Show Me Now Feb22 Demo

NIGHT AFTER NIGHT VOCAL.WAV

Another track from My 4th Studio Album. This Moment.

Recorded, Mixed, Mastered and Produced by Mike Bryant.

This Moment

Close Your Eyes

TIC TAC TOE

Groovy Bird

From the Album "Gravity"  by W. Dannemann,  played by Dannemann and Friends. 
W. Dannemann:    comp./ arr., all vocals, guitars, Dannemann&Friends: add. arrangement
Pee Gee           :    Lyrics

Yesterday Is Long Ago

Now the night is fading
The dawn is yet to come
A new day is waiting
All bad dreams are gone

Time to leave..you told me
In your own personal way
You made your point clear
Come back and make my day

There is a way of turning the wheel
Yesterday Is Long Ago
Today is now ..today is real
Yesterday Is Long Ago

They say that time will heal
The wounds if you can wait
Today is now.. today is real
Never ask ..is it too late?

Let us begin the dance
Whirling into the future
Taking another chance
Holding you tight forever

There´s a way of turning the wheel
Yesterday Is Long  Ago
Today is now..today is real
Yesterday Is Long Ago

There´s a way of turning the wheel
Yesterday Is Long Ago....................

Yesterday Is Long Ago ....

Yesterday Is Long Ago

Some Positive Thought

- Picture -
Artist Picture. Naridarbandi - IG
Art Cover Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Programmer. Shyntwirl
Developer. Shyntwirl
Structure. Shyntwirl
Composer. Shyntwirl
Equalizer. Shyntwirl

PROD. Shyntwirl

Shyntwirl - Drizzling For Love

After completing the song, I found a noticeable spread between the highest & lowest notes.  So I had a hard time with the vocals.  I could have altered the notes to fit the voice but in the end I decided to go with the original.  Please bear with my singing.

The lyrics is extracted from a lengthy poem I came across on the web.
In the end, perhaps the plot doesn't make much sense anyway.  So let's assume it's just for the sake of making a song.   See what you think.

Thanks much for stopping by.

[CREDITS]
Music / Vocals / Programming / Arrangement :  Michael C. Lynn
Lyrics  :  Neruda / Merwin
Electric Guitar Solo :  Dave Cleveland @Band_in_a_Box

[LYRICS]
The memory of you emerges from the night around me
The river mingles its stubborn lament with the sea

In you the wars and the flights accumulated
From you the wings of the song birds rose

Cold flower heads are raining over my heart
I made the wall of shadow draw back,
Beyond desire I walked on

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

The happy hour of assault and the kiss
and spell that blazed like a lighthouse
I raise my song to you

I don't know how you could contain me
in the earth of your soul, in the cross of your arms

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank

.... Solo break....

You swallowed everything, like distance
Like the sea, like time,  in you everything sank
In the childhood of mist my soul, winged and wounded,
In you everything sank

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank
This was my destiny and in it was the voyage of my longing,
In you everything sank
Ah haaaa

In You (Everything Sank)

This track began as a MIDI track I had made using Logic. The individual stem tracks were then sent to the great Dr. Zwakkus, who then added his own tracks, remixed, remastered, and often times even performed many of these tracks on real instruments to render this musical idea into a true mark of Zwakkonian brilliance.  It is to be noted that any real instruments being played (guitar, bass, vocals and drums I believe) were played by Dr. Zwakkus himself.  The end result of this made the track tower high above the original idea that I sent him, and I am extremely grateful to have had this opportunity to collab with who I consider to be, probably the most original and innovative sounding artist there is, or at least I've ever heard.  Please do check out his music if you haven't, for I guarantee it is unlike anything you've ever heard in your life.  
Dr. Zwakkus: https://soundcloud.com/user-500725886

Moloko Drencrom ft. Dr. Zwakkus

This track is based on the riff at the end of song "Eternal doom", which I made with Hash Noodle (my only collaboration so far). We played around with a couple of variations eventually agreed on this version. I felt like this riff deserves a much more space than just like 15 seconds, so I remade it with bass sound and added on  a couple of rhythms. In this second version, I added synths for even more dramatic atmosphere, and remade the riff into a twice longer version. And new improved structure brings on the feeling that the song is finished and make sense,  The picture is AI text to image generator app.

Monster bass riff beat

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Monster bass riff beat

Fat beats project