Buy / Stream: https://ffm.to/accent-remixes

A tough job to remix Sandhog’s latest weapons, but Exploited Club have picked two consummate producers to do an excellent job.
Brazil’s Renato Cohen is a perfect match for ‘Accent’, bringing his new school electro/Italo touch to the proceedings. With a knowing nod to New Order’s monumental classic ‘Blue Monday’ in its snare fills and chord progression, his remix gets to work immediately with a snaking arpeggiated bassline weaving its way through and snappy drums, eventually unfolding into that familiar melody as bright pads glisten and live handclaps add an organic touch. Almost psychedelic touches of twanging FX deck out the outer edges of the track, and a manic siren-like synth blast ups the energy further. Funky percussion is drafted in with a touch of acid later on to keep things fresh, making this a hugely engaging remix throughout.
Fabrizio Mammarella does the damage on his version of ‘Nechama’. Teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides. A huge melodic acid line juts into view, taking us deeper into Mamarella’s futuristic groove, before the full fanfare of the colourful lead riff is unveiled in the breakdown—making for a truly explosive climax.

Artist: Sandhog
Release: Accent Remixes
Label: Exploited Club
LC: 96788
Cat: EXP125
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.05.23
Release Date Streaming/Beatport: 12.05.23
Release Date Global Download: 26.05.23

Accent Remixes

Accent Recmixes

Buy / Stream

Sandhog - Accent (Renato Cohen Remix) | Exploited Club

Adrián Peña Sánchez (Calystarr) is a DJ, producer and electronic researcher from Chiclana de la Frontera (Cádiz). His style could be compared to night and day, on the one hand, dynamism and depth and on the other, elegance and freshness.
His sounds are full of psychedelic atmospheres full of harmony using nuances and resources, in most cases, of a retrospective nature. Calystarr usually works under many musical influences, betting mainly on retro and underground indie sounds. In his sets and productions it is common to hear Nudisco, Italo, Classic House, New Beat, Indie Dance, Acid, Electro, EBM and Dark Disco styles.

He has worked musically with a multitude of national and international artists such as James Rod, Parissior, Moo Monster, Neurotiker, Pumuki, CMIND, Gameboyz, ROTCIV, Ilya Santana, Tronik Youth, Kay-Chi, Chinosynth and Astore working for music labels such as Golden Soul, Espacio Cielo, When Disco Goes Wrong, Melómana Records, Channel Six, Burning Synths, Nein Records, Club Mackan, Astrolead Records, Logical Records and Emerald & Doreen.
As for performances, Calystarr has been in many venues, events and festivals sharing the bill with many artists of great projection such as Avant_Y, Chagar, Lollypop, Rick Golden, Nubaen, Vinny Carmona, Bonny Stuche, Dalila, Göo!, Sedjat and many more.
Worthy of mention is his performance at Electrolunch, Edición Sevilla XXL where he shared the bill with Reka and Jennifer Cardini and Interestelar Sevilla 2025 where he shared the line up with Marta Flores, Undo and Blondex.
Currently, Calystarr is working on a parallel project in full adaptation to the performance format through the Live Set and Hybrid Set, introducing the alternation through digital and analog systems.
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Releases & remixes:
- Culto Recordings
- Bolonia Recordings
- Golden Soul Records
- Dacusan Music Records
- Sustain Music
- Channel Six
- Asane Records
- Espacio Cielo
- When Disco Goes Wrong
- Nein Records
- Emerald & Doreen
- Club Mackan
- Astrolead Recordings
- Melómana Records
- Burning Synths
- Logical Records 
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Contact/Info: calystarr@gmail.com
https://linktr.ee/calystarrmusic

fueled by hypnotic grooves, carried by soulful sonorities ⋆｡𖦹°⭒˚｡⋆

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

We dance in a fog of love and darkness @mosskissing
A beautiful thing is never perfect @clara-margarita-ntahoel
Thesis, antithesis, aposynthesis. P.G. @Henkel

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