WORLDWIDE BOOKINGS :
Eugene Osakwe : eugene@freshdjs.co.uk
REMIXES/MANAGEMENT :
Andrew Salsano : andrew@nervousnyc.com

Communicate EP out now!
Dialekt Radio premiers every Friday at 7pm PST on Sirius XM Chill (Channel 53). Soundcloud premiers at 12pm every Sunday.

John Monkman

Beesemyer | Siamese | Kompakt | Ellum | Anjunadeep 

All Inquiries - Claire @ beesemyermusic.com

John Monkman stands at the forefront of the global electronic music scene. Known for his dynamic performances and cutting-edge studio productions, Monkman has earned a reputation as both a live music pioneer and a master of sound design.

Affiliated with some of the most prestigious labels in electronic music, including Kompakt, Ellum, Beesemyer Music, Siamese, and Anjunadeep, Monkman delivered the spellbinding track Siren for Kompakt and collaborated with Pete Tong on Ecstasis for Maceo Plex's Ellum Audio. His releases, such as the Komplex EP on Anjunadeep and the versatile Tune In Turn On EP for Ellum, highlight his remarkable range. With two Beatport number ones—his remix of Solomon Grey's Twilight and his single Don’t Have to Be Beautiful—Monkman has further cemented his influence on the global electronic music scene.

Equally compelling is Monkman’s remix portfolio. His remix of U Love for Sasha’s LNOE 100th release, supported by Patrice Bäumel and Sasha, showcases his creative versatility. His rework of Space Date by Adam Beyer and Green Velvet for Drumcode demonstrates the respect he commands within the industry. Monkman has also been remixed by Moby. In 2023, he reunited with Pete Tong for an official remix of Duran Duran's Give It Up, marking another standout moment in his career.

On the live stage, Monkman’s impact is undeniable. He has headlined festivals like the UK’s Noisily Festival, brought his live set to the Ozora Festival in Hungary, and performed at the Anjunadeep Festival in Albania. His recent achievements include headlining Rainbow Serpent 2021. The debut of John Monkman: Live at Coachella 2018 with The DoLab was a pivotal moment, revealing his innovative approach to live performance.

The year 2024 has been a defining chapter for Monkman. His latest live show, Pulse, premiered in Paris through a collaboration with Collectif Scale, breaking new ground with its kinetic light art installation. Filmed in a Paris warehouse on July 6th, this show delivers an immersive audiovisual experience that pushes creative boundaries. In the same year, Monkman released Khord on Anjunadeep, followed by three singles—Vader, Roller Vox, and MAYA—on Beesemyer Music.

Continuously evolving as both a performer and a producer, John Monkman remains a driving force in the electronic music landscape, with his innovative studio work and electrifying live shows securing his position as a leading figure in the scene.

Download all my remixes on the http://promodj.com/djamice

'You Bring that Sunshine' out now: https://lilly.lnk.to/YouBringThatSunshine
Komi: https://alexadair.komi.io
------------------------------------
DJ & Producer
------------------------------------
 Contact/enquiries: alexadairmusic@gmail.com
 Bookings: alexadairmusic@gmail.com
-------------------------------------

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

Full Gig Listings - 
http://erickmorillo.com/live-shows/

Contact -
Javier Martinez: Javier@subliminalrecords.com

Promos & Demos -
tracks@subliminalrecords.com

Radio -
James Jackson jacko@listen-up.biz


DJ & producer from Denmark.

Get my songs and remixes for free by subscribing to my e-mail list:
http://rasmushedegaard.com/Subscribe.html

Social media:
Instagram: https://www.instagram.com/hedegaarddk
Facebook: https://www.facebook.com/DJHEDEGAARD/
Spotify: https://spoti.fi/2BuMKwR

DOC RECORDS is an independent record label founded in 2013 and operated by Brazilian architect and music producer Gui Boratto. The name is a reference to "Denominazione Di Origine Controllata" or D.O.C., used for certifying all different types of food which follow a set of regulations and come from specific geographical areas. In this case, it's about music that relates to Gui's own sound-like principles: to Gui, more important than style, it is the music itself that and its beauty and harmony that count the most. Thus, the intent to launch quality timeless music, avant-garde, rhetorical and with a well defined and efficient language and expression, regardless of its shell. 

After all, there's only good or bad taste.

Fkomissar is following