this is fukn amazing, should be a game track!!!

Awesome stuff

For better audio quality: https://youtu.be/mWncmAEeI9k

Vangelis tribute soundset for Omnisphere 2: https://www.luftrum.com/vangelis-soundset/

These are all presets from the soundset, straight out of Omnisphere. No EQ, no compression, and no other sounds or effects used. The set contains 90 Presets and 25 Multis. The presets used, are written in the timeline below.

Vangelis For Omnisphere - Main Demo

First track of When Worlds Collide EP

Hanna van Gorcum - violin
Meidi Goh - viola da gamba
Rowan Schuddeboom - violin
Sabrina van Geffen - violin
Sebastiaan Krijnen - piano
Sebastiaan Pongers - cello
Teun van Lith - bass guitar

Listen on Spotify

Alpha

Music & art by Maury van Loon

Hanna van Gorcum - violin
Meidi Goh - viola da gamba
Rowan Schuddeboom - violin
Sabrina van Geffen - violin
Sebastiaan Krijnen - piano
Sebastiaan Pongers - cello
Teun van Lith - bass guitar

Fall~ on Spotify

Sleeping Giants

Underwater Theme for my final researched composition assignment on Japanese game music.

Listen to the Prelude here: http://soundcloud.com/fallmusic/prelude
Listen to the Overworld Theme here: http://soundcloud.com/fallmusic/overworld-theme
Listen to Moon Theme here: https://soundcloud.com/fallmusic/moon-theme
Listen to Epilogue here: https://soundcloud.com/fallmusic/epilogue

www.fallmusic.nl

Underwater Theme

As Time Goes By

Wanderer

Graham Reynolds loves to explore narrative in his work. This tendency makes him a natural fit for the film, theater and dance work that form one of the cores to his composing career. In fusing a loose concerto format with the story of Charles Babbage and his invention the difference engine, Reynolds' composing voice finds itself in a work that is intense and driving, beautiful and intimate, personally expressive and broadly accessible all at the same time. Developed over a course of years, the initial ideas for each movement were introduced and inspired separately before being woven into this one piece.

The musical onslaught of the opening movement came to Reynolds during a lecture by LB Deyo on Babbage and his work, inspired by the ferocious pace of both Babbage's thinking and the calculating speed of his invention. The fourth movement was developed in a very different form for the Rude Mechs play "The Method Gun", now touring the country. The fifth movement started as a solo piano piece, an Austin Museum of Art commission, in response to the work of Sol Lewitt. Reynolds joins other alt-classical voices in a 21st century approach that is no longer in rebellion against tonality and melody, nor desperate to prove their validity through focus on a "unique" extended technique, while folding 20th century ideas from clusters to modal harmonies to polyrhythms into a broad vocabulary.

The completed concerto "The Difference Engine" premiered on February 6th, 2010 with a 35-piece string orchestra in a Golden Hornet Project performance at Ballet Austin’s Austin Ventures Studio Theater. Soloists Leah Zeger on violin, Jonathan Dexter on cello, and the composer himself on piano fronted the debut, with parts written specifically for their skill set and personal voices. Those voices were then captured for this CD. Not fully realized in his lifetime, the difference engine was the masterwork of 19th century inventor and mathematician Charles Babbage, an attempt to create the world's first computer. A remix of each movement forms the album's second half with contributions from DJ Spooky, Octopus Project, Grammy-nominated producer Adrian Quesada of Grupo Fantasma, Golden Hornet Project's Peter Stopschinski, and finally one from the composer himself.

04 Movement IV  Late at Night The Astronomer

Uplifting Orchestral track composed and produced by Koen Janssen.

Violin played by Wim Spaepen.

All Rights Reserved -2018-

In Between

Soundtrack for Chapter IV: The Cataclysmic Case of the feature film Jannertown directed by Guy Brasher.

Chapter IV: The Cataclysmic Case pt. 1 (Future is Calling)

original music: luca longobardi
piano: luca longobardi

Morceaux pour Piano is a solo piano album that collects pieces I wrote between 2016 and 2018. The 11 tracks have been re-edited and re-recorded these days. The album will be released on other major streaming platforms on September 28.

Morceaux pour Piano

Ma Petite

تمام شد.اما مگر می شود آن سه سرباز را فراموش کرد;یونس،یحیا،قباد را...
مگر می شود ترس از آسمون غرنبه ی قباد را فراموش کرد...مگر می شود غرق بی مزه بودن روزگارشان نشد...
تمام شد و دلشوره های فیروزه می ماند و نگرانی های جلال می ماند و اضطراب های ملاحت می ماند و خستگی های سامان می ماند و ...
بغض فریدون...
نور می آید...
-امیر بشیری
اول آذر 1397

One of the best experiences I've ever had was writing a short but deep and emotionally challenging theme for this incredible, award winning play, written by Mohammad Charmshir and directed by Amir Bashiri, one of the absolute talents in Iran.

Khanevadeh Mohtaram Ardekani

Main Theme

moon

now streaming: https://open.spotify.com/track/10fIab87qZFF7z1iYLszqv?si=2sR9cZL1SO6nryq_A_2aHg

Been a little bit since my last song was released. This was the first one where I kinda had an idea as to where I wanted to go with it instead of trying various things until something clicked. As always, enjoy.

Koi Pond

Cosmo
Composed & Produced by Brock Hewitt
from my new album "Searching for Heaven"

https://open.spotify.com/artist/1PWCCcjCmwzjYb48VWpGcm

https://music.apple.com/ca/artist/brock-hewitt-stories-in-sound/1227900382

Stream/Download

Cosmo /∞/

The Passenger

Takeshi Nishimoto - Tone Water

Fall~ | Maury van Loon

No longer trying to make sense out of the world.

I'm an indie artist, trying to share my art .  I want to help  people to see and appreciate the art that is all around them.

Underwater Theme

Fall~

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