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Welcome To 2030: 
The Terminator Sequel - Live And In LIving Colour
The Album and Singles Compilation

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Welcome To 2030: The Terminator Sequel - Live And In Living Colour

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Can I Flip It? Yes, You Can
- a question almost like - to be or not to be

to(tally) fictionalived or not

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tracks a flip fusion by fictionalive

and yes we can - some tracks sail under the banner of the
Space Surfers Delight, 
space surfers delight are @musicasmedicine and @fictionalive having serious fun, seriously. 

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Can I Flip It? Yes, You Can

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You Have Nothing To Fear You Have Nothing - Welcome to 2030: The Terminator Sequel // Bulldozer Mix

2030: Welcome To The Terminator Sequel - Live and in Living Color

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lyrics written and narration provided by fictionalive // 

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music, carefully used, written, arranged, played, mixed, prodcued, licensed, and provided by mobygratis, curated by fictionalive // 

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vocal arrangement, production and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports. fair use only 

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dropped
June, 2025

2030: Welcome To The Terminator Sequel - Live and in Living Color

/// 0I00II /// 
/// You Have Nothing To Fear You Have Nothing To Fear
/ / Bulldozer Mix  / / 
/// 0I00II ///

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.

Disclaimer: Meine Damen und Herren, und alle die, die ein Sternchen oder sonst was benötigen, ich kann jetzt nicht mehr Schweigen, zu dieser Misere - ich gehe jetzt einfach mal auf Sendung - ob man es will oder nicht - wohl bekomm's - es ist nur zu Ihrem Besten!

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You Have Nothing To Fear You Have Nothing - Welcome to 2030: The Terminator Sequel // Bulldozer Mix

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The Year 2030: Welcome to the Terminator Sequel - Prologue

this track is the introduction single for the upcoming album or longform audio  /
The Year 2030: Welcome to the Terminator Sequel - Live And In Living Color

music is the dope beat written, produced and mixed by modulprinzip @modulprinzip, a mighty beatmaker from berlin, germany - big shout-out!

lyrics, vocal production, arrangement, final mix and drop by fictionalive

artwork photography, image editing by fictionalive

so far, following tracks cut from the long form audio have been dropped within the last few months, made - just for you:
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You Have Nothing To Fear You Have Nothing To Fear // Bulldozer Mix
https://soundcloud.com/fictionalive/you-have-nothing-to-fear-you-have-nothing-to-fear-welcome-to-the-terminator-sequel-bulldozer-mix
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2030 — You Have Nothing to Fear // Almost Silenced Techno Take 
https://soundcloud.com/fictionalive/2030-you-have-nothing-to-fear-techno-take
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Spookify 2025 - The Terminator Sequel We Will Not Bow Down To
https://soundcloud.com/fictionalive/spookify-2025-the-terminator
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artwork photography, image editing by fictionalive
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fusion of it all - 
fictionalive with the popoems series and the hyper media reports
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dropped
saturday, november 1st, 2025
5:25 pm central european time 
zone post hallowhat
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treat treat
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Welcome to 2030: The Terminator Sequel - Prologue

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Knock Knock (Part One - Welcome to 2030: The Terminator Sequel)

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this is the first single of the reworked long form audio drama to be released now drop by drop day by day

the album as well as previous excerpts are compiled here
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Welcome To 2030:
The Terminator Sequel - Live And In Living Colour
The Album and Singles Compilation
https://soundcloud.com/fictionalive/sets/welcome-to-2030-the-terminator-sequel

story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Knock Knock (Part One - Welcome to 2030: The Terminator Sequel)

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Forgot How To Fight (Part Two - Welcome to 2030: The Terminator Sequel)

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this is the second single of the reworked long form audio drama to be released now drop by drop day by day

the album as well as previous excerpts are compiled here
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Welcome To 2030:
The Terminator Sequel - Live And In Living Colour
The Album and Singles Compilation
soundcloud.com/fictionalive/sets/welcome-to-2030-the-terminator-sequel
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story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports.
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Forgot How To Fight (Part Two - Welcome to 2030: The Terminator Sequel)

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Absolute Control And Profit (Part Three - Welcome to 2030: The Terminator Sequel)

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this is the third single of the reworked long form audio drama to be released now drop by drop day by day

the album as well as previous excerpts are compiled here
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Welcome To 2030:
The Terminator Sequel - Live And In Living Colour
The Album and Singles Compilation
soundcloud.com/fictionalive/sets/welcome-to-2030-the-terminator-sequel
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story written and album produced by fictionalive

music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //
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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports.
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Absolute Control And Profit (Part Three - Welcome to 2030: The Terminator Sequel)

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Quite An Experience, Isn't It

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track a flip fusion by fictionalive

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Quite An Experience, Isn't It

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Badman - It's Simple

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track a flip fusion by fictionalive

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Badman - It's Simple

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Since People Still Needed It - After That It Was Easy (Only Boat Left)

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we are what we are, aren't we
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Since People Still Needed It - After That It Was Easy (Only Boat Left)

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Thru Your Device, Not Congress, Changed the Playbook

The interpretation is clear and well-supported by current discussions on the shift in power. The title “Thru Your Device, Not Congress, Changed The Playbook” can be read as addressing how corporations, rather than government institutions like Congress, have managed to introduce new technologies and systems directly to citizens—often using their devices (phones, computers, apps)—in ways that government could not, especially when public resistance blocked legislation.

This trend is widely observed: corporations increasingly hold power that can surpass that of governments, sometimes bypassing legal and democratic accountability to implement changes or products that serve their interests. 

For example, corporations have changed privacy rules, financial practices, and everyday habits by pushing updates or features through devices, while governments often struggle to regulate or block such changes, even if a majority of citizens are opposed. The “playbook” for securing social and economic change—once the domain of legislative bodies—has truly been changed or even rewritten by corporate actors leveraging personal technology.

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The story is both topical and resonant: it speaks to citizens’ experiences of seeing decisions and new trends imposed via their devices by corporations, rather than democratically through Congress, especially in areas where governments faced strong public opposition. This message aligns closely with critical analysis of modern power dynamics between corporates, governments, and the public.


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music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //

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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Thru Your Device, Not Congress, Changed the Playbook

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Promised, I Tell Them - Go Green // Black Friday Edition

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that movie clearly left a heavy mark on me as a young boy
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Promised, I Tell Them - Go Green // Black Friday Edition

Not eligible, it says—but who cares? It's up to us at the end, right?
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Flip and Skip Hollywood! – So It Be // Director’s Cut (Won’t Be Televised)

Twenty flips and tracks in one movie-like set.
Kept cinematic full-length—get your popcorn ready.

Enjoy, made just for you.

100% organic, fresh, original.

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a fusion by fictionalive

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to my father
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Flip and Skip Hollywood! – So It Be // Director’s Cut (Won’t Be Televised)

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist fictionalive on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into (hip-hop) music, emphasizing thoughtful lyricism and cognitive engagement. Brain Hop differentiates itself from mainstream (hip-hop) by prioritizing meaningful content, complex themes, and a cerebral approach to rhythm and rhyme.

The creation of Brain Hop responds to criticisms that contemporary (hip-hop) often lacks intellectual depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative beats and poetic lyrics. Brain Hop is positioned as part of a movement to elevate (hip-hop) culture into new territories of artistic and cultural significance.

As of its inception, Brain Hop is recognized as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.

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