Breaking the barriers of bass music...
Electrifying the underground...
🍄 🍄 🍄
Curated by @PsyopticMusic
@PsychocybinDeep
@PsychocybinRecords
@PsychocybinPrime

Home Team Artists:
@TRON3X
@DeviousMusik
@PsyopticMusic
@DeemZoo
@ThreddedBass
@DewaxedMusic
@JOJO_wubz
@HighdruHDUB
@PhunkBias
@MindIsland
@InternalFrequency
@ContaktOfficial666
@Wynde-Up
@MurlockHolms
@GorgunsBass
@RekkaWubz
@HypnoTryp
@D1V1NAT1ON

Part of @MultiversalMediaGroup

All Free Downloads, Always... 
Label Takeovers: Dan.OriginMGMT@Gmail.com
Demos: PsychocybinRecordings@Gmail.com

Producer and Instrumentalist
 
Booking andMmanagement - jared@mammothmusicgroup.com
lessons and all other inquires - joshteedviolin@gmail.com

Self-produced British composer and recording artist for 25 years, Imogen Heap has released five solo albums, another as one half of Frou Frou and collaborated with countless and varied artists including Taylor Swift, Nitin Sawhney, Deadmau5, Eric Whitacre, Jeff Beck and Jon Hopkins. Her compositions and songs pop up in blockbuster and indie films as well as countless TV shows, are featured in underground rap and dance music and covered by the likes of Ariana Grande. As composer and arranger for one of the biggest hits in theatrical history, Harry Potter and The Cursed Child, Imogen won the Drama Desk Outstanding Music in a Play award. As a sought-after speaker and performer, Heap hosted 2020’s Grammys Premiere Ceremony. Heap’s collaborative and multi-dimensional workflow attracts companies for commissioned works, leading to songs such as Tiny Human, the first song to distribute payments via a Smart Contract, and The Happy Song, a highly successful song for children in their early-years. Heap, recognised as an artist's artist, has won two Grammys and an Ivor Novello award. In recognition of her pioneering work at the intersection of music and tech, Heap has a hat trick of three honorary doctorates for the gestural music-ware 'MI.MU gloves' system and recently for ’The Creative Passport’, an integrated digital ID solution, empowering music makers to be the change toward a fair and flourishing music ecosystem. Between projects a constant for the past year is every Thursday afternoon, Imogen Q&A chats with her fans via The Listening Chair with those who subscribe to Imogenheap.app to collaborate together on Augmented Imogen, Imogen's in dev AI.

The Sublime style comes straight from Long Beach!

Official site: https://SlightlyStoopid.com
Get the Music: https://SlightlyStoopid.com/music
Find a Show: https://Slightly Stoopid.com/tour

As a musical brotherhood since 1995, Slightly Stoopid, led by the vastly versatile duo of Miles Doughty and Kyle McDonald, has expanded its fusion of rock, reggae, acoustic soul, hip hop, heavy metal, and punk rock, and achieved artistic freedom and commercial success while subscribing to their own DIY ethos. In the process, the talented collective has grown both onstage - from their original trio to a seven-piece ensemble - and as the generational forebearer of an immensely growing subculture and lifestyle movement. 

Bound by their devotion to a musical agenda that relies on the spirit of collaboration and improvisation, and a social agenda that advocates for the freedom and legalization of marijuana, Slightly Stoopid’s musical melting pot continues to earn the respect of their mentors and peers, inspire countless young musicians, and delight millions of fans.

Read more at: https://www.slightlystoopid.com/about

“There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”

“We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”

From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”

☾ music for the middle of the night ☾

Contact: plantrae@gmail.com

Seaweed Sect
 @futurearchiverecordings

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