This track is based on the riff at the end of song "Eternal doom", which I made with Hash Noodle (my only collaboration so far). We played around with a couple of variations eventually agreed on this version. I felt like this riff deserves a much more space than just like 15 seconds, so I remade it with bass sound and added on  a couple of rhythms. In this second version, I added synths for even more dramatic atmosphere, and remade the riff into a twice longer version. And new improved structure brings on the feeling that the song is finished and make sense,  The picture is AI text to image generator app.

Monster bass riff beat

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Introduced to music young, learned multiple instruments. Studied Audio Technology at AIM, aced electronic music production. March '99 I kicked off SpinFiX: a digital 4trk, 2 guitars, keys, drum samples, a mic'd up MD, a $10 mic for vox, a built-in synth. Experimental, built on limitations and tricks, forward motion and no way back. 1st 3 years gained airplay on JJJ and RN under 3 other names, a mention of 23krecords, and a moment on ABC TV. In '02 silenced by mental illness, later my father's death, followed by 3yrs of nothingness. A move north. Restarted on a 16trk under SPiNFiX. Studied music industry business twice. Quit drugs 28/12/08. 1st 6months of '09 living in a psyche-ward, a detox and med' overhaul for my mental health. Since '11, been designing and operating sound & lights for a live theatre, in '16 I became their tech manager. '18 I released a spoken word album 'intangible brightness'. '19 now using recording software. Currently working on a new album.

Music always gives me a lift to keep getting up every day.
Feel free to work with my beats and loops, complete them with whatever you find that´s missing. Don't forget to share it with me then. Don't be shy to PM me if you are interested in making music with me/or just my loops.

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free to remix/sample/rap on --download enabled
🖤🔥🖤profit okay // no credit okay 🖤🔥🖤
if my track is a remix of someone else- 
             double check with other artist :D
🐸🐸🔥🐸🐸🐸💕🐸🐸🐸🔥🐸🐸
all here is hand crafted audio - no ai
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サンプリング、リミックス、ラップOK。
ダウンロード可能
営利目的での使用OK、クレジット表記不要
良い一日を
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Kostenlos zum Remixen/Sample/Rappen – Download aktiviert
🖤🔥🖤 Gewinnen ist okay // Keine Anerkennung  $$ ist okay 🖤🔥🖤

Произошла в жизни онкология. Выжил. После 8 лет восстановления решил попробовать то, что звучит в мозгах, разуме. И вот что получается. Безоблачные дали!!!

Artist: TripTunez
Composer: Rob DeLegge
Genre: Chiptune(8-Bit / MIDI) / Electronic / Dance / Techno / Instrumental 

Hope you enjoy the tunez! Any support is greatly appreciated

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

"Two dudes with special powers, sent from Heaven to make music for the puppies."
We are SAD KID STORIES  and we're also in a group called AHHH!!! REAL MONSTERS.    Please Don't Beat Us Up. Or we'll scream


Monster bass riff beat

Fat beats project