Instrumentación: Clarinete Sib, Violín / Ocean Drum y Violonchelo / Palo de lluvia

Año de composición: 2003

Estreno: 2 de junio de 2003. Aula Magna de la Facultad de Filosofía y Letras de Cádiz.
Camilo Irizo (Clarinete), Alejandro Tuñón (Violín) y María del Carmen Coronado (Violonchelo)
[Ensemble Taller Sonoro]

Encargo: Junta de Andalucía con motivo de la Cátedra "Manuel de Falla" 2003, bajo la tutela del compositor José María Sánchez Verdú

Observaciones: Dedicada a Taller Sonoro

Duduk (2003) para Clarinete Sib, Violín y Violonchelo

Autour, pour piano (2019)
Jean-Frédéric Neuburger, piano
Radio France avril 2022

Philippe HUREL Autour

Juan Matías Cuartas, accordion

recorded at Fundación Cerezales Antonino y Cinia (Castile and León, Spain)
11.11.2023

work commissioned by Juventudes Musicales de España

espejismos del alba (2023) for accordion

«Mimma’amaqim» (Out of the depths)

Premiere: Stadtcasino Basel – Musiksaal, January 25, 2024
10th Mizmorim Chamber Music Festival Basel
Lucerne Festival Contemporary Orchestra (LFCO)
Basler Madrigalisten
Tito Ceccherini, conductor
Recorded by SRF (Schweizer Radio und Fernsehen)

This Psalm is a cry, a call out for help, for being heard by God.
It is often described as a canticle of gradual ascent (Shir Hama’a lot). This ascent could be understood as a rise from the abyss to redemption.
I believe this Psalm could resonate with many, even non-believers, as it shows a universal and tragic part of human life and human nature. That is the experience of grief, depression, abuse, solitude or simply being in a place so dark that leads to despair.
But it also sends a message of light, optimism, and hope, through the conviction that one will be heard.
Even inf it comes from the Hebrew tradition it shows universal values that can be embraced by many cultures and promote tolerance and acceptance. In fact, this psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies.
In this sense, during the piece the text follows a chronological use and adaptation throughout the Judaism and the different versions of Christianism: Latin: 530, Rule of Saint Benedict; German: Martin Luther Hymns, 1524, al and eventually the English: King James Version from 1610

Miamma'amaqim

ROSS, director Marcus Bosch. Encargo de la Real Orquesta Sinfónica de Sevilla, AEOS, SGAE.

Diario de a bordo [Alberto CARRETERO] - orquesta

Debris[2] //Volatility is the third and last of a series of pieces focused on micro sonic transformations of purely synthetic sources. Aural states are confronted, diffused and merged.

Debris[2] //volatility (stereo version)

For ensemble
CEPROMUSIC Ensemble
Conductor : José Luis Castillo
December 10, 2015
Centro de las Artes de san Agustín
Oaxaca, Mexico

La dimensión frágil

Silensis

Grabación del estreno de la obra "Espejismo Volátil", premio "Francisco Guerrero" en el concurso de jóvenes compositores SGAE-CNDM 2018, interpretada por el ensemble "Sonido Extremo", dirigido por Jordi Francés, en el auditorio 400 del museo "Reina Sofía" en Madrid.
Recording of the premiere of my piece "Espejismo Volátil", "Francisco Guerrero" award in the 2018 SGAE-CNDM young composers competition. It was played by the ensemble "Sonido Extremo" conducted by Jordi Francés at the 400 auditorium of the "Reina Sofia" museum in Madrid.

Espejismo Volátil for ensemble

Philippe Spiesser, percussion
Ensemble Flashback, Perpignan

EtudeProximite[Carretero]

https://enriquebusto.com

Enrique Busto was born in San Fernando (Cádiz) Spain. He studied Clarinet and Composition in the Conservatories of Cádiz, Málaga, Seville, and in the “Robert Schumann” Musichochschule in Düsseldorf (Germany) with the composer José María Sánchez Verdú.

	He obtained “Honorable Mention” in the specialities of Clarinet and Chamber Music, and “Honor Award” in compositions studies.

	In September 2003 he obtained one Prize of Composition in Comines (Belgium) for a piece to wind orchestra. In December 2008 he also obtained the First Prize “Xavier Montsaltvage” in the “XIX Edición del Premio Jóvenes Compositores” in Spain, with the organization of SGAE and CDMC institutions. And mentions in Stuttgart “ad libitum” and Valencia “Hui, hui música”. He participated in Darmstadt (2010) in “Reading Sessions” and in Donaueschingen (2011) in the Project “The next Generation”.

	He realized different compositions courses: Villafranca del Bierzo, “Manuel de Falla” Internacional Courses of Granada and Cádiz, Injuve, Darmstadt Sommer Course; with different composers: Cristóbal Halffter, Tomás Marco, José María Sánchez Verdú, José Manuel López López, David del Puerto, Manfred Trojhan, Mauricio Sotelo, Jesús Rueda, Julio Estrada, James Dillon, Bryan Ferneyhough, Rebecca Saunders, Enno Poppe, Aperguis, ...

	His works are being played in different concerts in Málaga, Sax Festival in Sevilla, Villafranca del Bierzo, Spanish Music Festival in Cádiz, National Auditorio of Madrid, 1º Klanken Festivial in Maastricht, Düsseldorf, Darmstadt, Moscou; and them have being played by different ensembles: Sax quartet “Italica”, “Taller Sonoro” Ensemble, Duo “Aura” Flute and Piano, “Dahmar” Ensemble, Andalucia Chamber Orchestra, “Manuel de Falla” Orchestra, Barcelona Modern Project, Grup Instrumental of Valencia, Ensembre Recherche, "Ocnos Proyect", Nikola Tanaskovic.

Duduk (2003) para Clarinete Sib, Violín y Violonchelo

EnriqueBusto

Related tracks