Old-ish hits of Fat beats project

The playlist of a special quest to find the crystals!

Lady mystical

This song is based on a mystic sounding riff that plays almost whole song (with only two breaks). Again, over 6 minutes track, containing 6 different rhythms, one already mentioned mystic riff, one bass riff, one extra melody (played twice in first half), and simple guitar chords (playing from about half to the end). 

Rhythms span from very slow, chilled, to middle tempo, normal techno, and then fast metal rhythm. The whole concept of transformation (on this transformational journey) is the progression of those rhythms from slower to faster, creating nice progression culminating into hard/heavy and experimental sound. Which is always my objective - crazy and new combinations of good things from the past. 

The picture is made in Canva (as always). I chose a train as a representative of journey and lots of happy colours and balloons to suggest that this ride will be heavy enjoyable. So enjoy, and leave a comment. See you next time.

Sounds I used:
first, second and last rhythm (all sounds)- hip hop drum machine (smart drums)
third, fourth and fifth rhythms(all sounds) - modern 808 (electronic)

- bass - 70s classic synth bass (bass) - edgy lead
- edgy melody - tubular synth bells (mallets) - piano
- smooth melody - 80s sync lead (leads) - bright lead
- guitar - hard rock (other) 
- wind/synth sound - cloud shimmer (pads) - more wind

Transformational journey

This track is based on the riff at the end of song "Eternal doom", which I made with Hash Noodle (my only collaboration so far). We played around with a couple of variations eventually agreed on this version. I felt like this riff deserves a much more space than just like 15 seconds, so I remade it with bass sound and added on  a couple of rhythms. In this second version, I added synths for even more dramatic atmosphere, and remade the riff into a twice longer version. And new improved structure brings on the feeling that the song is finished and make sense,  The picture is AI text to image generator app.

Monster bass riff beat

Twisted clown

This song started by making a perfect hi-hat, (consisting both open and closed playing one after another), and playing it 1,2,3,4. I added a kick at the same place as hi-hat and then made first bass riff. I use 4 sounds for that one, keeping switching between them all the way through the song, making a pretty interesting and underground structure. While I added second bass riff early on, they complement each other pretty good. The second riff doesn't change whole song, only comes off and on. The rhythms are: firstly just hi-hat and kick together playing 1,2,3,4, then full basic techno rhythm till the end. Both basses are heavily distorted, and one of the sounds is very atmospheric, so it feels pretty jumpy, especially second half. Enjoy.

Endless incoming

Judgement day chanting

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.