Best song of friends24

Day in the sun is the 1st new song from Hope Street's upcoming album 'Dead Already Power'.

Dead Already Power

Day in the sun

Day In The Sun

Mist

Echoes Of The Awakening

FATA MORGANA II

SUMMER MELODIC HOUSE 2024

Lonely

It makes me wanna die, I wanna die
You said I ruin your life
Love is the devil ahead and the devil doesn't sleep
Baby, take it out on me
Sorry I don't make it easy

Ooh, delicate weapon
Ooh, war in heaven

Tell me all the ways I hurt your name
If you could see
You wanna keep me as forever
But it was just all a game
Make me
Truly choose regret
So that I can take the shorter path

Where are you tonight? Are you tonight?
Baby, it's the worst day of my whole life
Put me outta my misery
Baby, take it out of me
Just reiterate everything
Sorry I can't make it easy

Ooh, delicate weapon
Ooh, war in heaven

Delicate Weapon (Sublime Heartbreak Edit)

Crazy (Single Version)

Big picture wise, it’s synth pop then something trippy for the bridge. Then I thought it worked fine with just piano/bass/drums towards the end so I let it turn into a singer-songwriter sort of thing. Is it new? Someone’s probably done it before. 
Songwriting wise, I did stick to the main chord progression from ‘Nightcall.’ There’s a part in the first chorus where I used negative harmony and it didn’t sound good so there’s pretty much only a second of that. During the second chorus there is a triad pair. A triad pair is when you a triad like the Red Lantern triad and the Twin Dragon triad and you pair them up. Just checking is anyone reads my theory explanations. Anyway, a triad pair is when the next triad doesn’t use any of the notes of the first triad. Then I did the subdominant -dominant key change but this time I used a deceptive cadence. The bass plays a bit of the dominant bebop scale to highlight the dominant chord. Then the synths play a harp arpeggio which is mostly stacked with 5ths. One of the basses also highlights the 3rd degree at times during the chorus. 

 Sound effects, the intro/last bars of the chorus use the same rhythm and similar sound effect to John Carpenters Escape From NY series. The backing male vocals at the last chorus reminded me of the creepy music they play when they’re summarizing horror films on WeChat.  The bass for the bridge was going for the synthesized bass of Redbone. There’s both real bass/synthetic bass Redbone and there’s 3 basses in this song. Also 2 drum kits which is similar to ‘Instant Crush.’ I really enjoyed doing the production on this one for once and I was doing my Itzy fist pumps like she does in ‘River.’ It’s headbangeable and danceable. 

Lyrically, the chorus is about self doubt. A person who thinks they are not good enough for someone else. So, not me then. The second verse is about bravado. I did read this thing on reddit where a person wrote, “I wrote this bridge. I don’t care if my favorite artist doesn’t like it. I like it. And that’s what matters.” He is damn right.


Lyrics:
“I told you you better hope I didn’t make it back”-Snake

Show me what dues I gotta pay, to make it just right, baby. (Cos it’s a pop song I need to say ‘baby’ once)
Past freight trains, and street lines, and credits are, on the incline  (I guess credits are indeed on the incline for me)
I don’t care if the damned won’t do. The damned can do what they like. (Queen of the Damned reference. I try to go for a Aaliyah in Queen of the Damned vibe when I dance)
Up Up down down square circle triangle (it was improvised cos’ after up up I just went down down and then I made it sound like a PS2 cheat code which is a reference to Metal Gear Solid where the main character is based off of Snake)
Into my head she’s long gone. Now she’s gone to a place of no return
When the rain comes. When the flood’s done. Dry your tears son. It’s time to go home (Watchmen reference)
Nations fall and, Nations rise, You’re a part of this, Enterprise
It’s why you shouldn’t stay, why you shouldn’t stay, why you shouldn’t stay, no more.

Verse 2: 
It’s death and bloodshed for the mainstream geek.  (Improvised lyrics often contradict themselves. Although there are some people who are geeks and only listen to mainstream music)
And when we put on these tunes we’ll make your knees weak.
Step by step, stone on stone, and when we build these homes you won’t feel so alone
I don’t care if the dam breaks loose. The damned can do what they like. (Pink Floyd reference)
We do what we do and we like what we like we don’t care what you say and we’re gonna make it right. 

Chorus 2:
In the month of may it’s why you shouldn’t fall so hard for these feelings.

The time we spend on sordid lakes
And now you find something new
Awake. Some say, it’s only for you.    (Awake is a nod to Childish Gambino)

Some say that, you’ll need me. 
Some say that, you’ll heal me.
It’s why you I never ever never ever x many times wanna feel this way no more.

Why You Shouldn't Stay

Victor Leksell VS Kygo - Natthimlen X Remind Me to Forget

VickarsCreek
Tonight Well Fly (Demo)

Grammo - Singer, Singer Songwriter, Bassist
Jumanji - Songwriter, Composer, Guitars.
Kantilla - Rhythm Guitar
Chrisso - Drums, Hitting

https://octavebelowrecords.bandcamp.com/track/tonight-well-fly-demo-vickers-creek
https://www.instagram.com/vickerscreek/

Tonight Well Fly (Demo) Vickers Creek

Tonight Well Fly - Vickers Creek

The first try of making a 2-Step/UK Garage track.

Since I was using nothing but hardware on it, initially I was about to record it DAW-less on a cassette tape like I did for my previous tracks. But after making a tape version eventually changed my mind and recorded and mixed everything in Ableton.

Here I used my Roland MC-101 for a drum section and TE OP-1 for the rest.

The picture showing some high-street traffic somewhere in London, UK (presumably Camden Town, but I don't remember exactly where I took it).

Abu Dhabi, August, 2024

Step-Through

https://myckalmarcovic.bandcamp.com/track/la-faute-au-cerveau
Translation above.

https://soundcloud.com/lionel-abbou m'a fait l'honneur de mettre en musique mon texte et de le chanter.

C’est la faute au cerveau

On n’est jamais content
De son physique
On est trop p’tit, on est trop grand
C’est pas pratique
On est trop mince, on est trop gros
Ou trop chétif, ou ramollo
C’est la faute (ter)
aux kilos

On n’est jamais content
De son physique
On est trop noir, on est trop blanc
C’est pathétique
On manque de grâce, de biscotos
On est tordu comme un ragot
C’est la faute (ter)
aux photos

Refrain :
Mais rien n’est un défaut
Qu’on se trouve moche ou beau 
Quel que soit le tableau
C’est la faute (ter)
au cerveau

Il y a toujours bien mieux
Que son physique
On est trop jeune, on est trop vieux
Chronillogique
Les cheveux tombent incognito
La calvitie, ça fait vieillot
Viv’ la boule (ter) 
à zéro
(refrain)

Quand on se sent trop vieille
Monogamique
Que la peau s’emplit de dentelles
Trop archaïques
Pour ne plus voir ces rides en trop
Et fair’ de l’œil aux hidalgos
Bistouri (ter)
À gogo
(refrain)

Myckaël Marcovic, le 24 juillet 2020
Musique de Lionel Abbou, 27 mai 2024

Lionel Abbou did me the honor of setting my text to music and singing it.

It's the brain's fault

You're never happy
With the way you look
You're too small, you're too big
It's not practical
You're too thin, you're too fat
Or too sickly or too soft
It's the fault (ter)
the kilos

You're never happy
With the way you look
You're too black, you're too white
It's pathetic
We lack grace, biscotos
We're as twisted as gossip
It's the fault (ter)
to the pictures

Refrain :
But nothing is a flaw
Whether you think you're ugly or beautiful 
Whatever the picture
It's the fault (ter)
the brain

There's always something better
Than your looks
You're too young, you're too old
Chronillogic
Hair falls out incognito
Baldness is old-fashioned
Viv' la boule (ter) 
to zero
(refrain)

When you feel too old
Monogamous
When the skin fills with lace
Too archaic
To stop seeing those extra wrinkles
And wink at the hidalgos
Bistouri (ter)
In spades
(refrain)

Myckaël Marcovic, July 24, 2020
Music by Lionel Abbou, May 27, 2024

La faute au cerveau (Myckaël Marcovic / Lionel Abbou) feat. Lionel Abbou

Original Track by Mark Combs
Guitar Lead Fills, Lyrics and Vocals by Robert Grigg
https://youtu.be/A_OJRsgs3Ec?si=_cnq5-5fLHcMqHXz

Do As You're Told - Combstead & Robert Grigg

◉ Follow Magdalena Meisel:
@magdalenameisel
@https://www.youtube.com/watch?v=SXchTRG3j6k&t=9s

Shania Twain You're Still The One

Vocal :Magdalena Meisel 
Piano MyVersion : Przemysław Zalewski
Autor tekstu/Songwriter: Robert John Lange, Shania Twain
Kompozytor/Composer:b.d.

You're Still The One - Shania Twain | Cover version

Upbeat joyful tune about the One who make it all worthwhile !

Sunshine

Mohamad Reza was born on March 15, 1990 in Tehran,

His profession is inventing melody and arranging electronic music.
He started composing professionally in 2019 and started publishing in 2022.

He produced and officially released the album (Future Genre) in the middle of 2022 to 2023.

And in 2021, he made the album (Above the Clouds), the time of this album is about hour which includes remixes of the most famous composers in the world, but unfortunately it was not allowed to be officially released.

And also, in august 2023, he started making album number3 (Rain Man) and his purpose of this album, is to attract and big enjoy the audience in the profession of electronic music and special and new genres.

Mohamad Reza wants to quickly release new and updated music in several different genres, and his main goal is to release special and new styles in the electronic music profesion.

In his opinion, people need new principles in the music industry and profssion, And he considers it his duty to fulfill this need with increasing efforts.

And finally, Mohamad Reza thanks and appreciates all those who support and follow him,  and he hopes that he will be able to serve the people of the world sincerely in the music profession to the best of ability.

Born and raised in Norway, Fade2Green is a music producer known for his innovative and genre-defying sound. With a passion for music from a young age, Fade2Green honed his skills in the studio and over the years made a name for himself in the industry. He draws inspiration from a variety of musical styles, seamlessly blending elements of electronic, pop, and synthwave  to create a unique and immersive soundscape. Fade2Green`s productions are characterized by the intricate sound design, retro beats, and immersive atmosphere.

Always looking for vocalistas. So are you up for a collab, let me know in a PM. 

If you would like a remix of one of your songs then hook me up as well. I love doing that using only your vocal stems, so I can spin it whereever I want. No strings attached. Free collab.

Former JennyVisionProject

#scfirst #getmoreplays #pop #shine

Crazy (Single Version)

Fade2Green

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