در افسانه های مردم جنوب ایران از ماهی عظیم الجثه ای به نام داماهی یاد شده است که در خلیج فارس می زیسته و در بطن خود یک آرمانشهر نهان داشته است.

موسیقی داماهی بدون اصرار به گونه یا سبکی خاص حاصل همنشینی و همنوازی چند موزیسین ایرانی با گرایش ها و سلایق متنوع و خاستگاه های اقلیمی متفاوت است.

Dara Daraee | Bass
Shayan Fathi | Drums & Percussion 
Hamzeh Yeganeh | Piano
Ebrahim Alavi | Guitar & Oud
Reza Koolaghani | Vocal

I'm a rapper / producer named Yolo Ferrari a.k.a. Jazz Litti
und i moch Mundart-Rap mit diesen skillz

Bilde mit @jamirojaymiracho, @fr-nzn-ban-nzzn und @moschdamoaschta die Gruppe @4x4cl

Idlefon is Hesam Ohadi (b. 1987 in Tehran), an Iranian Canadian computer musician and sound artist based in Calgary, Canada.

Idlefon's output has often been influenced by daily existence in the urban center of Tehran and later on by the natural beauty of their home province Alberta. Ohadi has previously released Idlefon's music on Tympanik Audio; as of 2021, Ohadi has found a home for his output with the Oakland-based emotive experimental label n5MD. Faded and processed vocals can also be heard throughout the album among deep pads and harsh rhythms that mark their familiar sounds.

find my ep on bandcamp:
repeat until . identified sound
https://identifiedsound.bandcamp.com/album/repeat-until

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The concept is: field recordings. bass guitar. vocals. Maybe some other instrument may find it´s way into a track, but ALL sounds are recorded by the artist. Not a single tone is generated digitally.
Your breath, your fingers hitting the computer keyboard, a stone being kicked while you walk along a road - it´s all got the potential to take over the part of drums and beats in Identified´s music.

Music is everywhere.

@chancetherapper
The Social Experiment
Social Works
Social Functions

Ali Azimi is as much a storyteller as he is a musician and lyricist. As one of the pioneers of the alternative music scene in Iran, his music speaks to a generation of young Iranians who are looking for fresh sounds and new stories, and whose hopes and dreams are formed within a unique and difficult political and economic system. Ali is a singer-songwriter who experiments with various genres of music while incorporating persian lyrics and musical roots. 

Born and raised in Tehran, Iran, Ali Azimi began his interest in music at a young age. Coming from a musical family, he self learned to play the Piano and studied classical guitar with Bagher Moazen. After studying and working in Engineering at Tehran University and the United Kingdom, Ali decided to shift his focus and follow his passion for music in his early 30s. The songs 33 from the album, Mr. Mean and Tatilat from his album 88 with his former band Radio Tehran are both inspired by this experience. 

Ali Azimi went to Iran in the year 1388 (2009) and formed his first band Radio Tehran who recorded the album 88. His first solo album, “Mr. Mean” was released in October 2013. This album includes major hit songs such as “Prelude” (Pishdaramad), and “Mr. Mean” (Aghaye Past). The music video for the song “Mr. Mean” won first prize at Farhang Foundation’s short film festival.

Ali released his second solo album “Till Glory Finds Us” (Ezzat Ziad) in June 2016 with hit songs such as “Come Find me Tomorrow” (Farda Soraghe Man Bia) Featuring Mohsen Namjoo and “Life” (Zendegi) based on a poem by Houshang Ebtehaj.

His latest album, “Of Love And Other Evils” (Az Eshgh va Digar Shayateen) is set to be released in summer 2019. The concept album follows the story of a relationship in an abstract form and each song describes one phase of the relationship, returning at the end to where the story began; wandering again and looking for love.

“Of Love and Other Evils” is a collaboration between some of the best musicians within the iranian alternative music scene from around the world. Ali will be promoting this album in his upcoming tour spanning over 20 cities around the world in 2019/2020. 

Golnaz Bashiri is a multidisciplinary artist who has worked in a self established underground environment in Tehran, Iran.
Since 2013 she has been working on overcoming the social-political limitations that block the access to a wider range of audiences by creating a mutual communication between the viewer and the artwork. Stepping beyond conceptual boundaries and established structures, her work explores the role of presence of viewer on the persistence of art and the artist. Based on academic education in Drama (BA Set and Costume Design from Faculty of Art and Architecture in Azad University Central Tehran Branch in 2011) and her experiences in diverse theatrical employments since 2008, she combines the theatrical elements body, stage and text with sound, light, video and textile. Her installations draw attention to the intercommunicative relation between audio-visual media and the viewer.
Golnaz continues her researches by studying MA Art &Science at University of Applied Arts in Vienna-Austria.
Today she investigates the possibilities of aesthetic elements like form, color or phoneme as methods of common healing, similar to therapeutic activities.

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