You are not forgotten you all, we are still here

Not Said (In Mirrors)

Everything Down is a one person project all comments will be answered.
want to know anything just ask.
http://everythingdown.bandcamp.com/
www.facebook.com/EverythingDown
EverythingDownband@gmail.com
or have a look at our YouTube Videos
https://www.youtube.com/channel/UCecrXIzZg7P9GsvqWtnHa3A/videos

influences
                    - Nine Inch Nails
                    -Massive Attack
                    -Portis Head
                    -Ministry
                    -Pink Floyd
                    -The Prodigy

Album out via wetlands on bandcamp

Zen Robotic is the music of Geri O'Leary, a gender non conformist singer/songwriter who produces electronic music.

Lyrics that are deep, emotive and thought provoking play an integral role in the Zen Robotic repertoire. The vocal and keyboard driven music is accompanied by Drums, Bass and FX that are played through Ableton Live.

Geri has been labelled a dark David Bowie and her music has drawn comparisons with Depeche Mode, New Order and Moby.

http://www.boyss-sound-e-scapes.com
Boyss is electronic music project whose sole member is producer Bojan Boyss. His first trying to compose/write music was at the age 16, in the 90s. Love to music and sound design/manipulation dates long before that period. His biggest influences to start was famous electronic bands from the 90s but also grunge and metal. Album from that time that made a mark on his work was soundtrack of the "Spawn" movie  where he heard for the first time collision of his favorite genres.
In the 90s and even now-days a lot of people think that electronic music has no soul or emotions and that its done easily.
Boyss, like many other, is trying to brake that stereotype and to conjure trough music (as a form of an art) some of his emotions or internal state.
He has done a lot of tracks in the past and kept them for himself thinking that there is only mainstream dictated by big labels. He got in touch by artists/bands from  local scene first who encouraged him to continue on his work.
His collaboration with Lucky Flaush gets on VA international compilation and became very popular. 
After that he did 2 albums (one of them on CD too) and many collaborations/remixes/compilations and even whole remix album.
He is still active and working on new music projects.
  
Most of the listeners describes his music as breakbeat but he is not genre bounded nor he tries to be. On some web places his music is described also as electronic/breaks/bigbeat/electronic rock/alternative/experimental.
Lately he has founded new love: sound design and sometimes he publish his work as sample libraries or under Second Escape experimental project.

Bojan Boyss is also a member of Rootwork Collective, international group of underground producers. You can check compilations by RW (v.a.): https://rootworkcollective.bandcamp.com , on Sundays is RW live stream radio, more about RW radio here: https://www.facebook.com/rootworkcollective/

https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

https://soundcloud.com/aqwan
https://soundcloud.com/wingshredderofficial

There, beyond
The tunnel of light,
Stars!
And each of us
The space between.

the search for the beauty that cannot be named

I also make things with friends  ...

@leavesofabsense
@liluandtheghost

Ask an AI .....
The term "Quality Without a Name" (QWAN) was introduced by Christopher Alexander, an architect and design theorist, in his book "The Timeless Way of Building." QWAN is an elusive concept used to describe the intangible essence or feeling of a well-designed space or object that makes it feel alive, comfortable, and harmonious. It represents the innate quality that resonates with people on an emotional level, making them feel at ease and at one with the space.

Alexander argues that this quality is timeless, meaning that it transcends styles, periods, and cultures. He believes that when people can experience QWAN in a space, it indicates that the design follows a natural and universal order, aligning with human needs and desires.

QWAN can be applied to various fields, including architecture, urban design, software development, and other disciplines where creating something meaningful and harmonious is the goal. In each of these domains, the concept of QWAN is a reminder to designers and developers to strive for that elusive, intangible quality that makes their work resonate with users on a deeper level.

Contemporary Deep Electronic Music

Ambient Soundscapes, Atmospheres, Chillwave, Synthgaze, Soundwashes, Fuzzy Warmth & Shimmering Tones.

If you'd like to use my music, commission a track, collaborate or just any questions in general, please message me through Soundcloud.

RELEASES:
Serenity
Colossal
Astral
Ethereal
Lightbringer
Your Love
All The Light We Cannot See
Tides
My Armour
To The Dawn
Night Visions
Nebulae
Heliospheric Transmission Sessions
Achives: Alpha, Beta, Gamma, Delta
Dark Light
Monuments 
Sonic States
Pure Theory
Future Tectonics
Fire Masses
Aurora
Future Islands 

Many more releases on Future Cosmetiq
https://futurecosmetiq.bandcamp.com/

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

I keep bees and write music
Big thanks for your support!!! You find my music also on Drooble https://drooble.com/sergey.chuprikov and Hearthis https://hearthis.at/sergey-chuprikov/

Counter Silence is Southend based composer/producer Colin Ventura.
Check out my Bandcamp here:
https://countersilence.bandcamp.com/

It looks well drawn said the youngest guide, But what it is i cant decide.
"Strange As It Seems" Album for download at https://fagashrecords.bandcamp.com/