Currently in the DMC UK BUZZCHARTS (6) and liked by Pete Tong, The Magician, Tensnake, Maxxi Soundsystem and Peter Kruder of Kruder&Dorfmeister to name a few. 

"Waiting For The Daylight" is a song about a conversation between an Astronaut and his wife. 
The spaceman has been stuck out there for years and is reaching a breaking point. 
He is a kind man on a mission but shows his fragility when he asks about his kids. 
Not knowing what time it is and not being able to listen to his music while even more frighten aliens cross his spaceship is testing very hard on his control. 
He spins between satellites but his hope for the daylight to appear is his only lifeline. 

Dino Lenny about this track: 
"I wrote this track badly playing my 100 year old Piano (recorded with my iphone)   
I was in my living room but like it often happens I felt I was out there in Space. Wondering about and feeling deep immerse in a mission that I didn't really care about.. 
I sometimes ask myself what is the point? But then as usual at the lowest step..  the light appears and I feel like a child in a sweet shop!" 

About Dino Lenny: 
Dino Lenny starts very young as a radio deejay in a small town of the South of Italy, Cassino. After a few years of experience, in the early mid nineties, he is crowned "master of ceremonies" of the Maltese nights, gathering more than 2000 people on the famous Axis' dancefloor. He grows up within an interesting group of lads such as Savino Martinez and Claudio Coccoluto, and in 1996 he decides to seek fortune in the United Kingdom, his native country. In London his career gets a boost thanks to a long series of important remixes: Inxs, Underworld, Missy Elliot, Timbaland etc and the collaborations with The Housemartins, Scissors Sisters & Madonna just to mention a few names. His productions are just as interesting as the remixes and Dino Lenny earns for three times in a row the label of " Essential New Tune" on Radio One (BBC) by Pete Tong. 
Considered "The Wizard of the Electronic music" by the Chemical Brothers, Dino Lenny explores the full range of his potentialities and starts singing. With a simplifying abbreviation of his name, Dino records the single “Call me” which becomes a terrifically popular track all over Europe. The British press defines his vocal talent as a halfway between the Talking Heads and Ian Dury. Dino shows up a perfect Serpico style and sings in front of his raving fans at Tops of the Pops. 
The successful single gives just a hint of what will happen with the release of the album "Might". 
Whilst busy with more important collaborations, Dino is invited by Hardage to take part to his project which includes Jocelyn Brown and Maxi Priest , Level 42 and Peter Gabriel, amongst the others. 
He produces with Steve Lawler under the name Sladly the well received “Unicorn” and writes the soundtrack for one episode of CSI Miami in the middle of the preparation of the next “solo” album. 
A few months later Dino Lenny flies to Montreal to open the UNICEF concert - which gathers more than 7,000 people.  
Dino warms up the audience for Avril Lavigne and at the end of 2011 he performs live with Skin & Underworld at The Brixton Academy 
Lenny has also written the soundtrack for one episodes of CSI Miami and also for Irvine Welsh's film "Ecstasy" 
After David Byrne's approval "I Wanna be Like Talking Heads/ A Dj Deep Inside" gets released on Strictly Rhythm. 
The story continues on his favourite label of the moment.. while he's still "Waiting For The Daylight" to come out soon on Exploited! 

Artist: Dino Lenny 
Release: Waiting For The Daylight 
Label: Exploited 
LC: 15799 
Releasedate Beatport: 8.7.13 
Releasedate I-Tunes, Juno ect: 22.7.13 

Early Feedback: 

The Magician: Beautiful track. 

Tensnake: Last heard about Dino about a decade ago. This seems to be quality. 

Maxxi Soundsystem: Remix sounds juicy… 

DMC UK Buzzcharts: Dino is Mr Gorgeous with his lush production skills and eccentric shorelines. Another daydream delivered and delicious. 

Tiefschwarz: Cool release! 

Peter Kruder: Love Waiting For The Daylight. Will play this. 

Jazzanova/Alex Barck: What a poppy adventure here. Love the Remix. 

Rhadow: Liking the Instrumental Version. Thank You! 

Betoko: Bravisimo Dino! Full support! 

Andre Crom: Killer EP. Love the Remix. 

Kyodai. Great track. 


The Mekanism: Beautfull! 
Grant Nelson/Grecoroman: Great production!

Stee Downes: Always quality business! 

Death on the Balcony: Dino Lenny Remix is cool! 

Purple Velvet: Cool tracks! Very Bowie-esque Lyrcis. Liking the Remix! 

Moullinex: The out of tune upright stuck with me. Excellent. 

Pete Herbert: Instrumental working nicely for me… 

Animal Trainer: Really can see the daylight!

Dino Lenny - Waiting For The Daylight (Preview) | Exploited

Music... It is MY life - that's why my heart BEATS...

*edit, 15/05/16*
I pasted a copy below, of a comment, which, unsurprisingly, has now been deleted from the pages of the fake-asses in question, seeking all the time to just add people by the hundreds, then hope they follow back, then if they do, they instantly just delete them. On rare cases, like what prompted me to write this, I stupidly followed back this twat, only to be deleted seconds later. All so they and their egotistical and narcissistic self can inflate their numbers to look 'big'.

Makes my fucking blood boil because, with them it is not truly about passion, talent or love of music, but FAKE ASS, selfishness and EGO.  It is shit like this that ruin these sites, and insult the true musicians and rare gems in the music industry.

Here is my original (saved) comment, originally posted to their pages and tracks (a lot of what were just reproduced rip-off junk):


"Just another fake-ass, trying to add you by the hundreds, so you follow them back to make their stats look inflated, and hope that you are dumb enough to keep following (unless they are an artist I truly value I will not, and neither do I expect massive artists or signed artists to genuinely follow me normally; it's rare). 
Well, *news flash*, you ain't that fucking special. 
GOD, I HATE PEOPLE LIKE THIS. CLEARLY NOT ABOUT BEING GENIUNE OR TRULY PASSIONATE ABOUT MUSIC, just selfish and self absorbed TWATS. Lessons learnt about how many egocentric and narcissistic assholes there are on here. This is why I follow few". 

I follow few, except the few I trust as genuine people, or talented - signed or unsigned people/artists, or well established and long-loved artists/labels on here; and when I follow, I don't just expect them to follow me back either, because my sole purpose for being on here is to enjoy good music and show my support. ❤️❤️❤️❤️
So, let this be a note to ANYONE thinking of adding me like the above assholes did, acting like the earth owes them a living. Think again!


~~~~~~~~~~~~~~~~~~~~~~~~

Dear music: all the motherfucking brilliant HOUSE, HOUSE that Garage built (or that built the  garage), GARAGE, SPEED GARAGE, TRANCE, JAZZ-HOUSE, SMOOTH JAZZ, Ambient, Easy Listening, Classical, SOUL, SOUL-HIP-HOP, HIP-HOP, TRIP-HOP, CHILLHOP R&B, D&B, FUNK, BASS, BASS-HOUSE, Funky HOUSE, & DEEP & SOULFUL HOUSE music; and of course, all the classics of various genres from the past decades that'll never get old; Pop, Disco, and their Creators (and any genres I forgot to mention out of my diverse taste), BIG ❤️❤️❤️❤️ and serious sexy grooving!!! 


Dear Music:

~Thank you, for being my every mile,
And being in all my years;
Beating through my warmest smile, 
And flowing through my tears.

For being the rhythm in my stance, 
Evoking my senses and my sight;
For igniting the stars and making me dance, 
Through the darkest nights.

Thank you for lighting the path,
Along life's winding road;
For withstanding my singing in the bath, 
And drunk dances on the commode.

Whether I was on the loo, 
Or hanging upside down;
Or felt like crap on the floor of a zoo,
Or like I owned a crown.

Whether I silently wept, 
Or laughed until in tears;
Even as I slept, 
It was with music, through the years.

Thank you, for speaking, 
When words I couldn't find;
For being my bench as I was seeking, 
Some rest within my mind.

Thank you, for opening my heart;
For uniting me with friends.
Music was where life did start,
And it'll be there when it ends.~

Techno/Dubtep/Future Bass/House and a little bit of everything else.

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Favorite music: #Deep House #Nu disco # Beach house # Chill house # Hip hop/Rap