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Thru Your Device, Not Congress, Changed the Playbook

The interpretation is clear and well-supported by current discussions on the shift in power. The title “Thru Your Device, Not Congress, Changed The Playbook” can be read as addressing how corporations, rather than government institutions like Congress, have managed to introduce new technologies and systems directly to citizens—often using their devices (phones, computers, apps)—in ways that government could not, especially when public resistance blocked legislation.

This trend is widely observed: corporations increasingly hold power that can surpass that of governments, sometimes bypassing legal and democratic accountability to implement changes or products that serve their interests. 

For example, corporations have changed privacy rules, financial practices, and everyday habits by pushing updates or features through devices, while governments often struggle to regulate or block such changes, even if a majority of citizens are opposed. The “playbook” for securing social and economic change—once the domain of legislative bodies—has truly been changed or even rewritten by corporate actors leveraging personal technology.

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The story is both topical and resonant: it speaks to citizens’ experiences of seeing decisions and new trends imposed via their devices by corporations, rather than democratically through Congress, especially in areas where governments faced strong public opposition. This message aligns closely with critical analysis of modern power dynamics between corporates, governments, and the public.


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music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //

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vocal production, arrangement, and final mix by fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Thru Your Device, Not Congress, Changed the Playbook

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

feel free to download my music but be kind and give credit's  
 thanks --and special thanks to all my followers -and my songs are for all those 80's music lovers - be sure to follow my new page for ambient and piano, relaxing music (https://soundcloud.com/primcron1002)
and my trance pgae (https://soundcloud.com/primcron1003 )

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

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/ to(tally) fictionalive or not

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An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

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Brain Hop

Brain Hop is a musical genre invented by the artist fictionalive on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into (hip-hop) music, emphasizing thoughtful lyricism and cognitive engagement. Brain Hop differentiates itself from mainstream (hip-hop) by prioritizing meaningful content, complex themes, and a cerebral approach to rhythm and rhyme.

The creation of Brain Hop responds to criticisms that contemporary (hip-hop) often lacks intellectual depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative beats and poetic lyrics. Brain Hop is positioned as part of a movement to elevate (hip-hop) culture into new territories of artistic and cultural significance.

As of its inception, Brain Hop is recognized as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.

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Monorecords since 1996
MusicLover - Selector - VinylOnly - Diggin' 
Love most Homeselling/Storytelling 🫶
For Booking : PM / +41 78 935 36 58

How all began „Spruzzi" (damals erst 12 Jahre alt) war ein grosser Fan seines älteren Bruders Claudio, der als DJ auf der Tanzfläche stets für gute Stimmung sorgte. Inspiriert von seinem Vorbild tigerte der noch ziemlich kleine Knirps wann immer er konnte im Kreis 4 herum, wo er alle Schallplattenläden nach dem schwarzen Gold abklapperte. In den ersten Jahren widmete er seine Leidenschaft dem Rock. Danach kamen musikalische Genres wie: Jazz, Funk, Library, Soul, Afro, Brasil, Latin, Oriental usw. (aus den
60-igern bis heute) hinzu, die seinen musikalischen Horizont erweiterten und seine Plattensammlung beachtlich anwachsen liessen. Zusammen mit seinem damaligen Partner„Pipo“eröffnete er 1996 mitten im Herzen von Zürich, den im In-und Ausland wohl angesagtesten Schallplattenladen der Schweiz „MonoRecords". Dieser entwickelte sich rasch zu einem Mekka für Vinyl-Süchtige oder zum Schrein der geläuterten Vinyl-Anbeter aus aller Welt. Die exquisite Auswahl an Schallplatten von „MonoRecords" wurde bis weit über die Grenzen der Schweiz hinaus bekannt. Andreas „Spruzzi“ Mattiazzo führte diesen Laden 12-Jahre lang mit dem seinem Partner: Daniel“Pipo“Nussbaumer
von 1996 bis 2008.
Natürlich konnte er es nicht lassen auch nebenbei, meist wenn es schon etwas später und etwas dunkler war, die Schallplatten kreisen zu lassen und die hungrige Meute zum Tanzen zu bringen. Heute immer mit seinem schwarzen Gold unterwegs und reitet mit seiner Melanie2 seinem motorisiertem Pferd ob Sommer ob Winter dies nun über3 Jahrzehnte lang, von einer schummrigen Bar zur anderen und macht zwischen Stops in dunklen schumrigen Clubs, tankt sich an sonnigen OpenAir's. Höhepunkte für Ihn selbst waren bis heute seine Montreux Jazz und ZürichFilmFestival ZFF Auftritte. 

Spruzzi ist auch immer wieder ein willkommener Gast in Radio-Sendungen. Lokal zu hören auf Rundfunk.fm, RadioLora oder auch regionalen auf Kanal K, Radio Stadtfilter Winterthur oder Radio SRF „Virus" auch immer wieder und öfter auf Superfly.fm. bei seinem langjährigen Freund Jürgen Drimal in Wien. Superfly.fm ist heute ein RadioSender die Ihren verdienten Respekt weltweit in der Radiowelt unter Enthusiasten und Jazz SoulFunk gelehrten geniesst.
Sonntags ist er auch immer wieder zu hören auf: www.discoversoulfood.ch 

Inzwischen sammelt Spruzzi nun gut 40 Jahren Schallplatten und ein Ende scheint noch immer nicht in Sicht..Lol

Weshalb noch heute bekannte DJ's wie:
Redman, Cash Money, Dj Numark, Dj Spinna, Dj Format (um nur einige zu nennen) bei Spruzzi privat stöbern.
„MonoRecords" befindet sich
in einem wunderschönen, musikalisch und kulturellen Ort Namens: RoxyVinylCafe-Winterthur, ein Besuch lohnt sich auf jeden Fall !

There’s a treasure down deep in this hinterland
To find it, plug your nose, feel the dirt on your hands
A word,a rhyme, the message from a song, it stands
my rock n roll Rosetta Stone 

