NanoRand

@bodyverse
Lontano Series 
First extract from "I Could Go Lucid" Album by Bodyverse

‘I Could Go Lucid’ is about an instant of awareness in which I realise I could have the chance to create an astonishing reality, if only I could keep consciousness while dreaming, for more than an ephemeral moment. Lucid dreams mean to me a chance to create perfection as I feel they release the power of imagination in its whole potential. Imagination becomes matter to interact with. 
It’s the brain’s virtual reality, the off limits oneiric one. As well as in dreams, also in the musical creative process I perceive a certain amount of surreal content, and it too links with imagination and with the act of materialising ideas. For this reason I am currently experimenting through improvisation, in a journey between surrealism, expressionism and situationist drift. I try to let ideas flow, so my will subordinates to accidents and emotions. I become an explorer or a traveller with an uncertain destination. This atmosphere has resulted in a creation of six pieces in which the priority is simply to keep the integrity of the original "idea" itself. 
Nothing has been planned, cut nor post-produced.  
- Bodyverse - 

Cat.#: LONTANO-TP03 / LNS-DS02/7" 

Release date: 18/12/2018 

- Limited Edition Cassette (50 copies / Hand-numbered)
- Bundle: Cassette + 7" Vinyl Dubplate (10 copies / Hand-numbered)
- Digital Download

Note: "Waves Against Marble Columns" track will be released on cassette and 7" Vinyl Dubplate.

Written, produced and mastered by Bodyverse
Artwork by Andy Mintaka

Copyright © 2018 ROHS! RECORDS, All Rights Reserved

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- European / Rest of the world costumers:
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*** digital download included ***
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++ Bundle: Cassette & 7" Vinyl Dubplate ++
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*** digital download included ***
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extract. Bodyverse - Waves Against Marble Columns ("I Could Go Lucid" Album) | Lᴏɴᴛᴀɴᴏ Series

紅炉一点雪

paaapii

From poking stove elements with pencils, to recording the ambience of a teapot, and playing balcony railings, mnk is an album which restlessly re-imagines everyday sounds. FenGi is the moniker of the Turkish sound artist Altuğ Kaptan, and mnk represents his extended examination of the vibratory and the resonant. It is an album which blurs the boundary between object and instrument, at one point Altuğ performs by simply opening and closing doors, at another he reworks recordings of the violin. Altuğ describes himself as someone who ceaselessly records sounds, seeking spontaneous moments amid the everyday. In his debut solo album mnk we discover an artist both courageous and frenetic, who sitting amid the boiling stove pots, and the sliding doors of his home finds music.

Mastered by Nima Aghiani
Art is the work Rug by Tuba Kaptan

dng - FenGi from the album mnk out July 3

taken from the debut album "Talbot Bells" by Grotta Veterano.
Out on 03.07.2020 as digital only release.

Talbot Bells

Download

Grotta Veterano - Roseneck

Optionica - Biomechanics [Illusions In The Bathyscaphe Nearfield Remix]

A visit to Rome’s 16th-centry Villa d’Este provokes feelings of circularity, cycles, connections. Cardinal d’Este not only sought to revive and surpass ancient Roman architecture and design, his villa was literally made from the past: marble and statues from the ruins of Emperor Hadrian’s nearby 2nd-century villa provided an ample supply of antiquities. But it’s not just the recycling of 1500-year-old materials and ideas that gives Villa d’Este its overwhelming sense of eternal return. Its complex system of fountains, water jets, canals and pools is a feat of engineering, providing a constant flux without the need for any pump. 

Cycles of additions, modifications and imitations have never stopped. Abandonment and degradation seem always to be matched by renewal and renovation. Ivy and moss have advanced in layers, overgrown and flowing. Twentieth-century copies of ancient Roman fountains have taken the place of ‘real’ statues sold off to sit in museums. Like a spiral slowly unravelling, the villa has never stood still. But it’s the invariable, but everchanging, stream of water that most strongly signals the villa’s rhythm of succession. Its climax at The Fountain of Neptune is overwhelming, and it’s here that one might find some present-day meaning from this cascade of sounds, shapes and ideas from almost 2000 years ago.

Meanwhile, at the beginning of the 21st century’s third decade, quotidian life goes on even though the connections between us have suddenly and simultaneously expanded and diminished. After decades of excess and misbalance, COVID-19 is sweeping across the globe but still managing to discriminate. Everything is upside down but the bottom is still the same. The loop narrows at the same time that it increases the breadth of its grasp. Scale is everywhere and local, all at once. Seasons shift. Disequilibrium uncurls. Fairness is still unfair. 

In the northern suburbs of Melbourne, Australia, life endures despite grim reports of our daily tally. We’re drawn into a 5-kilometre radius under a ‘lockdown’ intended to reign in the virus. Time and space stretch and meld. Boundaries blur and sequences bend. Familiar is new and strange is normal. Circularity, cycles, connections. Meta and micro. A daily walk on drawn out paths. A treadmill in its groove. A school bell rings familiar tones but echoes on its own. The big and the small. The loud and the quiet. The seen and the unseen. The haves and the have-nots. And the hopeful call for The Great Reset.

David Evans, August 2020

Credits:
Recorded, composed and mixed by David Evans
Mastered by John Lee at Phaedra Studios
Art: Louise Kellerman
Design: Kate Carr

We must all act together now (excerpt) - from Waiting for The Great Reset - David Evans out Oct 27

Modern Classics

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

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For more please point your cursor to:
http://www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/
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Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

Manja Ristić: Sonic Ontology of Negligence (stereo version of an 8 channel sound exhibition)

From the latest self-release Starfish & the sonic tonalities
https://manjaristic.bandcamp.com/album/starfish-the-sonic-tonalities
The Absence started from listening to an old recording of the Wind Quintet by Serbian composer Ljubica Marić. After learning the composition well, I simply fell in love with the noise hidden in-between sounds produced by an old vinyl crackling and web compression. I made myself a little drone and soon realized the psycho-acoustic qualities of it. The narrative is wrapped around the noise pollution, from both below and above the Adriatic sea.

The Absence

Soon: Hiraeth by tarxun and Siavash Hakim out Nov 5
Latest:
Oblique by Corder & Yantis out Sept 17
Sounds of Mmabolela - Nikki Sheth - out Sept 3
The Yearning - Liz Helman
A Long Wait - Paula García Stone

dng - FenGi from the album mnk out July 3

Flaming Pines