DG - The History Of Classical Music - From Gregorian Chant To Górecki

MULTIPLE VOICE

La déploration de Johannes Ockeghem (Nymphes des bois)

Pillar of Salt

Clara de Asís & Rebecca Lane "Distances Bending", live at Sonic Acts Biennial, Amsterdam 15 Feb. 2024.

As a duo, Clara de Asís and Rebecca Lane gather around the investigation of perceptual space, collaborative processes, and the development of pieces that are, more than settled compositions, elastic systems for ceaseless states of becoming. «Distances Bending» is their long-term project, which takes different forms in specific contexts and configurations in their exploration of harmonic and time proportions. Considering the most elemental aspects underlying the geometry of the harmonic series, one continuously rising sonic object (chord) undergoes a process of transformation and illumination as it travels from low to high, integrating a progressive complexification of frequency relationships.

Clara de Asís: synthesizer
Rebecca Lane: flutes, organ pipes, whistles

Thanks to Marc Hiatt and Michael Winter for the development of the algorithmic electronics.

Photo © Pieter Kers

Distances Bending Live at Sonic Acts 2024 – Clara de Asís & Rebecca Lane

Canzoni e Danze

Dalza: Piva

A selection of works by Josquin Des Prez. Recorded live at the Chapel + Cultural Center at RPI.

Josquin DesPrez - Inviolata integra et casta

Michael Hersch plays Josquin des Prez - De Profundis Clamavi
arranged by Michael Hersch for solo piano
recorded in 2004 at the American Academy of Arts & Letters, New York,

Hersch: Cello Sonata No. 2 - Milosz Fragments - Feldman - Rihm: Piano Pieces

Josquin des Prez - De Profundis Clamavi

Commissioned by Radio Museo Reina Sofía, Madrid, in Sept. 2019, "Tiempo, Piedra, Insecto" (“Time, Stone, Insect”) is a piece for metal objects, small ceramics, stones, and vibrating strings. Taking as its point of departure a selection of simple materials and rudimentary gestures, the piece explores repetition, addition and subtraction as principles of circularity and perpetual motion.

The title of this work comes from three words jotted down in a notepad after walking through a vast park in a big city and speculating with a friend about the animate and the inanimate. Are stones trully still, or is it that we humans just can’t see them move? —This seemingly simple, even naive question, carries a deeper reflection on the relationship between time and movement. While Tiempo, Piedra, Insecto does not directly seek to address this question, its structure was shaped by these ideas.

https://radio.museoreinasofia.es/en/clara-asis

Tiempo, Piedra, Insecto

...from​ Il vero secondo libro de madrigali 1539 
Diminutions by Mara Winter after S. Ganassi.

Jacques Arcadelt (1507-1568)"Donna, quando pietosa" live Utrecht 2019

Dufay: Missa "L'homme armé" & Motets

Dufay: Nuper rosarum flores

Extracts from the album 'Repetition of the same dream' (Another Timbre, 2020), featuring 5 pieces collaboratively created during C-19 lockdown in Basel, Switzerland, by composer-instrumentalist Clara de Asís and flautist Mara Winter. 

Released in August 2020 on Another Timbre, which commissioned Clara de Asís to create the music as part of the label's 'quaratine commissions'.

https://anothertimbre.bandcamp.com/album/repetition-of-the-same-dream

Jacques Arcadelt (1507-1568)"Donna, quando pietosa" live Utrecht 2019

ensemblephaedrus

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