trm;ln_generative

Wandering sleepwalker looking through warm windows...

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Please follow and like only if you listen and appreciate. Seeking followers and likes without a real exchange of content is just a bubble that's destined to vanish.

Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/
"Hearing sound without being contaminated by sound, is liberation” (Bodidharma)

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

Counter Silence is Southend based composer/producer Colin Ventura.
Check out my Bandcamp here:
https://countersilence.bandcamp.com/

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

I've been producing electronic Music since 1998,  Primarily focusing on Underground Techno, be it  Dub Techno or 90's style IDM music, Most of my tracks are rather Chilled out Ambient but I also love to do more upbeat raw Techno.  I prefer more Abstract styles as opposed to Pop or dance music.  In my early days I made a lot of IDM,  Experimental,  Acid Techno.  Though at this point my sound is generally more Chilled out and Ambient.  I started making music at age 7 When I started piano lessons but by age 13 I Picked up guitar as well.  

I played guitar for along time and played in bands here and there but didn't really start to produce music until about 1997-99  When I got my hands on a copy of FL Studio.  
Thus my career in Music production using computers and Midi hardware began.  I have created over 400 Tracks since then lol.  

I wouldn't trade doing this for anything!  I never would have expected to have built such a large following here!  In the end I am also a listener and fan myself though. As well as being an avid Music collector and still believe in buying a Cd on occasion too ;)  

I have made so many friends here on the cloud and I will say this is the best Music community there is online period.  

I sincerely appreciate all comments and feedback!  I still can't believe the amazing support I have gotten on here.  I do seriously try and listen to as many fellow soundcloud artists Tracks as I can.  And If I don't get to yours Please don't hesitate to PM your work!  I love listening to Music what can I say it is my passion and has gotten me through so many difficult times in my life!  

I know that this is a community of artists and I am not here to Just promote my work.  This site is great for making friends and supporting some amazingly talented people as well.  Musicians that deserve to be noticed.  The amount of Talent on this site is just mind boggling and I do my best to support my friends here in the soundcloud community!

Enjoy the music and Keep making it too guys!
https://www.facebook.com/edendeeply

http://www.edendeeply.com/

http://www.mixcloud.com/Aurelius808909/

i would describe my music as "Soundtrack Ambient"-Sonic Textures and Atmospheres layered or painted, one on top of the other.