Get Physical release notes:

Friends, we meet again at the arrival of another volume of our ‘Full Body Workout’ series. We’ve had our ears to the floors and have been meticulously sorting through a sea of electronic music to bring together this exclusive compilation. 
With Volume 13, we’ve got a really interesting selection of tracks coming from John Monkman, Robbie Akbal, Doomwork, DJ Nibc & Hans Berg, K.E.E.N.E. & Robosonic and more. We’re super happy with the musical diversity represented here and be sure to check out the stunning continuous mix by our brothers Julian Ganzer & Javier Logares. 
Until next time, please enjoy and keep on dancing!

Follow here: 

www.beatport.com/artist/john-monkman/110075
www.beatport.com/label/get-physical-music/586
www.facebook.com/JohnMonkmanLIVE
https://twitter.com/JohnMonkman

Stay tuned.

:)







Love Won't Wait  (Get Physical Music) Out Now.

Tube & Berger - Imprint Of Pleasure (Rodriguez Jr. Remix) [Suara]

♬ Click for more and download ☞ http://trndmusik.de/2014/09/anatol-ein-meer-aus-wolken-die-abendsonne-und-ein-gefuehl/?lang=en
 
Follow us on YouTube ☞ www.youtube.com/c/TrndmusikDe

Music producer Anatol has to confess that “it’s not easy to write something about your own track”. He got the idea to produce “Till The Sun Comes Out” when he was on his flight from Bilbao back to Vienna. “I was looking out the window and saw a sea of clouds colored red by the evening sun. Somehow that aroused a feeling of capaciousness in me.” That’s the feeling he had in mind when he produced the track. (...) 

//

♬ Klick für mehr und zum Download ☞ http://trndmusik.de/2014/09/anatol-ein-meer-aus-wolken-die-abendsonne-und-ein-gefuehl/

“Es ist irgendwie nicht so leicht, etwas über einen Track von sich zu schreiben”, muss der Produzent Anatol eingestehen. Die Idee zu seinem neuesten Track - “Till The Sun Comes Out” - entstand vor einigen Monaten – auf seinem Rückflug von Bilbao nach Wien. “Der Flug ging abends und bei dem Blick aus dem Fenster, war ein Meer aus Wolken zu sehen, das von der Abendsonne rot eingefärbt und durchleuchtet wurde. Irgendwie löste das in mir ein beruhigendes Gefühl von Weite aus.” Dieses Gefühl war es, das er auch beim Produzieren der Nummer im Hinterkopf hatte. (...)

Free Download

Anatol - Till The Sun Comes Out

please welcome our next SENSES compilation. to be released: AUGUST 31, 2015 :-)

www.facebook.com/pure.soulfood

MOE DANGER - CHOPSTICKS pure* records // RELEASE: AUGUST 2015

AI and studio-processed, these are the vocals I used: bass-driven, tech house, classical piano, classical piano intro with subtle Gregorian vocals blending into a pulsing electronic beat, melodic tech house

Echoes in the Dark

" This mashup is made for promotional and entertainment purposes only. I do not own the rights to the original track. All rights belong to the original artists and copyright holders. If requested, this track will be removed immediately. "

Original Songs :
• 97 Till Infinity · Non Grata (GR) : https://www.youtube.com/watch?v=JmYkmM6Hezs
• DANIDANE & MAAURA - LIKE DAT : https://www.youtube.com/watch?v=k7nX4qa7hUQ
• Diddy [feat. Keyshia Cole] - Last Night : https://www.youtube.com/watch?v=AxFhwtwiw6o

Non Grata - 97 Till Infinity X Like Dat X Last Night (Epilogtik Mashup)

New exclusive track already available in "We Go Deep, Saison 3 - Mixed by The Avener". Whole compilation coming soon : http://smarturl.it/WG3PREORDER 

Celebration Of The Soul (feat. Ladybird)

Total dedication to and a constant focus on music, caring for and respectful of others. These are the attributes best to describe Kellerkinds type. Nothing could be more beautiful than to realize a project in total harmony. 
It’s been a little over four years since Kellerkind released his first song to the public ear. Sirion Records gladly offered him the platform to do so then and achieved the project “Bergluft” together, which received massive credits worldwide. This was the kick-off to his music career and was followed by many releases on renowned labels such as Stil Vor Talent, Flash Rec. or Hive Audio. Nevertheless he remained active with Sirion Records as well through remixes for other projects or also with his own vinyl release “Altro Mondo”. 
The possibility to tell an extended story is the appeal of making an album for Kellerkind. This is his chance to introduce tracks that aren’t mainly focused on being „dance floor“ music. He integrates this quite aptly and constructively into the album. The rather simple track titles represent moving moments in his musical development. 
Starting off with a quite jazzy number he makes full circle back to his roots in disco on the dance floor. As the title of the main track says „Disco on the Dancefloor“ is ideally suited fort he dance floor with is groovy bass and poignant disco stabs, ready to thrill the masses. The rhythm and atmosphere of this song make summer approach just a little quicker. 
Continuing with „It’s Like“ – a rather raw number, shaped by its driving bass line, which takes the buildup of the album further and with its compelling vocals manages to contrast from classic deep- tech house songs. Kellerkind cranks it up with „Triple Distilled“  - organs, trumpets, flutes and synchs. A truly musical piece, destined to make you dance. „It’s 2AM“ keeps that pace of movement. The catchy voices add that something special to the song. „Backflash“ is next – this track also appeared on Kellerkinds recently released EP on Stil Vor Talent. Mighty sounds, staged dramatically – a perfect transition to „Play it Loud“. Kellerkind relies entirely on melodic bass line at the center of this track and its strong sub bass to pull you in. The precisely placed, bizarre vocal cuts maintain the songs diversity and tension. This is one not to be missed on the dance floor. Concluding the Album shouldn’t get your heart pumping, but rather melting into deeper, quieter tracks in which the artist takes us. The final track, the perfect ending to the album, is an incredibly melancholic chord sequence added to a cozy beat. Truly a successful, exciting, well told story. 
With their variations, the bonus tracks are an excellent addition to Kellerkinds signature style. None lesser than Channel X (Stil vor Talent), Animal Trainer (Stil vor Talent) and Jon Donson (Sirion Records) did the honors.


Kellerkind - Triple Distilled - Original Mix

http://soundcloud.com/betoko


http://www.emusic.com/listen/#/album/-/-/11250550/?fref=150939&a.1=ytid&t.1=r&a.2=pay&t.2=r&pay=0&ytid=65K6uoddJYE

http://itunes.apple.com/album/swing/id278660807?i=278660922&ign-mpt=uo%3D5

Betoko - Swing

Climbers - Criminal Love feat. Yasmine Azaeiz (Original Mix)

Currently in the DMC UK BUZZCHARTS (6) and liked by Pete Tong, The Magician, Tensnake, Maxxi Soundsystem and Peter Kruder of Kruder&Dorfmeister to name a few. 

"Waiting For The Daylight" is a song about a conversation between an Astronaut and his wife. 
The spaceman has been stuck out there for years and is reaching a breaking point. 
He is a kind man on a mission but shows his fragility when he asks about his kids. 
Not knowing what time it is and not being able to listen to his music while even more frighten aliens cross his spaceship is testing very hard on his control. 
He spins between satellites but his hope for the daylight to appear is his only lifeline. 

Dino Lenny about this track: 
"I wrote this track badly playing my 100 year old Piano (recorded with my iphone)   
I was in my living room but like it often happens I felt I was out there in Space. Wondering about and feeling deep immerse in a mission that I didn't really care about.. 
I sometimes ask myself what is the point? But then as usual at the lowest step..  the light appears and I feel like a child in a sweet shop!" 

About Dino Lenny: 
Dino Lenny starts very young as a radio deejay in a small town of the South of Italy, Cassino. After a few years of experience, in the early mid nineties, he is crowned "master of ceremonies" of the Maltese nights, gathering more than 2000 people on the famous Axis' dancefloor. He grows up within an interesting group of lads such as Savino Martinez and Claudio Coccoluto, and in 1996 he decides to seek fortune in the United Kingdom, his native country. In London his career gets a boost thanks to a long series of important remixes: Inxs, Underworld, Missy Elliot, Timbaland etc and the collaborations with The Housemartins, Scissors Sisters & Madonna just to mention a few names. His productions are just as interesting as the remixes and Dino Lenny earns for three times in a row the label of " Essential New Tune" on Radio One (BBC) by Pete Tong. 
Considered "The Wizard of the Electronic music" by the Chemical Brothers, Dino Lenny explores the full range of his potentialities and starts singing. With a simplifying abbreviation of his name, Dino records the single “Call me” which becomes a terrifically popular track all over Europe. The British press defines his vocal talent as a halfway between the Talking Heads and Ian Dury. Dino shows up a perfect Serpico style and sings in front of his raving fans at Tops of the Pops. 
The successful single gives just a hint of what will happen with the release of the album "Might". 
Whilst busy with more important collaborations, Dino is invited by Hardage to take part to his project which includes Jocelyn Brown and Maxi Priest , Level 42 and Peter Gabriel, amongst the others. 
He produces with Steve Lawler under the name Sladly the well received “Unicorn” and writes the soundtrack for one episode of CSI Miami in the middle of the preparation of the next “solo” album. 
A few months later Dino Lenny flies to Montreal to open the UNICEF concert - which gathers more than 7,000 people.  
Dino warms up the audience for Avril Lavigne and at the end of 2011 he performs live with Skin & Underworld at The Brixton Academy 
Lenny has also written the soundtrack for one episodes of CSI Miami and also for Irvine Welsh's film "Ecstasy" 
After David Byrne's approval "I Wanna be Like Talking Heads/ A Dj Deep Inside" gets released on Strictly Rhythm. 
The story continues on his favourite label of the moment.. while he's still "Waiting For The Daylight" to come out soon on Exploited! 

Artist: Dino Lenny 
Release: Waiting For The Daylight 
Label: Exploited 
LC: 15799 
Releasedate Beatport: 8.7.13 
Releasedate I-Tunes, Juno ect: 22.7.13 

Early Feedback: 

The Magician: Beautiful track. 

Tensnake: Last heard about Dino about a decade ago. This seems to be quality. 

Maxxi Soundsystem: Remix sounds juicy… 

DMC UK Buzzcharts: Dino is Mr Gorgeous with his lush production skills and eccentric shorelines. Another daydream delivered and delicious. 

Tiefschwarz: Cool release! 

Peter Kruder: Love Waiting For The Daylight. Will play this. 

Jazzanova/Alex Barck: What a poppy adventure here. Love the Remix. 

Rhadow: Liking the Instrumental Version. Thank You! 

Betoko: Bravisimo Dino! Full support! 

Andre Crom: Killer EP. Love the Remix. 

Kyodai. Great track. 


The Mekanism: Beautfull! 
Grant Nelson/Grecoroman: Great production!

Stee Downes: Always quality business! 

Death on the Balcony: Dino Lenny Remix is cool! 

Purple Velvet: Cool tracks! Very Bowie-esque Lyrcis. Liking the Remix! 

Moullinex: The out of tune upright stuck with me. Excellent. 

Pete Herbert: Instrumental working nicely for me… 

Animal Trainer: Really can see the daylight!

Dino Lenny - Waiting For The Daylight (Preview) | Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)