Troally é um canal de podcast e coluna do portal Alataj destinado a descobrir e espalhar a música de artistas no estilo lado B. 

A música conecta.

Been Dj'ing since 1998 & my musical influences come from clubs and events in LA, SF, NYC, Ibiza, London, Argentina, Paris, Vegas and the Burn.  I enjoy spinning a wide range of genres like deep, funky, techy, proggy & tribal house.  Just depends on what the crowd is into.  Music is my passion.

Contact me at: usdjmarquez@hotmail.com or message me here.

was a website but those r dead now

nts show: http://nts.live/shows/michael-washington
twitter: http://www.twitter.com/michaelwashh

Pink Mammoth is dedicated to providing unforgettable parties with house music and a deep vibe. We thrive on bringing good people together and making each event memorable. We collaborate and bring the freshest parties to the best clubs, undergrounds, and festivals across San Francisco, Los Angeles, Denver, Brooklyn, Chicago, Miami and beyond, as well as hosting our legendary Pink Mammoth day parties at the Burning Man Festival in the Nevada desert.

Pink Mammoth is a family. We strive to nurture a sense of closeness among us, a bond between us, and to create an environment of love and compassion, selflessness and support, health and vitality, that encourages each of us to be our best, to shine and to thrive. The survival and growth of Pink Mammoth depends upon its participants.

San Francisco based DJ/Producer.  Founder of Zettabyte and Get Vibes Records. Co-Founder of MNML:FUN. This site hosts Zita's episodes from her podcast, Sound and Machine, and her live mixes.
Releases on: 
-Ostfunk
-Plunk!
-Baroque
-Fierce Animals
-DC10
-Loob 
-Zettabyte

Jonathan Will is a resident DJ, podcast boss, and impresario for San Francisco’s legendary house crew Pink Mammoth, as well as an up-and-coming producer for Loöq Records. 

He loves to make people FEAL on the dance floors by taking them through a journey inward of beauty and emotion, as well as provoking momentous booty-shaking extroversion. His style is eclectic, expressive and dance floor-centric. His sets convey a full range of house music including full-body notes of tech, deep house; seductive aromas of electro-pop, underground jazz and intrigue; and including a well balanced, lingering finish of funk and lure.

He has played alongside the likes of Lee Burridge, Miguel Migs, Jimpster, Soul Clap, Justin Martin, DJ T, Worthy, Marques Wyatt, Fred Everything, Spirit Catcher, Audiofly (Luca Saporito), M.A.N.D.Y. (Philip Jung) and The Martinez Brothers. He is also one half of the production duo "Thick as Thieves" with his production partner Ray Kang (Yoshitoshi). 

He has performed at almost every notable club, festival and underground in the SF- Bay area including: Monarch, Mighty, The ENDUP, Supperclub, Triple Crown, Ruby Sky, Wish, Temple, Anu, Public Works, The Phoenix Hotel, Monroe, How Weird, Lovefest, Superhero St Fair, Decompression, Body & Soul, Robot Heart; and around the world in Miami (WMC), Minneapolis, Denver, Los Angeles, Amsterdam (NL), Hiroshima (Japan); and the much loved, annual Pink Mammoth parties at BRC, Burning Man.

Currently, he has been busy in the studios with production. In 2012 he did a remix for AND()'s “Akuma H23” on Looq records. The release was well received and even peaked to #35 in its category on Beatport. Then he followed with a strong, lush summer deep house remix of Momu's “ComingUp” which got re-released on Loöq's Best 12 of 2012. He latest remix of Momu’s “Rising” which debued on Pink Mammoth's Sunrise set on Robot Heart is already getting much DJ support and praise. 


Footprintsound.com NUGZ or Brian Cox, one of the first DJs to perform on a Boeing 747, began his career in music when he acquired a Fisher Price turntable at the age of 5. He started making “pause button” mix tapes from songs on the radio at the age of 10, and got on a set of Technics 1200 MK2 turntables a few years later. He now has over 24 years experience in the booth playing for millions of party people. Blodip says he’s the best he’s ever heard. His stellar sets are amazing, incredible mind blowing magic for your ear holes. His parties are a shitton of fun. His ability to not get distracted is beyond human. NUGZ is about toeing the line between light and dark, positive and negative, existence and non existence. Think yin and yang on two platters and this DJ is the bridge. He takes you on a journey, continuously comes correct with phenomenal sets and uncanny consistency. A true disc jockey in every sense of the word.
While living in Boulder, CO in the 90s, NUGZ gained two distinct achievements. He acquired residencies at Soma in Boulder (voted as one of the top ten clubs in America by BPM and several other dance music publications ), and the number one club in Colorado at the time, Vinyl (formerly 1082 Broadway in Denver). He consistently played with profound success at both of these clubs until they closed, along with numerous others in the Denver /Boulder area while still at a very early point in his career.
NUGZ moved to San Francisco in 2004, and when he isn’t traveling the world, or building art for Burning Man (DJ'd for last 16 yrs), he can be heard performing in prominent SF nightspots such as The Great Northern, Public Works, Mezzanine, Yoshi’s, and the legendary 1015 Folsom. Corporate clients include Adobe, Dianese, Wells Fargo, Facebook, and AOL. He made his mark creating late night underground soirees at a special little space know as “123”, with his production company Footprint Sound. These are still regarded by true nightlife professionals as some of the best parties in SF. He continues to produce weekly and monthly events all around the bay, and during these late nights and early mornings he shares the booth with the likes of The Stanton Warriors, Donald Glaude, Modeselektor, Tycho, Martin Buttrich, Deekline, Audiofly (a performance in his loft, 123 was their first SF show) to name a few.
He is able to blend drastically different beats from all sorts of genres, tell a story, and create a sound/vibe that are truly his own. A risk taker who owns it, works in heavy, moving, melodic basslines, with unexpected builds and drops, sometimes dirty sometimes bouncy, seamless transitions from house to slowed down breaks and back again.  Incorporating custom re-edits and remixes, the more bangin’ selections under cover of darkness revolve around House and UK Nu Skool Break Beat sounds, that range from deep, melodic, sexy, to dark, dirty, nasty, funky, grindy, techy, electro. In day light hours, you might find him spinning trip hop, down tempo, mid tempo and classic hip hop, along with sexy deep house and funk all over the bay area at places like bars, lounges, back yards, yachts, pools, rooftops, houseboat rooftops, small islands, basements, lofts/ warehouses, art galleries, Breakfast of Champions, Bay to Breakers, The SF Marathon, campouts, sidewalks, planetariums, Decompression, SF Pride Parade, the Golden State Warriors championship parade in Oakland, or Golden Gate Park. He is currently the sound engineer and resident DJ for the Dusty Rhino burning man mobile art piece where he is also a founding member.

Pink Mammoth
Housepitality
Booking: rtellsworth@gmail.com

Producer, Composer, Pianist based in Sausalito, California. Focused on creating shimmering original tracks for all media. 

Erin Quist is following