Beautiful as always. Love the staggered rythym in this. Really creates a hypnotic atmosphere

This takes me there. Your music connects profoundly.

This is really nice.  Sort of dreamy and aspirational with a tinge of anxiety from the suspensions.  :)

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January Mixed Genre Support

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Inbetween

Music, lyrics and song : Jens - Joel
Instruments : Jens - Joel and Magnushttps://open.spotify.com/track/2BUNaqIZY1ZjGcnp6ltGxs?si=5d77c63bb3744ded

In The Desert

Album (2018) : "Révérence, études tenuto & marcato"
* En écoute sur : vincentthomasrey.com/

(© All rights reserved - Blockchain Bitcoin technology)

- Arabesques Célestes (Étude I)
- Le Jardin Des Muses (Étude II)
- Invierto & Invitero (Étude III)
- Ibis Rouge (Étude IV)
- L'Épreuve Du Temps (Étude V)
- Soleil D'Hiver (Étude VI)
- Les Rameaux De L'Espoir (Étude VII)

Études pour piano & danse classique (Tenuto & Marcato).

Pochette : Vincent Thomas Rey

Révérence

"Le Jardin Des Muses, étude II (2018)" (© Extrait) Album "Révérence, études tenuto & marcato"

Rosie the hound dog died peacefully this week aged nine beloved protector of my daughter and loyal companion to all ,She was never beaten in a chase or race ,stood her ground when she needed ,peaceful and chilled at your feet .if your meet her you will be behind her.I had a little wake for her in sitting at her favourite spot in the garage and recorded this guitar into my phone ,the ambient noise is me and a fridge. 
Go n-eirí an mbothar leí

Requiem for Rosie

REQUIEM FOR ROSIE

Torment In The Vacuum

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Sepia Tone

Sepia Tone by Jason Mowry & Carlos Vivanco

Flow ! - enjoy :-) ...... photo: Fabrício Severo on unsplash

flow

© Music & Lyrics By Last Ravage Opinion
© Image: "Coniferous Vine" By Alenia's Cyberspace
https://www.alenia-cyber.space

Last "Ravage" Opinion

When I Was A Child

(M) Devil Devil, I Mean Amanda

Coromm

Track is from upcoming mini-EP Night Vision. You can pre-save the EP from here: https://distrokid.com/hyperfollow/sickshark/night-vision

Tightrope Walker

2019 Added To The Blacklist by Billy Korg

Added To The Blacklist

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Downtempo | ambient | chill |  music with occasional surreal and psychedelic undertones.

Coromm

Empty Sea

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Gary Rees

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