BOOKING WORLDWIDE : contact@stephenmacias.com 
AUSTRALIA : andrew@morningafteragency.com 
NORTH & SOUTH AMERICA hugo@trafficartistagency.com

Alan Hash was born in Buenos Aires in December 1992. He currently lives there. He began to develop his musical taste throughout his childhood. At 16 he began to walk slowly the world of electronic music. In November 2013, he began his career as a producer, getting great support from artists such as Richie Hawtin, Umek, Karotte, Stefano Noferini, Uto Karem, Paco Osuna, Cristian Varela, Spartaque, Dandi & Ugo, Roberto Capuano, Hollen, Torsten Kanzler and many more. 
Until today, has signed on labels like Loose, Agile, Transmit, IAMT, Funk'n Deep, Unity, Evolution and many more.
He runs his own label "HASH Records" from 2014. Currently it feels identified with Techno and Tech-House. 

Contact: alan@hashrecords.com

Hive ist Zürichs Musikreaktor mit elektronischer Ausstrahlung und bietet funkensprühende Parties mit hohem Toleranzwert und null Aufwärmzeit.
Hive ist Bewegung.
Hive ist mehr als ein Club. Hive verschmelzt verschiedene Kunstpollen, würzt mit einem subversiven Schuss Kun(s)terbuntem, betört mit subkulturellen Noten.
Im Lustgarten der Veränderung
Unsere Philosphie ist Morphing Clubbing. Bedeutet konkret: Hive erspürt und setzt Trends, verändert sich organisch und treibt immer neue Blüten der Nacht. Der Name Hive (deutsch: Bienenstock) unterstreicht unseren Anspruch, Nährboden für eine lebendige, vielschichtige, alternative Musik- und Kulturszene zu sein.
Wer Hive mag
Alle, die sich in und von einer offenen Atmosphäre bewegen lassen wollen, Spass an Ausgefallenem haben und mit staunenden Augen durchs Leben tanzen.

 


Der Karrierepodcast für Berufsjugendliche

𝗣𝗟𝗘𝗜𝗡𝗩𝗥𝗘𝗘𝗦 - 𝗠𝗘𝗟𝗢𝗗𝗜𝗘𝗦 𝗙𝗥𝗢𝗠 𝗔𝗠𝗦𝗧𝗘𝗥𝗗𝗔𝗠

BOOKINGS: damianjacuk@gmail.com

Licensing/Remix Production Request: 
damianjacuk@gmail.com

DJ & Producer based in Germany.

#theworldneedsmoretechno

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

200bpm+ is following