Man can remember this from splintered finger repost. superb sound qaulity. Still right on the money

I should give a 2nd heart for this one !!

Enjoyed working with Nils Frahm's beautiful recordings very much as you can imagine.

This is an extended edit incorporating both the "Do" and "Re" compositions.

Apart from Nils's piano recordings, I used some Machinedrum and guitar obviously. 

Very happy that Nils liked my remix:

http://reworked.nilsfrahm.com/rework/DO/do-encym

Many thanks for your inspiring work.



Dodiddone [Nils Frahm Reworked by encym]

2025-06-17

meeting in the fjord

This track was created for the Naviar Haiku group.
599
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/

2025-06-26

rain rituals - (Naviarhaiku 599)

rain rituals -
if the gods are here now
to see the paddies
(Takarai Kikaku)
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/
Komposition1076 FlöteViolineCelloTrio

rice and rain (naviarhaiku599)

So sing the leaves of Willow.

autonor

Insul

Step 1: Choose a favorite book, or simply choose one at random.
Step 2: Read — preferably aloud — the first sentence in the book’s text.
Step 3: Make music that somehow reflects the line you read in Step 2.

Nice challenge!
I picked a book at random from a cardboard box filled with souvenirs from my years in Argentina. When I moved to Europe, I brought most of my belongings with me — but some heavier items (mostly old books, cassettes, and vinyl records) stayed behind. I'm gradually bringing those things — and memories — back.

The first book from that pile:
*Cuentos de dos orillas* (1971 edition)
I remember most of the short stories in it — I read them decades ago (at least 35 years). The one I truly love is the story by Borges.

For the music, I used an unused 2023 recording with Santiago Arias on bandoneon (I play bowed upright bass and Fender Rhodes). I added some synths to create an abstract soundscape.

This is the passage I read:

Funes, el memorioso
by Jorge Luis Borges
Lo recuerdo (yo no tengo derecho a pronunciar ese verbo sagrado, sólo un hombre
en la tierra tuvo derecho y ese hombre ha muerto) con una oscura pasionaria en la
mano, viéndola como nadie la ha visto, aunque la mirara desde el crepúsculo del
día hasta el de la noche, toda una vida entera. Lo recuerdo, la cara taciturna y
aindiada y singularmente remota, detrás del cigarrillo. Recuerdo (creo) sus manos
afiladas de trenzado. Recuerdo cerca de esas manos un mate, con las armas de la
Banda Oriental; recuerdo en la ventana de la casa una estera amarilla, con un vago
paisaje lacustre.

 @disquiet

Funes el memorioso (disquiet0705)

Music for / inspied by the first line of Crime and Punishment, which reads as; 
At the beginning of July, during a spell of exceptionally hot weather, towards evening, a certain young man came down on to the street from the little room he rented from some tenants who lived in Stolyarnyi Lane, stepped out onto the street, and slowly, almost hesitantly, set off towards the Kokushkin Bridge.

I picked that line, in part because its the beginning of July as I make this and also we've had a spell of hot weather. I read this book probably 25 years ago and read it again at the start of this year.  
For this track I jumped onto Freesound.org and got some street sounds from St. Petersburg and the horse drawn carriage sounds - this seemed to fit the 19th century feel. I new then the music and field recordings should merge together. I wanted tension and the sense of the character in the book being alone with the music I added - soft tension strings and ambient keys. 



Raskolnikov's Walk [disquiet0705]

Parvekkeen (remastered)

Abidaz Moorishux

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

Dodiddone [Nils Frahm Reworked by encym]

encym

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