchman to  a wider audience. It has it all: trance melodies and cosmic chords, a confidant rock stomp coiled with electronic euphoria, and robotic vocals gleefully riding a wave of energetic drums. It received support from the world’s best tastemakers including Solomun, Job Jobse and HAAi, introducing Damon Jee to a brand new audience. 

Today his singular sound can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name a few. Huge support came in the form of Jennifer Cardini who signed his massive three track Chamaniac EP to her Correspondant Records. Its appeal reaching wide, the EP received support from various corners of the electronic music sphere with a diverse group of DJs from Andrew Weatherall to Chris Liebing to Joris Voorn all getting around it.

The natural evolution of Damon Jee has lead to the recent launch of his label, Critical Monday. The new imprint will explore Damon Jee’s idiosyncratic sound even further. The first release under his Holographic Planes moniker, alongside producer Alvaro Cabana, is a three track dance floor bomb featuring an equally effective remix from Jennifer Cardini. With upcoming releases from Curses, Autarkic, Fairmont, and, of course, Damon Jee, the label is set to become a go-to for those looking to ignite any dancefloor.

Today Damon Jee is slotting perfectly into his role as a bona fide headliner. Years of experience ensures each set is delivered with a confidant ease and professionalism that sets him apart from the rest. Headlining clubs and events from Spain to Australia to Mexico, Damon Jee is set to spearhead a new generation of electronic music lovers who isn’t afraid to cross-pollinate their music for a thrilling new sound. If you need an antidote for a flailing dancefloor, Damon Jee has the tonic to revive your night. 

written by : Walter Juan van Wyk

For all booking enquires:  ornella@roofbooking.com

Fabrizio Mammarella is an Italian selector, producer and label owner among many other things in the world of Music. 
Boasting a discography that includes dozens of clubbing anthems, remixes, as well as successful collaborations with Lauer (as Black Spuma), Rodion, and Clap Rules; he is also the “one man band” in Telespazio, an infamous side project focusing more on experimental music.

Since his first release in 2004, Fabrizio has been constantly delivering hits for labels such as DFA, Permanent Vacation, Correspondant, Les Disques De La Mort, Future Boogie and his own imprint Slow Motion Music / Wrong Era records, leading the Italian Dance Wave movement for over ten years. 
Fabrizio is also the head behind Emet, a record label centred on limited special releases crawling in the realm of weirdo electronic music, especially cut for the quirkiest and demanding dancefloors.

Fabrizio has played and hosted label nights at some of the best clubs and festivals around the globe, with regular nights in Berlin and his home country of Italy. He is definitely not moving in slow motion.

Years of sweating in garage bands evidently prepared the Lipsky brothers to break boundaries in commercial club culture with a sound that somehow evokes the essence of psych-rock while never sounding out of place alongside certified technoid bangers.

Their musical breadth as producers speaks to their talent as DJs, with a deep passion for record digging that again conveys very specific sensibilities – a love for the exotic, the yearning for transcendence, as well as the rough rebellious energy of punk. They produce dance music from the margins, full of with narrative, melody, and drama. It’s intense, in a good way.* 

Their affiliations to broad-spectrum labels like Multi Culti, Disco Halal and Correspondant might paint some picture of their range, and their stellar remixes for artists like Nicola Cruz, Adam Port, Autarkic and Polo & Pan may have earned them lots of plays,  but their debut LP ‘Sorry, We Did Something Wrong’ is undoubtedly their most ambitious and elaborate statement to date. Drenched in their influences, rich in collabs with a range of artists like Sepultura’s Igor Cavalera and C.A.R., the record is at once ambitious and, as the title suggests, apologetic. Their capacity for embracing these polarities, a radical boldness tempered by self-consciousness, it may divide the audience, but it shows unmistakable personality.

Simple Symmetry returnes to Multi Culti with an epic, mournful EP called “Problem,” featuring a huge remix by long-time compatriots Red Axes. Another huge edit for CULTED is on deck, as well as a peak-time rework of Drugface, following up on their massive mix of ‘In the Clouds.’

*If you had to prompt an AI to get the picture you’d cite ‘dancefloor banger inspired by The Beatles, remixed by Weatherall with a bit of extra Ravi Shankar in the mix, recorded after hanging out with punk kids on their first E at a rave in 1993 headlined by Aphex Twin, CJ Bolland and the Prodigy’. 

BOOKING

ssymmetrymgmt@gmail.com
cedric.personagrataagency@gmail.com

If you'd like to send us promos or you need a remix please send an email to ssymmetry@gmail.com

✈ booking :
booking@darlynvlys.com

💿 𝙵𝚘𝚞𝚗𝚍𝚎𝚛 @polarislabel

@phasegroup

Bookings: phasegroupmusic@gmail.com

hi-fi church of the twins
www.fantastictwins.com

Bookings: caroline@spunoutagency.com 
Publishing: rachel@passeprojects.com 

upcoming LIVE shows
10.05 Tempio del Futuro Perduto, Milan, IT
04.06 Distortion Festival, Copenhagen, DK
06.06 Gewölbe, Cologne, DE
11.07 Yaga Gathering, LT
more TBA

MGMT: angelica@carino.agency
Bookings: avril@futura-artists.com - meri@futura-artists.com

The facts of life. 

bookings : emma@pieces.live

contact : alex@clashlion.com

My debut album 'Consciousness As A State Of Matter' is out now on Phantasy.
Stream or download: https://lnk.to/TERRPHLP23

Terr is the exciting musical project of Daniela Caldellas, the Berlin-based DJ/producer and label owner, who grew up in Brazil’s Belo Horizonte.

Her music experiences come from a long time - after spending her earlier years playing guitar in several punk bands, she decided to learn the basics of computer music to be able to express more complex ideas - “Electronic music allowed me to bring to life the sounds that I had in my mind,” she says. She became a studio addict, investing in analog synths and effects to work on her sonic experiments. 

Terr was born in 2016 as her first solo project. Its name stems from the 1970’s film “Fantastic Planet”: Terr is the name of the main human character. The debut release, a three-track EP titled Burn the Past, landed on Scuba’s Hotflush Recordings, followed in early 2017 with Misantropicalia — which extended Terr's musical horizons. 2018 saw the release of two solid EP’s on both Permanent Vacation and Correspondant, respectively. 

In 2019 Terr began her fruitful partnership with Phantasy Records - “I have always been a fan of the label and of Erol Alkan. I really like the way the label is focused more on the artistic and experimental side of electronic music. That's the kind of label and philosophy that attracts me and makes me want to work on something." Two EPs were released that year: the acclaimed Tale of Devotion and Energy Sync - which was the soundtrack for Moschino’s Fall Winter 2020 Fashion Show. Now Terr makes a triumphant return to Phantasy with a deeply dreamy new single, Wings of Time, complimented by a momentous remix from Tornado Wallace. 

Caldellas has set up her own label Clash Lion, alongside Shall Ocin and Daniel Watts. The label broke through instantly with the first release seeing Maetrik’s resurgence in a number of years. Since then the label has seen numerous artists pass through the gates including ANNA, Man Power and many more. In 2018 Caldellas released Dust on Clash Lion with remixes from Curses, Cardopusher and fellow label founder Daniel Watts. Throughout her career, Terr also did a bunch of killer remixes for artists like Tiga on Turbo Records, Rüfüs do Sol on Warner Music, and Ora the Molecule on Mute Records, among others. 

At the moment Terr's working on new EPs and an album for 2022 - “I am working on different things at the moment, I think I would be too bored if I had to work on the same style over and over,” she smiles. “I am doing some stuff that’s more "epic" and dance-floor-oriented as well as some romantic breakbeat and reshaped electro. I am really excited with the new stuff.” As for her inspiration, she has a huge myriad of influences: from Grunge to Electroclash through classic Disco, Philip Glass, The Knife, Leonard Cohen, acid house, techno, Brazilian popular music, movies and books - “I believe that ideas are waves of energy flowing through the cosmos and artists are like antennas. I try to keep myself and my senses wide open to welcome them”.

emine topal is following