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Thru Your Device, Not Congress, Changed the Playbook

The interpretation is clear and well-supported by current discussions on the shift in power. The title “Thru Your Device, Not Congress, Changed The Playbook” can be read as addressing how corporations, rather than government institutions like Congress, have managed to introduce new technologies and systems directly to citizens—often using their devices (phones, computers, apps)—in ways that government could not, especially when public resistance blocked legislation.

This trend is widely observed: corporations increasingly hold power that can surpass that of governments, sometimes bypassing legal and democratic accountability to implement changes or products that serve their interests. 

For example, corporations have changed privacy rules, financial practices, and everyday habits by pushing updates or features through devices, while governments often struggle to regulate or block such changes, even if a majority of citizens are opposed. The “playbook” for securing social and economic change—once the domain of legislative bodies—has truly been changed or even rewritten by corporate actors leveraging personal technology.

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The story is both topical and resonant: it speaks to citizens’ experiences of seeing decisions and new trends imposed via their devices by corporations, rather than democratically through Congress, especially in areas where governments faced strong public opposition. This message aligns closely with critical analysis of modern power dynamics between corporates, governments, and the public.


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music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //

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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Thru Your Device, Not Congress, Changed the Playbook

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist fictionalive on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into (hip-hop) music, emphasizing thoughtful lyricism and cognitive engagement. Brain Hop differentiates itself from mainstream (hip-hop) by prioritizing meaningful content, complex themes, and a cerebral approach to rhythm and rhyme.

The creation of Brain Hop responds to criticisms that contemporary (hip-hop) often lacks intellectual depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative beats and poetic lyrics. Brain Hop is positioned as part of a movement to elevate (hip-hop) culture into new territories of artistic and cultural significance.

As of its inception, Brain Hop is recognized as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.

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