Currently in the DMC UK BUZZCHARTS (6) and liked by Pete Tong, The Magician, Tensnake, Maxxi Soundsystem and Peter Kruder of Kruder&Dorfmeister to name a few. 

"Waiting For The Daylight" is a song about a conversation between an Astronaut and his wife. 
The spaceman has been stuck out there for years and is reaching a breaking point. 
He is a kind man on a mission but shows his fragility when he asks about his kids. 
Not knowing what time it is and not being able to listen to his music while even more frighten aliens cross his spaceship is testing very hard on his control. 
He spins between satellites but his hope for the daylight to appear is his only lifeline. 

Dino Lenny about this track: 
"I wrote this track badly playing my 100 year old Piano (recorded with my iphone)   
I was in my living room but like it often happens I felt I was out there in Space. Wondering about and feeling deep immerse in a mission that I didn't really care about.. 
I sometimes ask myself what is the point? But then as usual at the lowest step..  the light appears and I feel like a child in a sweet shop!" 

About Dino Lenny: 
Dino Lenny starts very young as a radio deejay in a small town of the South of Italy, Cassino. After a few years of experience, in the early mid nineties, he is crowned "master of ceremonies" of the Maltese nights, gathering more than 2000 people on the famous Axis' dancefloor. He grows up within an interesting group of lads such as Savino Martinez and Claudio Coccoluto, and in 1996 he decides to seek fortune in the United Kingdom, his native country. In London his career gets a boost thanks to a long series of important remixes: Inxs, Underworld, Missy Elliot, Timbaland etc and the collaborations with The Housemartins, Scissors Sisters & Madonna just to mention a few names. His productions are just as interesting as the remixes and Dino Lenny earns for three times in a row the label of " Essential New Tune" on Radio One (BBC) by Pete Tong. 
Considered "The Wizard of the Electronic music" by the Chemical Brothers, Dino Lenny explores the full range of his potentialities and starts singing. With a simplifying abbreviation of his name, Dino records the single “Call me” which becomes a terrifically popular track all over Europe. The British press defines his vocal talent as a halfway between the Talking Heads and Ian Dury. Dino shows up a perfect Serpico style and sings in front of his raving fans at Tops of the Pops. 
The successful single gives just a hint of what will happen with the release of the album "Might". 
Whilst busy with more important collaborations, Dino is invited by Hardage to take part to his project which includes Jocelyn Brown and Maxi Priest , Level 42 and Peter Gabriel, amongst the others. 
He produces with Steve Lawler under the name Sladly the well received “Unicorn” and writes the soundtrack for one episode of CSI Miami in the middle of the preparation of the next “solo” album. 
A few months later Dino Lenny flies to Montreal to open the UNICEF concert - which gathers more than 7,000 people.  
Dino warms up the audience for Avril Lavigne and at the end of 2011 he performs live with Skin & Underworld at The Brixton Academy 
Lenny has also written the soundtrack for one episodes of CSI Miami and also for Irvine Welsh's film "Ecstasy" 
After David Byrne's approval "I Wanna be Like Talking Heads/ A Dj Deep Inside" gets released on Strictly Rhythm. 
The story continues on his favourite label of the moment.. while he's still "Waiting For The Daylight" to come out soon on Exploited! 

Artist: Dino Lenny 
Release: Waiting For The Daylight 
Label: Exploited 
LC: 15799 
Releasedate Beatport: 8.7.13 
Releasedate I-Tunes, Juno ect: 22.7.13 

Early Feedback: 

The Magician: Beautiful track. 

Tensnake: Last heard about Dino about a decade ago. This seems to be quality. 

Maxxi Soundsystem: Remix sounds juicy… 

DMC UK Buzzcharts: Dino is Mr Gorgeous with his lush production skills and eccentric shorelines. Another daydream delivered and delicious. 

Tiefschwarz: Cool release! 

Peter Kruder: Love Waiting For The Daylight. Will play this. 

Jazzanova/Alex Barck: What a poppy adventure here. Love the Remix. 

Rhadow: Liking the Instrumental Version. Thank You! 

Betoko: Bravisimo Dino! Full support! 

Andre Crom: Killer EP. Love the Remix. 

Kyodai. Great track. 


The Mekanism: Beautfull! 
Grant Nelson/Grecoroman: Great production!

Stee Downes: Always quality business! 

Death on the Balcony: Dino Lenny Remix is cool! 

Purple Velvet: Cool tracks! Very Bowie-esque Lyrcis. Liking the Remix! 

Moullinex: The out of tune upright stuck with me. Excellent. 

Pete Herbert: Instrumental working nicely for me… 

Animal Trainer: Really can see the daylight!

Dino Lenny - Waiting For The Daylight (Preview) | Exploited

I dream of gardens in the desert sand
I dream of love as time runs through my hand

Justin is a film director and writer working primarily in music videos, commercials,  and documentary. he directs and hosts a music documentary series called ANOW:
https://vimeo.com/channels/anow

I’ve started playing music sets long time ago!......way back in the 80’s, when the BPM’s pitch pacing was barely an impossible  journey on vinyl, and the sound effects were playing  “Revox loop mixer return” .....great and unique time!

Living at different places (Salamanca, Madrid, Göteborg, Miami, Donostia....), I’m still trying to keep my passion, my tunes memories, and valuable  life experiences tied on every single set produced!!!……sincerely hope you love it and enjoy it as I use to do it every session!!!!

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)