This track is based on the riff at the end of song "Eternal doom", which I made with Hash Noodle (my only collaboration so far). We played around with a couple of variations eventually agreed on this version. I felt like this riff deserves a much more space than just like 15 seconds, so I remade it with bass sound and added on  a couple of rhythms. In this second version, I added synths for even more dramatic atmosphere, and remade the riff into a twice longer version. And new improved structure brings on the feeling that the song is finished and make sense,  The picture is AI text to image generator app.

Monster bass riff beat

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Music always gives me a lift to keep getting up every day.
Feel free to work with my beats and loops, complete them with whatever you find that´s missing. Don't forget to share it with me then. Don't be shy to PM me if you are interested in making music with me/or just my loops.

╚══《🐸》══╝╚══《🐸》══╝╚══《🐸》══╝
free to remix/sample/rap on --download enabled
🖤🔥🖤profit okay // no credit okay 🖤🔥🖤
if my track is a remix of someone else- 
             double check with other artist :D
🐸🐸🔥🐸🐸🐸💕🐸🐸🐸🔥🐸🐸
ALL my track are intended to be listed creative commons! but some may be mislabeled due to replacing the track! 
(i replace a lot)
_______________________________________________________
all here is hand crafted audio - no ai
-----------------------------------------
サンプリング、リミックス、ラップOK。
ダウンロード可能
営利目的での使用OK、クレジット表記不要
良い一日を
╚══《✧》══╝╚══《✧》══╝╚══《✧》══╝
------------------------------
Kostenlos zum Remixen/Sample/Rappen – Download aktiviert
🖤🔥🖤 Gewinnen ist okay // Keine Anerkennung  $$ ist okay 🖤🔥🖤

my music is made from these things:
casio keyboard (has multi-track)
zoom h1 microphone
bamboo xylophone
edward the violin
blasty the hollow tube (styled after didgeridoo)
kidbass malldad the electric bass guitar
honey the acoustic guitar
bluey the electric guitar
trombone
thumb piano
cowbells
clarinet
flute
recorder
stylophone
wooden frog
floor tom  drum
bongos drums
african drum
various mallets
various percussion
household objects
field recordings
stupid kid drum kit thing
ukulele
piano
pump organ
zoom h4 microphone
digital metronomes
koala sampler
metal xylophone
misc other physical instruments
NCH audio editing software
garageband (only used once so far)

LET ME KNOW IF I CAN REMIX YOUR SOUND
 : D  <3   🐸

Произошла в жизни онкология. Выжил. После 8 лет восстановления решил попробовать то, что звучит в мозгах, разуме. И вот что получается. Безоблачные дали!!!

PROBLEMAS EN LA PLATAFORMA?. Dejense de molestar con el robót, el tipeo, o javascript. Basta de bloqueos abusivos!.
Si consideramos al ser humano como un androide diseñado por alguna entidad superior (no lo descarto), podría decirse, con cierta confianza, que yo podría ser un robot. Siendo así, todos lo seríamos; nosotros y todo el código extraño que deambula por aqui.
Sirok is a historic village in Heves county in Hungary. In addition, SIROK is my last name (Alfredo Sirok) and, probably my forbears were fighting some battle between these castles. I don't know.
I'm an Uruguayan musician and composer. I play the drums, keyboards and  synthesizers.
The style relates with the electronic genera, more exactly, with house, synthwave, electro, space, progressive, synth and pop-rock.
I hope that you enjoy the music of the same way as I enjoyed on having done it.
Sincerely.

SIROK.

His interest for the music world begun when he was a very small child, showing good sensibility and musical taste, with a sonorous perception of universal quality.
Nevertheless, it was in his adolescence when he began to study drums.
During his path he penetrated into diverse interpretive styles but never restricted to the merely interpretive thing. He took part in the rhythmic and harmonic arrangements; choirs and voices.
Today, Alfredo is an electronic music composer (in a wide sense), so as a drummer as by playing, making, composing and programming music with synthesizers.
"Spaceghost" (2006), "Experimentation" (2008), "Event horizon" (2013), "Opium of the people" (2017), "La Vida" (2020), "Retrospective - 15 Years (Light and Dark - 2021)" and "Fauna" (2025) are his Independently produced albums of original Electronic music in his home studio.
In addition, he takes part as co-author in such projects as " 4 Seasons" (2008) and "Solar system" (2009), together with the Uruguayan composer Marcelo Sartorio shaping the group in silico DUO;  in 2 collection albums of electronic music with various artist called "Planicie - Sincronía del Viento" (2018) and "Sequences Podcast No68" (2017) and as a producer with such artists as HMFR and Ted Rivera.
SIROK needs your help as a fan, financially or through a media opportunity, to project his music as an ultimate lifestyle.
All SIROK music are registered (Biblioteca Nacional del Uruguay).

I like hot sauce and all noises by Dis, with Big Sammy, and Bush Dr.

Artist: TripTunez
Composer: Rob DeLegge
Genre: Chiptune(8-Bit / MIDI) / Electronic / Dance / Techno / Instrumental 

Hope you enjoy the tunez! Any support is greatly appreciated

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Monster bass riff beat

Fat beats project