check out my last track if you like chill stuff to light up to <3

Beautiful track, love the tones and the ambience!

What did you use to get those vocal effects?

another "fill the world with slilly love sings"  Raid rescue. Hard drive hells.

off the windscreen

support brian

just the same - splat - off the windscreen

Uploaded with AudioShare app - http://kymatica.com/audioshare

rust

This track marks a number of milestones in my progress on Garageband. First of all, I still consider it to be the edgiest/craziest, and most avant-garde sound I've done to this day (and I'm writing this in the middle of august 2023). Secondly, it's first time I learned how to do a transition and made one. It goes twice in the beginning, and twice during the dip, happening in second half of the song.
 
I was playing with the knobs for heavy electro-bass sound, and discovered that knob called sync is perfect for making a transitions. And then I discovered (through another knob) a sound that sounded like a keystroke sounds on atari 800. Finding this sound felt like a dream comes true so I immediately composed a melody, very cute one, and kind of videogame-ish.

I used this sound for opening melody (after a mini intro). It plays alone once and then the bass coming in is the original sound I played with. Hard, distorted bass riff goes into cross-rhythm with that melody, and after that comes the rhythm, which adds another dimension. It sounded very new and very original. I still remember that feeling when I first heard it. It was mind-blowing. 

Rhythms are basically only two. First one until the dip, and the second one after. A dip uses a heavy electronic bass sound, so distorted - almost unreadable, but beautiful - while still playing the first Atari melody with it. Then second rhythm and everything else keeps pumping. 

The end is the beginning, the same loop once again, which goes only once. It's created by levelling pitches for all sounds, and playing them all at the same time, with only a snare hitting on third. This loop happened as a by-product during making a structure, but it sounded crazy and rare, and it sounded perfect for a sweet goofy intro, and outro. Enjoy.

Five tones micro symphony

Piano solo melodic improvisation. About flowing.

a-changing

Greed Abyss

Greed Abyss -Eerie landscapes  Mix-

2nd mix folks! Axed the synths as it was bit messy. Used a lil mo guitar. Changed bass slightly so it mo funky instead of dirty. 
Changed  1  section of my vox parts 4 hook a lil. The rest the same. Thanks 4 listening! All support be returned. Much love! 02/02/2016 Date of upload...

Nowt but love The Party Responsible

Where are you hiding? Where? Where? 
Well I don’t care, merely wondering why
You divide in your mind what flows freely
When you say that the divine 
Speaks through your mind
When it doesn’t really matter where it comes from
It's all going the same way, it never stays.

It's better to be headless
It’s easier to be what you can't conceive when your headless

As you seek, it is sought
Exist in thought, it is naught
Can’t you see? 
You perceive simultaneously 

I see where you’re hiding and in the space
The time you’re biding, slowly slipping away
So that what you say, dissipates 
Leaving you face to face
With a dialogue that leaves no trace
So how can you deface? 
Where you’re always running to
Anyways, there’s nothing to hide from
As it comes undone

Headless

bye bye

MODULARSQUARE

TRIIB - Serenity Rite

Original Score inspired by the Brian Evenson novel The Warren

What do you mean by person?

Epic Ganesh is what happens when four curious, flowering musicians join forces to ride the supersonic psych-wave of progressive proportions.

Connor Long - Lead Guitar/Lead Vox
Adam Smith - Bass/Vox
Ron Mitchell - Keys
Ciara Foquim - Drums/Vox

Headless

Epic Ganesh

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