Introducing the Houndstooth: Patterns playlist, 

Select tracks across our sister label's discography featuring music from @scintii @aisha-devi @throwingsnow @lotic and more.

Houndstooth started life on February 25th 2013 with "The Present Tense" - an EP from Berlin based producer Call Super.

Full label discography available to stream via Spotify - https://linktr.ee/houndstooth


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Full Discography

Houndstooth: Patterns

Dragons: https://hth.lnk.to/dragons

Marbled orange on 180 gram vinyl  /  x3 Prints inside  /  350gsm Gatefold sleeve  
Mastered and cut by Matt Colton at Metropolis Studios

@Throwingsnow ’s fourth album is the audiovisually-augmented Dragons, a work that occupies the space between science and ancestral wisdom. It links music back to its prehistoric capacity for transmitting knowledge to new technology that can untangle the complexity of the contemporary world. Dragons’ ten tracks of heavy primal rhythmic productions incorporate the physicality of acoustic sources, from ancient ritual instruments to modern drum kit, and each track is accompanied by visuals generated by a neural network. 


AV by Matt Woodham | https://www.mattwoodham.com
"I listened to the Dragons album with the ambition to translate it into a visual language. 
I wanted to visually convey earthy, organic textures with a modern, hyperreal edge. The machine learning latent space interpolations are a perfect tool to evoke the uncanny, unreality from algorithmically synthesised morphing video. I trained three StyleGAN2 models on abiotic surface datasets of increasing scales. This produced morphing, machine-made visions of crystalline microscopy, rocky surfaces and the topography of the entire Earth as originally seen by the Landsat 8 observation satellite. "

----
Tracklist:

Dragons
Elder
Halos
Lithurgy
Traveller 
Purr
Brujita
Equitem Nocte
Ochre 
Dragons (Part 2)

Dragons

Brujita

PRE-ORDER COLOUR LP

Throwing Snow - Brujita - 'Taken from the album Dragons'

COLOUR VINYL: https://hth.lnk.to/flood

Following an exciting end to 2020, which saw the band sign to us here at Houndstooth, release a blistering single ‘Deadlock’ and named in the NME 100 for 2021, @scalpingmusic prepare their first full body of work, ‘FLOOD’ EP which is set for release June 18th.

SCALPING have quickly established themselves amongst the UK’s most sensational acts, drip-feeding explosive shots of techno, punk and hardcore into the world and igniting venues and festivals across UK and Europe with a precise, unrelenting energy. The ‘FLOOD’ EP is a major milestone for the band and is the first proper holistic realisation of SCALPING’s stylistic breadth and mastery of a unique boundary-blurring approach, along with a developed sense of the total control exerted over their music at all times. ‘FLOOD’ is undoubtedly the sound of a band seizing and maximising a singular vision.

On the opening track, ‘Monolithium’ brings a pulverising gyrating intensity that unstoppably grinds through the gears to a riotous peak. 

SCALPING are the Bristol based group comprised of James Rushforth, Alex Hill, Isaac Jones, Jamie Thomas and Jason Baker, initially formed at the end of 2017 with a desire to pair their hometown's visionary, off-kilter dance music to the more organic instrumentation you might find in noise-rock and post-punk. They have since won all manner of plaudits at radio, press and through fervent word-of-mouth for both their eclecticism on record and for the pummelling intensity of their live performances.

FLOOD

Monolithium

COLOUR 12" EP

SCALPING - Monolithium

Galway’s @kettamabro serves up a euphoric breaks remix of @anastasiakristensen's forthcoming single, ‘Voice Within’, on @houndstoothlbl

More info: https://djmag.com/music/premiere-anastasia-kristensen-voice-within-kettama-remix

Premiere: Anastasia Kristensen ‘Voice Within (KETTAMA Remix)’

Coming through as a producer in the early 2000's, nothing much seemed normal. The whirlwind of 90s dance music innovation had given way to a lack of focus, with increasingly innovative and accessible technology making the sounds heard on dancefloors more eclectic but at the same time the parties had started to feel less inspired, as if it were too hard to keep hold of the magic that had swirled around us for the last 10 years.

Against this backdrop, Mark Hawkins immediately stood out by how grounded he was compared to most of the space cadets floundering with their musical calling. Watching one of his staggeringly raw live sets, ripping up the floor with a combination of jacking Chicago house and bare bones techno was to see a pragmatic idealist carving out a unique space, unashamed to reference his inspirations with humour and bombast.

It was perhaps inevitable that Mark’s boundless spirit would see him push through the barriers of the UK’s more experimental audiences to gain greater presence with his entrance to a more underground House sound. Releases followed on Dixon Avenue Basement Jams and Clone before arriving on Houndstooth, blending House and Techno in a way that reached for the sky even while their roots were clearly planted firmly in the ground. Whilst always tough-as-painted-nails, the music progressed from being identifiable through its keen rawness to displaying increasing sophistication.

During a lost year that’s been anything but normal, it’s no surprise that Mark has dug deeper, gathering his influences and ideals into a more experimental, yet relevant and cohesive whole. The Twelve tracks on this new album represent a blossoming of Mark’s creativity; freed from the constraints of immediate dance-floor delivery they explore new territory, rampaging over a landscape of electro-funk, body-rocking house, experimental electronica, euphoric pop, and reflective chill out all underpinned by his accomplished melodic sensibility.

Lead single from the album from the old ways and into the new is ‘Let It Slide’, his second collaboration with Jamie Lidell (following 2018’s “We Should Be Free”) that tears up the rulebook. Beat’s stumble and stutter, resolving in angular B-boy grooves while the bass line sounds like it’s being slapped out by a P Funk-addicted robotic jackhammer. In its sheer disregard for musical conventions, it reprises Lidell’s previous work with Cristian Vogel in their genre-destroying freakbeat combo, Super Collider, and perfectly sums up an album that challenges what ‘normal’ from now on should be.

The New Normal

PREMIERE : Mark Hawkins - Let It Slide feat. Jamie Lidell

There was a voice in the back of his head, sometimes it whispered and yet sometimes it shouted and screamed as if he were under a magnificent spell. It hold him what to do, how to be, where to go and how to think but it was not always the voice of wisdom. Sometimes it whispered elegant, crafty lies and tall tales. This time the story was well reasoned and well rounded and the voice was beginning to grow louder. It shouted and screamed as follows...

"I can't let you do this..."

Mark Hawkins readies an exciting new album on Houndstooth. A full length LP titled "The New Normal" is forthcoming on the label with the emergence of a new track called "Can't Let You Do This" an insight into what we can expect. It's big room stuff, poppy, happy, housey and club ready.

PREMIERE: Mark Hawkins - Can't Let You Do This [Houndstooth]

We are thrilled to announce 
Lotic will release her new album 'Water' on October 29th. Today the lead single from the record "Come Unto Me" is streaming online, with a video directed by Matt Lambert. 

Water is available to pre-order on blue marbled vinyl or classic black, plus CD and of course digitally.
https://hth.lnk.to/LOTIC

Regarding the video, Lotic says: "1.8 million Africans died on the Middle Passage; their bodies were thrown into the Atlantic. Had their cells been able to adapt to this new ecosystem, and thrive and multiply, perhaps a glorious new culture and history would have been possible."

Watch "Come Unto Me."
https://www.youtube.com/watch?v=dndu89xJaPE

Water

Come Unto Me

LP / CD / DIGITAL

Lotic - Come Unto Me

Denmark’s leading light in techno, DJ and producer, Anastasia Kristensen, releases her highly anticipated Volshebno EP. Her first release since 2019 - the Russian-born, Copenhagen-based artist continues to hone her craft; exploring her expansive influences and refining her signature sound - electrifying and colourful heavy-hitting club music. In Russian, ‘Volshebno’ is the word for magical. 

Heavy-hitting and club-ready offering. From mesmeric build-ups to  full-blown, breakbeat workouts to Ana’s clear love for jungle, breaks and UK techno, and the meaning of Volshebno, the EP conjures up memories of that magical, anticipatory feeling of dancefloor excitement. 

The announcement comes after three incredible remixes from some of dance music’s most exciting artists right now - Galway’s party starter KETTAMA, Danish techno titan Ctrls and Brooklyn’s ballroom scene darling, quest?onmarq, supported by DJ Mag, Crack, Mary Anne Hobbs on 6 Music and more.

Volshebno EP

Volshebno (Stretched)

BUY CLEAR VINYL

Anastasia Kristensen - Volshebno (Stretched)

Bristol techno, noise and hardcore supremos SCALPING will release their latest project ‘FLOOD REMIXED’ on October 8th. The EP is an excellently curated collection of sublime remixes from some of the most prominent and intriguing musicians, producers and figureheads from across the musical spectrum. Heavyweight contributors include 2021 Mercury Prize nominees and recent number 1 album holders Mogwai as well as Laurel Halo and object blue.

‘FLOOD REMIXED’ continues the stellar trajectory of the band, who, over the past few years have become an unmissable live act and gained notoriety as one of the essential, electrifying new bands in the UK. Their recent debut EP ‘FLOOD’, their first release for the forward-thinking Houndstooth label, gained widespread acclaim including CRACK Magazine, NME, The Quietus, Loud & Quiet, Mixmag, The Line of Best Fit and many others.

Scottish post-rock icons Mogwai step up to remix ‘Cloudburst’. Stretching and expanding the track, creating new drum patterns, and continually ratcheting up the drama inherent in the original; a naturally sensational slab of post-rock.

“I loved reworking Cloudburst due to the sheer mass of lovely little (and big) noises from which I could make new drum sounds and melodies to layer over the original. This was a tune where everything was so nicely overwhelming in the beginning and somehow came together really well with a bit more chaos from my fumbling about with the buttons. Really looking forward to seeing the band live soon.” ~ Barry Burns of Mogwai



SCALPING is the Bristol based group comprised of James Rushforth, Alex Hill, Isaac Jones, Jamie Thomas and visual collaborator Jason Baker, initially formed at the end of 2017 with a desire to pair their hometown's visionary, off-kilter dance music to the more organic instrumentation you might find in noise-rock and post-punk. They have since won all manner of plaudits at radio, press and through fervent word-of-mouth for both their eclecticism on record and for the pummelling intensity of their live performances.

FLOOD Remixed

Cloudburst (Mogwai Remix)

COLOUR 12" / DIGITAL

SCALPING - Cloudburst (Mogwai Remix)

London-based artist @Wordcolour returns to Houndstooth with a new single ‘Bluster’

Support the artist: https://hth.lnk.to/bluster

In Wordcolour’s own words, "all the way back in January 2021, when the UK was entering its second national lockdown, I set myself the task of trying to write a club track. I wanted to avoid the lockdown temptation to write melancholic, dreamy dance music, and so found myself trying to remember what the club sounded and felt like at a time when raving was a distant memory.

The result, Bluster, continues some of the club experiments I began on my first EP "Tell Me Something", but with a beefed-up heavier sound aimed at slow, chunky techno sets. Like that first record, this track has a sense of humour - constantly cutting in playful bits of vocal and drum detail. Both the title and the artwork imply an undue swagger - a sense of winging it through changeable unpredictable weather conditions: a combination that, for me, sums up the feel of this track as well as the circumstances in which it was made."
credits

released November 17, 2021

Bluster

Support

Wordcolour - Bluster

We are excited to introduce you to London-based producer On Man, a musician whose previous collaborations include Giggs, Darq E Freaker, Zebra Katz and Mr Hudson amongst others.

More info: https://hth.lnk.to/OnMan

Squares and Triangles features fellow London-based rapper F-M-M-F alongside this video directed by Ian Roderick Gray (The Banksy Job).


“Squares and Triangles was a turning point for the project - the first track I finished where I felt like things were heading in the right direction. F-M-M-F’s fantastic vocals hooked me straight away. They read almost like a film, exploring the tension of a doomed relationship when incompatible edges collide, crack and crumble amongst the lies.”


On Man’s creative roots lie deep. An artist with a unique gift for sound design, he’s able to conjure perfect pop songs and then corrode them, revealing the emotional truths underneath. An electronic artist with a human touch, he’s worked in the studio for an array of other artists, as well as delivering huge cinematic soundtrack projects, all while pursuing his own solitary agenda. "Squares and Triangles" marks the first step of this personal journey and more will follow later this year.


Lyrics:

You said it from the start
We’re more than a mile apart
Call me animal
Still looking for Noah’s ark
Call me a cannibal
Then I left a hole in your heart
Hole in your heart when I
Left my phone in your car
You’re like a loan shark
Once you let go of the past
I swear it’s been about a year
Guess my roly’s fast
Heartbreak will send a woman wild
And now some little dick is 
Gonna make her smile
Now it’s just me myself
And the only eye
Got my head doing circles
I guess it’s only pi
No apology from here
Coz I ain’t liable
How could you go and find a square
And make a triangle?

You drive me round the bend whether
Automatic or manual
Upside down my
World’s feeling satanical
Text messages
Scriptures and parables
So many hate your
Shit is getting casual
Not to call you liar
I’m the person that fired you
Man slaughter killed it
But I was trying to 
Heartbreak will send a woman wild
And now some little mug is 
Gonna make her smile
Overreacting like there ain’t other guys
That lost their composure and told
A couple of lies
No apologies here
Coz I ain’t liable
How could you go and find a square
And make a triangle


Artist - Follow: On Man
https://www.thisisonman.com

Label - Follow: Houndstooth
https://linktr.ee/houndstooth

Squares And Triangles

Squares And Triangles (feat. F-M-M-F)

MORE INFO

On Man - Squares And Triangles (feat. F-M-M-F)

Tapefeed, the Italian duo that holds a residency at our iconic London night club fabric, join us here at Houndstooth with Anterograde, their debut release on the label with a five track techno / experimental EP due out December 2nd.

Travelling through UK breaks touching on dub, deep experimental and techno, their inspiration roots in the types of sets they have been consistently laying down at fabric.

Together with an accumulation of releases on labels Mord, Metempsychosis and Abyss, in 2021 Tapefeed launched their imprint “Inveterate” to focus on the duo’s vision.

Anterograde

Tapefeed - Analog Monkey

Following notable releases on Editions Mego as Electronic music duo LCC, and multiple singles and collaborations on Nicolas Jaar’s Other People label and Modern Obscure Music, experimental electronic artist Ana Quiroga (@ana_quiroga) announces her debut album Azabache for release on 8th September via Houndstooth. Ana also shares the first single from the project ‘Wallada’ which is available now to buy digitally and stream.

A personal odyssey, shaped by Ana’s deep connection to her homeland Asturias and her experience since moving to London, underpins Azabache. From the rich Celtic heritage of Asturias – the mines, minerals, and mystical feminine energy – to the urban occultism of their now-home London and the enchanting streets of Hackney and the East End, Azabache embodies the connection between deep and highly symbolic ancestral roots and these contemporary new beginnings.


Written, composed, produced and pre-mixed by Ana Quiroga Olavarrieta / Mixed by Paul Corley / Mastered & cut by Matt Colton at Metropolis, London

Wallada: Bass guitar by Chris Norrish. Additional vocals by Catalina Barceló

Inner City Light: Written in collaboration with Gorka Molero. Bass and backing vocals by Gorka Molero

© Original Artwork by Estela Oliva
Graphic Design by John Philip Sage

Mary Anne Hobbs - 7th June 2023

Wallada

Pre-Order Colour LP

Ana Quiroga 'Wallada' - as heard on Mary Anne Hobbs - Album 'Azabache' out 08 Sept

Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity.
 
It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, 
 
Here you find the opening track ‘Codex’ which alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties.
 

… and it’s only just the beginning. This is the return of a master craftsperson more focused than ever on his vision and vocation and ready to blow your mind all over again.

12" vinyl @djrum - "Meaning's Edge" - Out 22/11
https://hth.lnk.to/djrum

Meaning's Edge

Codex

12" VINYL

Djrum - Codex

More info: https://hth.lnk.to/Scintii

We are delighted to announce our newest signing, Shanghai-based Taiwanese singer-producer @scintii, with her first single for the label, "Times New Roman". Its melancholic 21st century nu-trip hop sound was developed with guest producer @dannylharle (PC Music, Charli XCX).

"Times New Roman" is Scintii's first release since her second EP, Aerial/Paperbags, on SVBKVLT in 2018, and marks a step up from the wistfulness of her previous EPs to a tougher, deeper sound. The video for "Times New Roman" was directed by Kynan Puru Watt who has previously worked with @arca1000000 and is online now. (Link above)

"Times New Roman is one of the main languages used in graphic design," Scintii explains, "and this song is about finding that language for myself as an artist."


Times New Roman is loaded with remixes, from the cream of current underground club music producers. SVBKVLT label mate @osheyack shakes out its hard lines in classic trance stabs; @mechatok ups its saturation for a bouncing hardcore version; hyped London producer @lorainejames takes the track apart by stems and re-plaits them into glitched-out IDM, and @palmistry (who just worked on a track with @charlixcx) chases rushing synths before dropping into a bubblegum breaks.

Release date: 02nd October / digital + stream

Tracklist:
Scintii - Times New Roman
Times New Roman (Osheyack Remix) 
Times New Roman (Mechatok Remix) 
Times New Roman (Loraine James Remix) 
Times New Roman (Palmistry Remix)

Scintii - Times New Roman

5 TRACK EP

Taken from the forthcoming EP "Juno Way" - out 13th November.

Following the release of his excellent debut on Barcelona’s Lapsus Records, Wordcolour lands on Houndstooth with an astounding EP of next generation club music. The London-based producer invites us into his musical world as we journey through three highly detailed soundscapes, both emotionally resonant and functional for the floor.

With a background in jazz, pop and contemporary classical, Wordcolour has also previously produced music for TV and theatre. On his sophomore solo release, he demonstrates his diverse musical knowledge with dynamic and engaging compositions that indicate many years of music making. While making nods to the best of contemporary UK experimentation, these cinematic tracks deftly switch between tempos all the while retaining Wordcolour’s own aesthetic signature.


Tracklist:
01. Breathless
02. Juno
03. I Waited For You This Morning

BUY / STREAM

Wordcolour - Breathless

Two years after his last incursion on the label, Mark Hawkins is back on Houndstooth with his latest release, ‘Whole New Internet Game(Feat. Donnell Knox)’. Partially produced with Kalamazoo techno legend Donnell Knox aka D-Knox who is also featured on vocals on the title track, the release is a fitting tribute to the early 90's Detroit house sound, updated with a thicker, more contemporary sounding production aesthetic.

"Whole New Internet Game", and "Reprise" are the result of a recording session late in December 2019, when Knox was visiting Hawkins in his studio in Berlin, the former with Knox waxing lyrical about the state of the modern age we live in, which in recent times strikes an even more relevant chord, and the latter, with Knox on co-production duties, being an exercise in making a whole track out of an intro, lush synth pads taking the focus away from the drums, at least for the first few minutes.

"Emerald" and "Sixth" reach back even further into Hawkins’ production history, both featuring swung house drums, and jazzed out chord structures produced using a borrowed Roland D-50 synthesizer, one of the classic digital synths of the late 90's, which has been featured on many a Swing or R&B cut of that period. All four tracks galvanise Hawkins’ new steps forward as a production powerhouse who is not to be underestimated.

Whole New Internet Game (Feat. Donnell Knox)

PREMIERE : Mark Hawkins - Whole New Internet Game (Feat. Donnell Knox)

LIMITED EDITION BLUE VINYL: https://hth.lnk.to/Blue


Just after the start of lockdown, Hodge aka Jacob Martin released his debut LP, Shadows In Blue, his first foray into the world of the long player. Gaining critical acclaim, and with clubbing on hold indefinitely, the album makes the most of that flexibility, building on his dancefloor sensibilities while making good on the experimental tendencies that have long lain just beneath the surface of his music.

Fast forward a further half year and Lockdown 2.0 is in full effect in the UK, but this time we want club bangers, a sense of release, the urge to dance. And with this, 7 producers, 6 remixes from a collective of like-minded musicians being let lose to rewire tracks with the club space in mind.

Manchester via London, DJ and producer Anz kicks things off her Hooover remix of ‘Lanes’, a bouncy rave reduction with an unremitting sense of energy.

Bristol’s Facta & K-Lone take on one of the faster cuts from the album ‘Sense Inversion’ Building on the sound they champion on their killer wisdom teeth label they turn in a melodic and hypnotic remix with a bounce perfect for opening sets.

Shanti Celeste offers a master class in groove with her club ready rework in her remix of ‘Lanacut’, while Surgeon uses his trademark big room driving sound on the album’s title track, proper 4am business.

AYA’s latest remix see’s the Manchester producer flex her production skillz with screwed kicks, next gen sound design and mind gargling synths on ‘Ghost Of Akina’. We end with New York City’s Kush Jones, who closes Remixes in Blue with lush strings with a minimalistic footwork print underneath.

Tracklisting:

1 	Lanes (Anz's Hooover Remix)                                                  
2 	Sense Inversion (Facta & K-Lone Remix)                         
3 	Lanacut (Shanti Celeste Remix)                                                                                                                                                                      
4 	Shadows In Blue (Surgeon Remix)                                      
5 	Ghost of Akina (AYA 2010 All At Once Remix)                
6 	The World Is New Again (Kush Jones Remix)    

Pressed on Blue vinyl – mastered and cut by Matt Colton.

Hodge - Lanes (Anz' Hooover Remix)

READ > https://inverted-audio.com/premiere-wordcolour-juno/

On the forthcoming 'Juno Way' EP on London's @Houndstoothlbl, @Wordcolour strengthens his sound design, hitting dulcet tones that reverberate inwardly just as much as they do outwardly.

Juno Way

Wordcolour - Juno [Houndstooth]

WATCH THE VIDE0 >>>> https://hth.lnk.to/deadlock

Bristol's Scalping return today with much-anticipated new material in the shape of the propulsive, muscular "Deadlock" and the news that they have signed to us here at Houndstooth.

Deadlock marks their first release for us and one that will be followed by further original material to land in 2021

---------------------------

Recorded by Joe Jones at Rockfield & SCALPING in Bristol.
Mixed by Sean Oakley / Mastered by Matt Colton at Metropolis
Video by Jason Baker http://jasonjbvisuals.com

SCALPING: https://linktr.ee/scalpingmusic
HOUNDSTOOTH: https://linktr.ee/houndstooth

---------------------------

"As far as introductions go, this is pretty remarkable." - Mixmag

"An EBM band inspired by Bristol sound-systems... the city's next breakthrough act" - Loud & Quiet

"They've the ability to seamlessly entwine furious guitar mania with frenzied dance music, making them one of few bands to fuse the genres without losing the best bits of either... an irresistible blend of influences, layering disparate noise on top of a post-industrial beat, eventually boiling over into a straight-up colossal dance pump that continues to shift and evolve." - The Quietus

DEADLCOK

DEADLOCK

WATCH

SCALPING - Deadlock

Bandcamp exclusive 04 - 10th December
https://hth.lnk.to/blue

Just after the start of lockdown, Hodge aka Jacob Martin released his debut LP, Shadows In Blue, his first foray into the world of the long player. Gaining critical acclaim, and with clubbing on hold indefinitely, the album makes the most of that flexibility, building on his dancefloor sensibilities while making good on the experimental tendencies that have long lain just beneath the surface of his music.

Fast forward a further half year and Lockdown 2.0 is in full effect in the UK, but this time we want club bangers, a sense of release, the urge to dance.

And with this, 7 producers, 6 remixes from a collective of like-minded musicians being let lose to rewire tracks with the club space in mind.

1 	Lanes (Anz's Hooover Remix)                                                  
2 	Sense Inversion (Facta & K-Lone Remix)                         
3 	Lanacut (Shanti Celeste Remix)                                                                                                                                                                      
4 	Shadows In Blue (Surgeon Remix)                                      
5 	Ghost of Akina (AYA 2010 All At Once Remix)                
6 	The World Is New Again (Kush Jones Remix)