INDIE DANCE

A tough job to remix Sandhog’s latest weapons, but Exploited Club have picked two consummate producers to do an excellent job.
Brazil’s Renato Cohen is a perfect match for ‘Accent’, bringing his new school electro/Italo touch to the proceedings. With a knowing nod to New Order’s monumental classic ‘Blue Monday’ in its snare fills and chord progression, his remix gets to work immediately with a snaking arpeggiated bassline weaving its way through and snappy drums, eventually unfolding into that familiar melody as bright pads glisten and live handclaps add an organic touch. Almost psychedelic touches of twanging FX deck out the outer edges of the track, and a manic siren-like synth blast ups the energy further. Funky percussion is drafted in with a touch of acid later on to keep things fresh, making this a hugely engaging remix throughout.
Fabrizio Mammarella does the damage on his version of ‘Nechama’. Teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides. A huge melodic acid line juts into view, taking us deeper into Mamarella’s futuristic groove, before the full fanfare of the colourful lead riff is unveiled in the breakdown—making for a truly explosive climax.

Artist: Sandhog
Release: Accent Remixes
Label: Exploited Club
LC: 96788
Cat: EXP125
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.05.23
Release Date Streaming/Beatport: 12.05.23
Release Date Global Download: 26.05.23

Buy / Stream

Sandhog - Accent Remixes | Exploited Club

Untitled playlist 230427

Big Dig

An exquisite selection of top-notch contemporary electronic music across (almost) all sub-genres from someone who is not quite right in the head ;) Warning: This playlist contains very heavy tunes and I strongly advise you shouldn't listen to all there is from start to end. But if you still do by ignoring my warnings I can offer you free brain surgery in my world-renown mental ehmm medical clinic. Final note: If you are using hearing aids like my friend Richard aka JAHv's you can remove them, you won't need them here :)

MadMel's Madhouse Pt 31

Planet Her

Woman

Argy - Tataki

Buy / Stream: ffm.to/accent-remixes

A tough job to remix Sandhog’s latest weapons, but Exploited Club have picked two consummate producers to do an excellent job.
Brazil’s Renato Cohen is a perfect match for ‘Accent’, bringing his new school electro/Italo touch to the proceedings. With a knowing nod to New Order’s monumental classic ‘Blue Monday’ in its snare fills and chord progression, his remix gets to work immediately with a snaking arpeggiated bassline weaving its way through and snappy drums, eventually unfolding into that familiar melody as bright pads glisten and live handclaps add an organic touch. Almost psychedelic touches of twanging FX deck out the outer edges of the track, and a manic siren-like synth blast ups the energy further. Funky percussion is drafted in with a touch of acid later on to keep things fresh, making this a hugely engaging remix throughout.
Fabrizio Mammarella does the damage on his version of ‘Nechama’. Teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides. A huge melodic acid line juts into view, taking us deeper into Mamarella’s futuristic groove, before the full fanfare of the colourful lead riff is unveiled in the breakdown—making for a truly explosive climax.

Artist: Sandhog
Release: Accent Remixes
Label: Exploited Club
LC: 96788
Cat: EXP125
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.05.23
Release Date Streaming/Beatport: 12.05.23
Release Date Global Download: 26.05.23

Accent Remixes

Sandhog - Nechama (Fabrizio Mammarella Remix) | Exploited Club

Buy / Stream: https://ffm.to/accent-remixes

A tough job to remix Sandhog’s latest weapons, but Exploited Club have picked two consummate producers to do an excellent job.
Brazil’s Renato Cohen is a perfect match for ‘Accent’, bringing his new school electro/Italo touch to the proceedings. With a knowing nod to New Order’s monumental classic ‘Blue Monday’ in its snare fills and chord progression, his remix gets to work immediately with a snaking arpeggiated bassline weaving its way through and snappy drums, eventually unfolding into that familiar melody as bright pads glisten and live handclaps add an organic touch. Almost psychedelic touches of twanging FX deck out the outer edges of the track, and a manic siren-like synth blast ups the energy further. Funky percussion is drafted in with a touch of acid later on to keep things fresh, making this a hugely engaging remix throughout.
Fabrizio Mammarella does the damage on his version of ‘Nechama’. Teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides. A huge melodic acid line juts into view, taking us deeper into Mamarella’s futuristic groove, before the full fanfare of the colourful lead riff is unveiled in the breakdown—making for a truly explosive climax.

Artist: Sandhog
Release: Accent Remixes
Label: Exploited Club
LC: 96788
Cat: EXP125
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.05.23
Release Date Streaming/Beatport: 12.05.23
Release Date Global Download: 26.05.23

Accent Recmixes

Sandhog - Accent (Renato Cohen Remix) | Exploited Club

Brina Knauss - Nightfall

Out Now: https://orcd.co/RMS029

Underground mainstay Guy Gerber is back on his own Rumors label with new EP Leave It On. Across three tracks he showcases his famously emotive and melodic house sounds. 

Gerber has been a core part of the underground for years, headlining the world's most revered clubs and festivals, collaborating with P. Diddy, bringing all new party concepts to Ibiza, and serving up serene and synth heavy soundscapes that move people physically and emotionally on labels like Cocoon, Italians Do It Better and Rumors. 

This one kicks off with the lush deep house elegance of 'Leave It On' with its languid bass and live sounding drums. Swirling pads and atmospheric vocals bring a romantic feel to this late night jam. 'Leave Me' then picks up the pace with more percussive but still smooth grooves, this time doused in sweeping chords that bring sunshine and soul. 'Jupiter Blues' closes out with a cosmic exploration, the gently tinkling keys shining like stars as warm, rubbery drums carry you onwards and upwards. 

This is another classy EP from Guy Gerber.

Guy Gerber - Leave It On

DJ 3dragpass brought a remix from Key Lean to add his own unique touch to his latest release 'Roothke'.

Featuring a blend of dreamy, sticky and catchy soundscapes, 'Roothke' is a track that will keep you hooked from start to finish. The ethnic oriental vocal parts add an extra layer of depth to the mix, making it a truly immersive experience. But it's Key Lean's excellent remix that really takes this release to the next level, showcasing his impressive production skills and ability to turn a great track into an instant hit.

For those unfamiliar with Key Lean, he's the DJ and sound-producer who's been making waves in the trance and progressive house scenes. With support from industry heavyweights like Armin van Buuren and Above & Beyond, Key Lean is definitely one to watch in the coming months.

Overall, 'Roothke' is a must-listen for anyone looking for a fresh take on electronic music with a cultural twist. So sit back, turn up the volume, and let 3dragpass and Key Lean take you on a journey you won't soon forget.

Please watch/buy/listen/download here https://band.link/Roothke

Roothke (Key Lean Remix)

Key Lean, 3dragpass - Roothke (Key Lean Remix)

Spiral

Th3 Oth3r ft. Leo Ferro - Spiral (Space Food Remix)

Th3 Oth3r Ft. Leo Ferro - Spiral (Space Food Remix) [EKLEKTISCH]

Luttrell joins the label with the double single 'Darling / Waves'
Stream: https://thisneverhappened.ffm.to/darl

Tickets are on sale now for This Never Happened Presents Australia.
thisneverhappened.ffm.to/live

Discover the latest releases from This Never Happened: thisneverhappened.ffm.to/playlist

Follow Luttrell
Facebook: https://www.facebook.com/luttrellmusic
Instagram: https://www.instagram.com/ericluttrell/
Spotify: https://open.spotify.com/artist/4EOyJnoiiOJ4vuNhSBArB2?si=WyxckBTyQK6ACGmrrJW36w
Youtube: https://www.youtube.com/@luttrellofficial3421
Soundcloud: https://soundcloud.com/luttrellmusic
 
Follow This Never Happened
Spotify: thisneverhappened.ffm.to/spotify
Apple Music: thisneverhappened.ffm.to/apple
Soundcloud: @thisneverhappenedlabel
Facebook: facebook.com/thisneverhappenedlabel
Instagram: instagram.com/thisneverhappened
Twitter: twitter.com/tnhlabel

Join the This Never Happened Discord: discord.gg/thisneverhappened

Discover the latest releases from This Never Happened: thisneverhappened.ffm.to/playlist

Follow Lane 8
Website: www.lane8music.com
Facebook: facebook.com/lane8music
Twitter: twitter.com/lane8music
Spotify: sptfy.com/Lane8
Instagram: instagram.com/lane8music

Listen to Lane 8's latest album Reviver: thisneverhappened.ffm.to/reviver

Buy/Stream

Luttrell - Waves feat. Vania [Extended Mix]

@bakblivv explores the relationships between humans, technology and nature on his experimental electronic debut for @pointless-geometry

More info: https://djmag.com/listen/premiere-bakblivv-attention-loop

Piece of Stone

Premiere: Bakblivv 'Attention Loop’

The Brvtalist is pleased to premiere a new track from HSKA. "Always8 (Sine Die 303Remix)" comes off the the Turkish artist's new EP, The Flea Palace, forthcoming on Madrid's Exitus Records. The release features three original tracks of his vision of techno and also includes remixes by CTGL and this acid laced work we premiere today from Sine Die. 

The Flea Palace is out June 2 on digital. Get yours at: https://exitus-records.bandcamp.com/album/ext004-hska-the-flea-palace-ep

HSKA
Instagram:https://www.instagram.com/hska.ohl/
Soundcloud:https://soundcloud.com/hskaa

Sine Die
Instagram:https://www.instagram.com/sinedie_music/
Soundcloud:https://soundcloud.com/sinediemusic

CTGL
Instagram:https://www.instagram.com/catoglu.mc/
Soundcloud:https://soundcloud.com/catoglu

Exitus Records
Soundcloud: https://on.soundcloud.com/g4qTH
Bandcamp: exitus-records.bandcamp.com
Instagram: www.instagram.com/exitus_records

PREMIERE: HSKA - ALWAYS8(Sine Die 303Remix)[EXT004]

On My Way

Keep the Fire Burning

Celebration: The Best Of Kool & The Gang (1979-1987)

Ladies Night (Single Version)

Download remixes on : https://youngpulse.bandcamp.com/
---------
MOTOWN, Detroit iconic label mostly known for his bubble gum sixties soul, has also produced lots of hits during the disco era, that became and remain all time classics to this day.
Young pulse carefully selected 4 tracks of MOTOWN’s roster, to which he applied his touch and "YP treatment". Crafted for the dance floor, those fully DJ friendly remixes will get you ready to boogie.

The Disco Sound of : MOTOWN (remixed by Young Pulse)

Get Track

Don't Leave Me This Way (Young Pulse remix)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Provol Eto

Picture: Adana Twins showcases the Hamburg duos heavy production skills and finally unveils some long awaited gems that have had the Insta-sphere asking for track IDs for months. From laidback house vibes to soaring techno, the sixth instalment of the Picture series covers the artists full spectrum.

Diynamic Musics Picture: series is a document in time, showcasing an artists current creative output in order to allow the listener to visualise and understand the artist at a certain moment. It is not an album format, but far more than merely an EP. Picture: is various dancefloor-oriented facettes of one producer, shaping the imagery that ultimately results in the listeners mind.

Adana Twins – Picture: Adana Twins EP

Adana Twins - My Computer ft. Glowal

@ManPower-1 ’s Now Now Now label serves up new heat from @ClubTularosa, a DJ and production duo from LA who are two of the boss’s best friends. The release comes complete with stellar remixes from Marvin & Guy, and The Juan MacLean.

Club Tularosa love Italo disco, post punk and new wave, plot cosmic DJ sets and as well as playing round LA, also promote their own events. After a track on Me Me Me, this EP marks the pair’s first ever full release and it is a special one indeed that is already receiving plays from key Djs including Roman Flugel.

 ‘Kenji’ is a trippy and trance-inducing track with sheet metal snares and a heavenly vocal underpinned by a brilliantly rugged bass-line. It’s stripped back but hugely effective and atmospheric.

Release Date - 16/09/19

Sinchi Blog - https://www.sinchi-collective.com/club-tularosa-kenji-now-now-now/

Youtube - https://youtu.be/j-dbMz9GBSA

NNN04

PREMIERE - Club Tularosa - Kenji (Now Now Now)

It’s been a year since the Adana Twins conceived their label TAU. In that time they have successfully signed and released a slew of tracks that have captured the imaginations of influential selectors and dancefloor lovers alike. To celebrate their first anniversary, and all the success it has brought them, the Adana Twins take charge of their label’s 10th release with a three-tracker full of high quality, melodic electronica aimed straight at the floor.

Kicking off with D.J.A.M.H. the duo get straight into it with a stirring analogue bassline that pulsates with dark intent. Gentle pads envelop the low end, counteracting the darkness with a lighter atmosphere. An extended breakdown, punctuated by Ridoutt’s spoken word vocal ushers in the dramatic main body of the track. The bass is modulated and warped, the pads become eerie and drum rolls heighten the tension. A second breakdown pushes the energy levels higher as a contagious melody joins the fray and we’re transported out of our bodies into an unknown realm.

Next up is ‘Maya’, which hits hard from the outset with its jabbing beats. A wistful, melancholy melody sweeps across the chunky drum patterns, touching our hearts with its sorrowful tune. The main riff comes in after a couple of minutes, adding more emotion to the sombre narrative. This is a cut that will move the dancefloor physically and emotionally, encouraging contemplation and perhaps some nostalgia.

Lastly, ‘Spaceman’ turns things gnarly with its grumbling b-line and slapfunk beats. As per usual the Adana Twins create a magical melody that prances above the low end enchanting the listener and whisking them away to a dreamland. Meanwhile the snarling bass maintains its belligerent flow, advancing with malicious intent. A kooky breakdown lightens the mood before we’re immersed in another wonderful blend of rugged bass and playful melody.

Clearly in celebratory mood, the Twins deliver an outstanding EP as they hit TAU’s first anniversary. A fitting release for a label that is going from strength to strength.

Offline EP

Vinyl, Digital, Stream

TAU010 | Adana Twins - D.J.A.M.H. feat. Ridoutt

After his recent contribution to Innervisions' excellent Transmoderna various artists release, Greek DJ and producer Echonomist lands on TAU with his 'Modern Wonder' EP, featuring three original cuts and an additional remix by Ditian. Streaming here today, our pick of the bunch ’The Touch' shakes things up with an off-kilter beat arrangement, heady bassline and bewildering synth layers.

Read more: http://liquidyouth.nl/music/premieres/echonomist-the-touch-tau
Buy: http://bit.ly/echnomist-tau 

https://soundcloud.com/echonomist
https://soundcloud.com/tautautauofficial

Modern Wonder EP

Premiere: Echonomist - The Touch [TAU]

We Can Move

D1 Sol

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)