Taken from the album 'Toxic Cosmopolitanism' released as LP / Download

Kassel Jaeger 'Exposure Scales — Sunlight' (eMEGO 183)

Vadimooov presents his latest creation, “Ararat” — a captivating downtempo piece that embodies the mystical aura of the Middle East. The track unfolds through rich ethnic instrumentation and organic percussion, weaving a hypnotic flow that transports listeners into timeless landscapes.
Ararat strikes a delicate balance between modern electronic production and traditional sounds, offering an experience that resonates both on the dance floor and in intimate listening moments.

VadimoooV - Ararat ( Original Mix )

Eli Keszler - Last Signs of Speed
Format: 2xLP / DIGITAL
Cat.No: EE001
Cut & Mastered by Rashad Becker
Release Date: 17 November 2016

Purchase:
Vinyl: http://bit.ly/2kvaxBM
Bandcamp: http://bit.ly/2jTI75w

Last Signs Of Speed

Sudden laughter, laughter without reason

Exael/uon

Buy Now

ANM035 Exael — Bundle

This piece was made for the opening of the Radio Belgrade Electronic Studio on March 2 2018. 

This is my 1st recording of the real-time improvisation with EMS Synthi 100 + my computer setup.

Computer setup was based on the TouchOSC interface, Pure data patch and Ableton live. Improvisational dialogues between Synthi and computer were done through a dynamic interactive interface on my tablet and tweaking of the Synthi sounds live and playing with their parameters. I haven't used Synthi's sequencer (or a computer sequencer), but rather variety of key triggers, joysticks and envelope shaper trapezoids.

Due to a wide frequency range, it's not advisable to listen to this recording through a laptop speaker or similar.

This is my first use of the modular synthesizer in live performance and/or composition.

TV recording of the whole event: https://youtu.be/9tUwHGweUxY
(simultaneous performance in 2 studios of the Radio Belgrade with audience, live TV and radio broadcast)

Radio Concert No.1

Taken from Keys to the Fields 27: Various Artists "The White Madonna"

Sofia Ozdravovna _ How a City Sings from November to November

from DUO
by France Jobin + Richard Chartier
on mAtter, Japan
release date: Dec 16, 2018

DUO is the first collaborative project from minimal composer France Jobin and Richard Chartier.

DUO creates an “intemporelle“ and pervading atmosphere, where sounds intermingle within an intricate and delicate system delineated by spatial and temporal boundaries.

composed by  France Jobin and Richard Chartier.
mastered by Stephen Mathieu 
thank you to Yukitomo Hamasaki and Shuhei Miyagi
design by Richard Chartier

https://www.matter.jp/work/#/duo-france-jobin-richard-chartier/

DUO 1

More info - http://loose-lips.co.uk/blog/saaad-the-western-promise-nahal004
@nahalrecordings @saaadnotes

Orbs And Channels (2018 Reissue)

Western Promise

Pre-order

PREMIERE: Saåad - The Western Promise (NAHAL004)

First Terrace Records have the honour to present an album of new work by influential and idiosyncratic artist K. Leimer. 

His second outing for First Terrace, following his part on FTS001, the album finds the composer working in a solemn & focused mode, rendering deep sonic landscapes that shimmer, sink into themselves and play host to a slowly emerging carousel of auditory apparitions - dynamics delivered through his mastery of textural manipulation. 

Emerging in opposition to the sunless days & countless distresses of current US politics, each track is imbued with a refreshing sense of equanimity - in Kerry’s own words, he “does not profess that music - especially an experimental, lyric-free music - can change or influence such circumstances. But this is the context in which we now live, and this has shaped the music of Irrational Overcast — a coping mechanism for living under clouds of baseless beliefs and simplistic ideologies that disfigure and stifle what is an admittedly difficult though really quite lovely world.” 

The album is released worldwide on July 5th, on LP & digital formats, with artwork featuring images from Richard Misrach’s series of photographs documenting American petrochemical landscapes. 

Kerry includes this transcript to accompany "Irrational Overcast": 

"Authoritarian ideas that have persisted somewhere in the depths of human nature for millennia have resurfaced at a crucial moment for the environments we all inhabit — natural, cultural, intellectual and economic. The power and influence of this ideology will again prove catastrophic, as it already has for many people in many parts of the world. Authoritarianism, along with the refutation of our shared responsibility to one another and to objective knowledge in favor of personal gain & gratification consistently lead to disaster. Yet, somehow, a significant number of people seem to feel that this time will be different. To some extent they are right. It will be infinitely worse. 

Irrational Overcast is preoccupied with the perpetual failings of human tribalization, of assuming dominance over nature, of choosing belief and ideology over objective reality. The impetus was brought into immediate focus by the destructive impulses and actions of such excrescences as the Trump Administration and his republicans, as well as the blatant dishonesty and bigotry of thousands more retrograde, ill-informed nihilists operating in and outside the pubic sphere. 

I do not profess that music — especially an experimental, lyric-free music — can change or influence such circumstances. But this is the context in which we now live, and this has shaped the music of Irrational Overcast — a coping mechanism for living under clouds of baseless beliefs and simplistic ideologies that disfigure and stifle what is an admittedly difficult though really quite lovely world. Music, to my mind, can not clearly express anything so literal, or metaphoric, or allegoric — but Irrational Overcast makes the effort to articulate the problems created by some enduring and banal aspects of human behaviour. Which is the reason it is built of lo-fi, deformed emergent or regressing or fragmented phrases, subsumed by distortion, noise, wow and flutter… and played with the understanding that there can be no more bedtime stories." 

K. Leimer has been recording and releasing experimental and electronic music since 1979. Irrational Overcast is his first full length record for First Terrace Records, and his 20th solo album. His work can also be found on the Palace of Lights, RVNG, Origin Peoples, Invisible Inc., and Les Giants labels as well as through The British Library.

Irrational Overcast

K. Leimer  'Weather On The Fen'

Mark Vernon "The Consensus Is To Delete"

MAR051 Mark Vernon "An Annotated Phonography of Chance" LP

order:
https://misanthropicagenda.bigcartel.com/product/mark-vernon-an-annotated-phonography-of-chance

www.misanthropicagenda.com

https://youtu.be/cT23W3UFPHk

An Annotated Phonography of Chance

Mark Vernon "The Consensus Is To Delete"

TUUM "Dream Time" mix that aired April 28, 2020 on NOODS Radio for Silver Waves. Tracklisting:

Sean McCann - Unfolding Angels
CS + Creme - Snoopy [excerpt]
Remo Seeland - Whoosh Before Laya
Shackleton / Tunes of Negation - The World Is A Stage / Reach The Endless Sea
Eric Holm - Salp
Helm - Lizard in Fear
JAB - Erg Herbe
Priscilla Ermel - Corpo Do Vento
Salvador Ferreras - Jersey St.
Wojciech Rusin - Paolo's Dream
Ka Baird - Teaching Lodge of the Arrows
Mohammad Reza Mortazavi - Taken by the Wind
Sote - Pipe Dreams
Judgitzu - Kelele
Ano Ton - Cloud Ascension (forthcoming Portals Editions)
Afro-Disiak - Tambours D'Eau
Tarawangsawelas - Sekalipun

"DreamTime" mix for Silver Waves NOODS Radio

Empty Editions is a Berlin-based publishing platform initiated by the Empty Gallery, Hong Kong. Empty Editions releases vinyl records, artist books, multiples, and other ephemera with a special focus on the intersection between visual and sonic arts. We are restless explorers of the fertile territory where the vernacular meets the avant-garde. Forthcoming releases from Empty Editions include music by Jean-Luc Guionnet, Daichi Yoshikawa and a documentary on Karou Abe by Modern Music's founder, Hideo Ikeezumi.