After vocal-led 12”s featuring the likes of Razor and Sikka Rymes, Low End Activist pivots back towards purely instrumental territory for further explorations in the hybridised hardcore sphere. There’s an over-arching air of introspection to the five tracks assembled here, as LEA’s signature bass ructions and jagged, roughly-hewn drums offset with a widescreen line in melancholia.

Low End Activist - Curtain Twitcher

Every Tuesday morning on Rinse France
@camillecamillefr invites a new talent from the modern club scene for a 5 minutes mix

Had the pleasure to invite the amazing @drjeep for this third episode
This one is dedicated to the New York City dance music scene with a fine selection of 100% NYC Based producers such as Downstairs J,  Ayesha, DJ Swisha & Kush Jones

Download

Doctor Jeep's minimix

Buy >> https://fanlink.to/sloppy_rhythm_trax

Noted for his vast and psychedelic bass heavy productions, Brighton based producer Etch pulls out four killers for the ‘Sloppy Rhythm Trax’ EP on Hypercolour.

With a pedigree that has bestowed labels like Illian Tape, Sneaker Social Club, LMD SunkWorks and TempOzone with exceptional singles and albums, the man like Etch fires on all cylinders for his Hypercolour debut.

Impenetrable and heady vibes are served up on ‘Lazyville’, whilst ‘Gaia’s Mainframe’ give us some of that aforementioned psychedelic bass in spades!

‘Pluto’s Groove’ tears into jungle and d‘n’b territories, rinsing out the acid breaks vibes, whilst ‘Belladonna & The Poppies’ throws down more sub bass frequencies in a dusty and decidedly chugging EP finale.

Etch - Sloppy Rhythm Trax EP (HYPE091) [clips]

Artist: Low End Activist
Title: Hostile Utopia
Label: Sneaker Social Club
Cat No: SNKRLP009
Release Date: 14th June

Casting a self-reflexive lens over his roots via the medium of crushing, future-rushing soundsystem sonics, Low End Activist returns to Sneaker Social Club with a full-length of monumental proportions.

When the Low End Activism 12” ignited on Sneaker in 2019, it paid tribute to the Blackbird Leys estate in Oxford, UK, where LEA originates from. In the shadow of social inequality and strengthened by the unity of the multi-ethnic community, Blackbird Leys still imposes a powerful influence on LEA’s work, even as he’s stepped out onto Seagrave for last year’s Game Theory album and notched up the first couple of releases on his own self-titled label.

On this new album, Hostile Utopia sums up the conflicting emotions attached to memories of home – how it’s possible to feel nostalgic for the griminess of urban and suburban Britain, its ordinary tales of bitterness and frustration, but also its intrinsic passion and solidarity. At a time when social division is actively engineered by Machiavellian forces, real conviviality at street level feels like an impossible dream.

LEA communicates these tensions through a style which is becoming his signature – dynamic bass torsion and chiseled, fractalised rhythms slugging around the 130 mark. It’s moody like a UK-themed record ought to be, but it’s not morose. There’s fierceness in every snap and rumble, as the legacies of hardcore, jungle, dubstep and grime pour into the casing prior to the gunpowder lighting.

On previous LEA releases, the MC roll call has pointed to some of the most vital voices touching the mic in the present day. Flowdan, Sikka Rymes and Trim all had something different to impart over the riddims, and now Hostile Utopia expands on that with the most extensive show of lyrical strength yet. Mez lights up the woozy, abstract grime swerve of ‘Mercenary’ in a musical style. Emz brings a ruthlessly sharp verbal steez to ‘GetGet’, Killa P gets busy toasting over ‘DFRNT STYLE’ and ‘Superhighway’ carries the dexterous hip-hop flow of Cadence Weapon.

In between those standout tracks, LEA expresses just as much in the production. Tracks brimming with stories to impart, laden with symbols masquerading as samples and draped in aural garb that firmly places Hostile Utopia in a place, a mood, that could only belong to the UK. It’s a hybrid sound just like the society it sprang from, and therein lies its power.

Mastered by Beau Thomas
Collage by Clayton Burke
Design by DR.ME

Parity

Previews for the upcoming album "Part Of The Order" volume 2

Available now for pre-order!

A2. Paragon Of Reason

Guest mix by @yung_raj (Gutterfunk, Hyderabad / India)
Skee Mask, Kode9, Pugilist, LMajor, K-65, Fundamental Knowledge / Sarah Farina, Mani Festo, Paradox, Dalek One, Epoch, Lord Jabu, Imajika, Samba & Chokez, Sir Hiss, Kercha, Killa's Army & XL Mad, Panix, Sir Spyro, Headland, Ayesha

Sun People mix: Shxcxchcxsh, Mark Broom, Alonzo, The Maghreban ft Nah Eeto, KMD, Bodhi, Pangaea, Veill, Helix, Mafou, Peverelist, Ben Klock & Fadi Mohem, The Jaffa Kid, Kashpitzky, Nikki Nair & DJ ADHD, Denham Audio & Swankout, Acid Lab, Sun People, Ken Ishi / Pzg & Dubsknit, RP Boo, Jana Rush, DJ Manny, Stayhigh, DeeJay YB, Skip Club Orchestra, Jinje, New Sector Movement

ID's upon request / comment!

Listen to the show:
Thursdays // four-weekly on Sub.FM // 5pm-7pm (CET)(Live)
Fridays // bi-weekly on Radio Helsinki // 22h-24h (CET)(rerun)
Thursdays // bi-weekly on Radio Helsinki // 13h-15h (CET)(rerun)

Send promos & dubs: simonoff(at)friendlypressure.com
Download the show via: archive.sub.fm/?s=Sun+People&submit=

Yung.Raj // Sun People - 30/06/22 - SUB FM

CA$TLE returns for an interview with the Hyperdome Records founder alongside a guest appearance from Slinki.

CA$TLE w/ DJ Bastard and Slinki - Subtle Radio - 19/09/2022

Aussie producer @lithetrax makes his Meld debut – delivering a 5-track EP firmly in the camp of leftfield bass and UK techno. Complex rhythms, tasteful transitions, and bass as punchy as you like fill the EP to the brim with dancefloor tools to make bodies move.

Track 1, Modd, gives us a brain melting triplet flow surely to prang out whoever you're playing b2b with if you're feeling mean.

Track 2, Yammer, available for pre-order now, supplies heavy hitting leftfield bass kick interplay and woodblock for days.

Track 3, Lasik Channel, provides a heady, driving 160 spinner.

Track 4, Evva, drops choppy vocals betwixt bouncy percussion, leaving the space for transient sounds to let a club space speak.

Track 5, Mashup, lays out grooving percussion atop a moody bass to create a perfect build to any vibe.

'92 Ends' EP by Lithe - Previews - Out October 14th

Drumskull ft. Rawtrachs - Aaja Channel 2 - 20 11 22

Pixie Dust

welcome to the jungle ( W. I. P.) DO IT FASTER

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FOR BOOKINGS:
http://esp-agency.com/contact
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Setting fire to dancefloors with chopped breaks, deadly deep subs, soundclash mentality and pure euphoria. 

FFF started "djing" on 2 turntables (without pitch control) early 90s. Mixing mainly rave, techno and the sparse UK breakbeat hardcore imports that arrived at his local record shops. 
First steps into making music: combining sounds from vinyl mixed with tapeloops, sounds from his sisters keyboard and a lot of feedback. Things changed big time when his parents bought a PC and his friends turned him onto tracker software. 

Mid 90s he started the cassette label "Orange Socks" on which he released his own material plus music from his friends and artists he met through tapetrading. He released his first track on vinyl in 2001 (on the French Necromaniacs Industry label) and from then on kept releasing on  a wide range of labels (Planet Mu, Kool.Pop, Murder Channel, Prspct RVLT, Hong Kong Violence, Mindbender, Sozialistischer Plattenbau, Sprengstoff, Clash, K-produktions, Sonic Beligeranza, Ketacore, Encounters, Artcore, Dub Attack, Zero71) His first full length album "20.000 Hardcore Members Can't Be Wrong" was released on the Japanese Murder Channel Label in 2011. And the follow up "Keep The Fire" in 2013.

In 2001 Bong-Ra & FFF organized the Breakcore a GoGo parties. These became one of the first regular Breakcore nights in Europe. When BCGG ended in 2004, FFF continued to promote breakcore & Jungle on the monthly Wreck havoc nights which never officially stopped and still pop up once in a while. 

FFF is an obsessive vinyl collector. A trip to the record shop, flea market, thrift stores, record fair and the element of surprise that comes with crate digging are most of the times the basic inspiration for a new track. 

Live you can expect amen warfare, hoovers, rave horns and tropical vibes with elements of jungle, rave, bubbling, dancehall and gabber. 


"Every single track will have audiences calling “Tuune!” and demanding a wheel!!" - Kid Kameleon 

"..generating a kind of classic '92 Hardcore variation, littered with classic rave stabs and healthy Amen breaks, just the way we like it." - boomkat.com


"..blends my favorite styles of dancefloor music with ease and efficiency - ravecore at it's very best!"  - Parasite

A2. Paragon Of Reason

FFF - TripletimesF