Recorded on four channels nearby laggon under  Svínafellsjökull glacier south of Vatnajökull glacier in Iceland.
Two microphones are recording the soundscape above the  glacier lagoon and two hydrophones are placed in the lagoon.
More information will be found at http://fieldrecording.net


Above and under the glacier lagoon surface

Above the glacier lagoon (Sennheiser MKH20 in AB40)

Atlantic Grey Seals (Halichoerus grypus) at Donna Nook National Nature Reserve, Lincolnshire. 

http://www.lincstrust.org.uk/donna-nook

With hundreds of cows and pups only a few metres away from the coastal path it was possible to record at levels that helped reduce the roar of surf and unwanted noises from shipping. 

Recorded at 1am on the 7th December 2015 with a pair of MKH40’s arranged ORTF into a SD MixPre and 702.


Seal Sounds at Donna Nook

The wolf pack you hear on the files are recorded in Sweden last summer. More specific in Bergslagen. An area with wonderful nature, forests and wilderness.

A quiet summer night, light fog over the moors in the forests you can hear this wonderful concerts. But you need to know where In Sweden, there are only around 35 wolf packs.

This pack consists of the alpha male and the female, three youngsters from last year and five puppies from this year.

On this first file, in a series, are the three youngsters from last year on their own. The distance between me and the wolf pack is around 175 yards / 160 meters. Between us is a moor with light fog. It is a wonderful nordic summer night with no wind.

This is one of my first recordings with a Telinga PRO-8 MK2 stereo parabolic dish connected to a ZOOM recorder. 
Recordings have some post production. 

The howling wolf in the picture is the alpha female of the pack.

Please contact me for more info: http://www.bentmar.com/
Copyright Mats Bentmar.
www.telinga.com

Wolf Pack Youngsters recorded by Mats Bentmar using a Telinga PRO-8 MK2 dish (stereo)

More thunder!  Lots of storms here this summer.  Recorded using MKH 8020s in DIY closed-cell foam SASS, to a Sound Devices 702, volume 30, increased in post by 15 dB.  Yellow-rumped Thornbills and Eastern Yellow Robins are calling.  Capertee Valley, NSW, Australia.  22 degrees C.  February 17, 2012, 2.15 pm.

846 THUNDER 8020s SASS 170212

Fallow deer recorded in southern Sweden (Sep 2019) from 30-40 meters / 100-120 ft. by Mats Bentmar using the SCHOEPS Parabolic Dish Set MONO (hand-held) with the SCHOEPS CCM 4 cardioid microphone + SCHOEPS ParabolEQ Plug In, FREE with parameters quickly set for each recording:
+ Distance (Close to Far Off)
+ Aim Inaccuracy (ON Center to OFF Center)
+ Diffuse/Free Field (Pure Diffuse Field to Pure Free Field)
+ Microphone (CCM 4, CCM 2, CCM 21 or CCM 22)
+ Low Cut (ON/OFF)
+ High Wind Cover (HWC, Windjammer or no windcover)
+ Presets (Sport, Nature, SFX etc.)
NO OTHER POST PRODUCTION.
For more information please visit: schoeps.de/dish
Photo by Mats Bentmar: www.bentmar.com
Telinga Microphones: www.telinga.com

SCHOEPS Parabolic Dish Set: Fallow Deer 30-40 m / 100-120 ft. MONO(Mats Bentmar)

Sonic spooky beauty at the midst of night at the bank of the Black River.

Deep in the night, at the banks of the black river

This recording was captured right in front of my tent at a little after 5am on the side of the Chattooga River. The section I was camping near was very calm and saw many people fishing and tubing on the river each day. Luckily traffic was minimal this morning and I was able to record some pristine nature sounds!

Recorded with a Sony D100 on a tripod, sensitivity 10. 

Please visit my website for more information about me and my mission: www.acousticnature.com

Thank you for reading and listening ☺

The Break of Dawn Chorus (Sony D100)

What a strange, odd, mixed-up year it has been.  The yellow spanner of Covid-19 really wrecked a lot of plans. I was all booked to travel to Estonia to record, but it had to be cancelled.   Very noticeable was the sunlight, perhaps it was because there was few jet trails, but when the day was cloudless the sunlight could be absolutely dazzling, it had the strange effect of making it feel like we were living in paradise.     Because of the restrictions I am so glad the woods is only within a moderate cycle distance from my home.  I am very fortunate that I have two fairly good places to record relatively close by.  I even found a wild sand dune area not even five kilometers away,  I hope to record more there in the future.   Disc 1 track 2 is from a much longer recording, it is probably one of the best recordings made during the 2020 season, I had made a few recordings, near the stream, then a bit less close, then a bit further away and another even further away, as I wanted a sound where the stream was a suggestion rather than really dominating the sound picture.  The Blue Tits nested in a cavity block in the wall of my home, there is an vent on the inside of the block, so I only needed to place the microphone up to that to get a fantastic close perspective recording.  
I include two recordings of the Blue tits as they sounded so different when I recorded them a week later.  Sometimes I would get great results by leaving the old Marantz recorder hidden in a bushy place while I go not too far away to record with the new recorder, I love how I had no idea of what it has captured for me, only later when the track loaded on the computer did I get to see if it captured anything worthwhile.  This was the case with Blackbird - alarm calls (Track 3 on disc 2).  I think the peaks came in at about minus six db.  This year was my first time to use Contact microphones and a Hydrophone.    
At the beginning of April my dad Desmond died, he was 89, a great age.  Apart from Covid, we could see he wasn’t going to live much longer, he had been deteriorating noticeably for months up to that.  Why then are the covers for the two discs so strange ?  
A birdsong production should have birds on it !   My dad was big into sun power and indeed wind power even long before it became popular.  Over by my workshop he had placed a few sun power panels on the wall, these were wired into a small room to a panel on the wall with six switches.  I thought it a good way to remember him by including a picture of part of his panel for disc one front cover.  I was going to include the six switches in the picture, but my heart of hearts said no, it didn’t look good, too much scruffy brown, but I include it in the zipped folder (If you are buying it on Bandcamp)so you can see what I am talking about.  I had almost chosen it, as it occurred to me one morning that the six switches are like the levels of lockdown (I hate that term, but I have to use it here) thankfully we didn’t have a level six, maybe that is like in a movie I saw where the authorities came and boarded up a house with the people still inside.  In the end I used the part of the photo with the meter.   
The butterflies . . . Dessie we call him, was always interested in butterflies, that is where I got my interest in nature, as a child he used to bring us for walks up along the canal to see the wild flowers and butterflies.  The picture comes from one drawer of his small collection of Irish butterflies he put together maybe around the late 1940’s or 1950’s ??  Very few of them are even in one piece now, this drawer just looked the part, it was all mixed up and spoiled like the year had been, the summer we never really had, at least not the way we wanted or had planned it.

A Strange Year - Disc One - (Album Sample)

This is a recording I made at a large Weaver nest in Etosha NP, Namibia. Longer version and more details at https://youtu.be/K8qNPMqECI0

Secret Life Of A Weaver Nest

Slow soundscapes from the Amazon rainforest. Longer version at  
https://youtu.be/66RWAfuKPq4