Cancion del gato solitario

Sundown

Fasten your seat belts and head into space with this guitar driven track. Another collaboration between Graham J Williams and Heliopolis 5.
Words & Music: Graham Williams   -   Produced by Graham Williams & Heliopolis 5
Lead & Backing vocals: Graham Williams
Lead Guitars & Rhythm Guitars: Graham Williams
Brass, Bass, Drums & Keyboards: Heliopolis 5

Check out more of Heliopolis 5's excellent work by visiting his page: @user-555484870.

Sooner  or  later,  sooner  or  later,
Let the engines glow,  3  2  1  let's  go
Sooner  or  later,  we'll  head  for  the  stars,
We've  been  to  the  Moon,  got  a  date  set  for  Mars,
Space  exploration,  to  places  afar,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Space  exploration,  creates  fascination
Planets  beyond  our  Sun,  we  can't  be the only one
Out  there  beyond  the  stars  we  can  see,
Light  years  away,  lots  more  galaxies,
Head  for  the  future,  for  our  destiny,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Alien  creatures,  might  even  reach  us,
From  planets  beyond  our  Sun,  we  can't  be  the  only  one
The  stars  that  we  see  are  just  suns  in  the  skies,
On  some  distant  planets  not  seen  by  our  eyes,
We've  got  to go  out  there,  to  enlighten  our  lives
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Sooner  or  later,  sooner  or  later,      
The  journey  has  just  begun,
Travelling  beyond  our  Sun,      
The  journey  has  just  begun,            
Sooner  or  later, sooner  or  later, we'll  go

Sooner or Later

Having to destroy yourself in order to begin again.
From the album: "Curiosities Of Outsider Art" (Sept 2025)

Bandung, sea of flames
In 1946, the people of Bandung Indonesia
They had risen up against their British oppressors
Realizing that their army was weaker
And much less powerful
They decided to abandon the city
They adopted a scorched earth policy as they left the city
Burning the city to the ground
And one day start again...

Bandung, sea of flames

Bandung, Sea Of Flames

Made in June 2025.

Video; https://youtu.be/76WrcXQxL6I

Horizons

I had the very good fortune to connect with Andy H aka “Noobly” a few months ago over music that we mutually admired and we agreed to find a future opportunity to collaborate. This is the result. Noobly’s beautifully rich track, propelled by his soaring guitar work, felt like a kind of call to prayer to my ear. I tried to echo this somewhat in singing the bridge. Lyrically, just for kicks I used the Socratic Method to construct the verses (persuasion through Q&A) so that this song’s meaning becomes self-evident and hopefully more of a personal experience for each listener. Thanks for checking it out!

Prideful Pride

Do you remember the day when pride took you for its own
When a thief stole something precious in you

Do you remember the day when pride took you for its own
When a thief stole something precious in you
Did it happen when all of your friends cut you out
Was your heart set on winning something, but you lost instead
And when you were maimed did the anger in you surge
Can you mark the moment when you became someone else
Is your truth under layers of scar and combat
Are you the new thief, looting joy from everywhere

Prideful pride keeps piling on, on, on
Building your walls, can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone

And in the end you’ll be left with nothing
A bright light that’s gone too dim
I have been in a prison of my own before, just like you
Until I let the facade fall
And was set free, free

Are things more difficult now that you are going it alone
And do you leave enough room for both your sadness and your anger
Does that wall keep scary things in, and the invaders out
Are you winning this imaginary war you think you’re fighting

Prideful pride keeps piling on, on, on
Building your walls, ’can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone


Music/production - Noobly @ https://soundcloud.com/noobly-1
Lyrics/vocals - Todd J McLean
Artwork - Fukushima Greed, 2011 (mixed media) by Todd J McLean

Prideful Pride

Music by GRENZLICHT | Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe] | GOTH ROCK | YT VID

A fire burning dark-goth-rock song about how love is now dead & gone but the memory still remains! The forever longing continues to haunt but we can only re-visit the grave, re-visit the once cherished love of all loves...sadly, it's now, all-only-dust!

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by GRENZLICHT in Germany | Vocals: Composed & Produced, Recorded & Performed by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design & Video: Graphics & Light FX by REKHA - IYERN [Fe] | AI Royalty Free Heart/Thorn/Vines Image

Old Energy, YT Vid Here: https://www.youtube.com/watch?v=vja0TOjvfSU

Our other track, Bottle: https://www.youtube.com/watch?v=8vhVGS2PHi8

Listen to the amazing music of GRENZLICHT here: https://soundcloud.com/grenzlicht

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved

Old Energy - Music & Lyrics by REKHA - IYERN [Fe]
 
Wo Oh Oh Oh
Ah Ah Ah Ah Ow
Old times
When we were alive

Old time energy 
It's comin' over me, me
Just wanna feel you 
In my veins

Babe we are long gone
Eh Ee Yeah
Eh Ee Yeah
Eh Ee Yeah
In the grave, grave

Eh Ee Yeah
Ahn Wo Wo Wo
Oh Oh Oh Oh
Wo Oh How

Well, well, well
We are once alive
Heart to heart

Once alive 
In that old time energy
That keeps me movin' on
Even though we are 
Lost and gone, Yeah
Lost and gone Babe, Oo

Yeah Ee Yeah
Can you hear me callin'
Do you hear me call
Call your name, a name

And the fire burns me
In, in the grave
In the ground
It's only dust

© & ℗ 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING & GRENZLICHT | SOCAN, All Rights Reserved



Old Energy 24 bit final

Old Energy

Old Energy - Music by GRENZLICHT | Music & Lyrics by REKHA - IYERN [Fe] | DARK GOTH ROCK| YT VID

A Piece of Youth

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go - The Eclectic Collective

ALL TITLES ARE DOWNLOADABLE
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

ECOLOGY 😮-😡😡😡

EVERY TREE CUT DOWN OR DELIBERATELY PRUNED (so that it falls on its own later...) GREATLY AMPLIFIES GLOBAL WARMING, THE CAUSES OF WHICH ARE VERY MULTIPLE, PRIMARILY THE ACTIVITY OF THE SUN.
YOU CAN SEE FOR YOURSELVES THAT THOSE WHO GOVERN US ARE NOT THE LAST TO GIVE THEIR AGREEMENT TO THIS DESTRUCTIVE MASSACRE... THIS HAS BEEN ESPECIALLY VERIFIABLE AND VISIBLE ON THE SEASIDE FOR MANY YEARS!!! A REAL SCANDAL!
THERE IS NO SURVEILLANCE, NO FINES, JUST LAXITY, LIKE EVERYTHING ELSE.
THIS INTENSIVE AND ORGANIZED DISAPPEARANCE OF TREES HAS MANY HARMFUL CONSEQUENCES FOR LIVING THINGS AND THE PLANET, UNDENIABLY ALTERING THE CLIMATE. 

ÉCOLOGIE 😮-😡😡😡

CHAQUE ARBRE COUPÉ OU TAILLÉ DÉLIBÉRÉMENT (pour qu'il tombe tout seul plus tard...) AMPLIFIE CONSIDÉRABLEMENT LE RÉCHAUFFEMENT CLIMATIQUE, DONT LES CAUSES SONT MULTIPLES, EN PREMIER LIEU L'ACTIVITÉ DU SOLEIL.
VOUS POUVEZ CONSTATER QUE CEUX QUI NOUS GOUVERNENT NE SONT PAS LES DERNIERS À DONNER LEUR ACCORD À CE MASSACRE DESTRUCTEUR... CELA EST PARTICULIÈREMENT VÉRIFIABLE ET VISIBLE SUR LES BORDS DE MER DEPUIS DE NOMBREUSES ANNÉES !!! UN VÉRITABLE SCANDALE !
IL N'Y A AUCUNE SURVEILLANCE, AUCUNE AMENDE, JUSTE DU LAXISME, COMME TOUT LE RESTE.
CETTE DISPARITION INTENSIVE ET ORGANISÉE DES ARBRES A DE NOMBREUSES CONSÉQUENCES NÉFASTES POUR LES ÊTRES VIVANTS ET LA PLANÈTE, MODIFIANT INDÉNIABLEMENT LE CLIMAT.

The Trees

🌳🌳  The Trees  🌳🌳

This track is based on the riff at the end of song "Eternal doom", which I made with Hash Noodle (my only collaboration so far). We played around with a couple of variations eventually agreed on this version. I felt like this riff deserves a much more space than just like 15 seconds, so I remade it with bass sound and added on  a couple of rhythms. In this second version, I added synths for even more dramatic atmosphere, and remade the riff into a twice longer version. And new improved structure brings on the feeling that the song is finished and make sense,  The picture is AI text to image generator app.

Monster bass riff beat

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Monster bass riff beat

Fat beats project