Name: LDSR 184 Seltsam by FlossyBeats in LoopDiggers Sunday Roulette N° 184 - The Banquet
Duration: 3 min 5 s
Description: #hiphop #beats #boombap #chill #chillhop #jazz #jazzhop #calm #vibes #smooth #groove #music #musician #beatmaker #loopdigger #loopdigers #loopmaker #composer #arranger #flip #flips #samples #diggin #chillin #piano player #midi converter #beatproducer #beatminer #flossy #chop #chopping #bandlab #mk3 #native instruments

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LoopDiggers Sunday Roulette N° 184 - The Banquet

DIGGINSACK #107

Made for fun — Electro Pop at 115-120 bpm that hopefully makes you want to dance 💃🕺💃💃🕺🕺 A light-hearted fun song because Atlanta (A-Town) is fun, y’all — hot and humid 🥵 — but never dull. 

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human 

Available to download (.wav) if anyone feels inspired to collaborate for a remix, adding vocals or whatever. DM me if you prefer MP3.
……………
Home to sports legend Hank Aaron and Braves baseball, southern cooking, tons of historical landmarks — from Centennial Olympic Park to the King Memorial Center — and history-makers, MLK, John Lewis, Jimmy and Rosalyn Carter to name a few, A-Town has neighborhoods of talented minds from all over the world. 

As the American South’s “Ellis Island”, our melting pot of metro neighborhoods makes us ATL strong and welcoming. As home to dozens of colleges and universities, Atlanta acts as a hub for higher education.

Night clubs? And hip hop? Oh yeah, we got that! A-Town is also a huge urban center for LGBTQ folks, so if you’re straight but not narrow, come, dine, and party with us!
..……….…
115/120 bpm

Written in 2022, I ordinarily don’t compose above 100 bpm but A-Town needed a 2025 refresh — the beats fit ATL.

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 

E-INSTRUMENTS
Concert Grand 
SoCal Ballad Piano 
Classical Acoustic Guitar 
Flamenco Echoes 
Plucked Bass Arp
Deep Round Synth Bass 
Analog Phaser Pulse
Film Memories synth
Chordal Chimes
Classic Pad 
SoCal Ballad Piano
Ambient Lead
Indian Sitar
Chinese Guzheng Zither
Modern TR-727 Timbales High
Persian Santoor

E-PERCUSSION 
Atlanta Drum Kit 
Beat Machine 
Hip Hop Kit 
2-Step Remix
Pawn Shop 808 Maracas 
Castanets

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

2023 Copyright SUNNYBECK 
All rights reserved 2025
..……….…
.

Summertime in A-Town

Kamara - Bagólesen (Zene:Vanis)

Second submission for this week’s LoopDiggers Sunday Roulette 184. Made exclusively on iPad using Koala Sampler.

DKODA - The Sorrow Of The Moon (LDSR 184)

all  love LDSR 184

Desecrated Art (LDSR #184)

Enjoying a track? Check out the individual artists on SoundCloud.
Want more LoopDiggers playlists? soundcloud.com/loopdiggersrecords/sets
Want to get involved? DM @LoopDiggersRecords

LDSR 184 INTRODUCTION

#hiphop #beats #boombap #chill #chillhop #jazz #jazzhop #calm #vibes #smooth #groove #music #musician #beatmaker #loopdigger #loopdigers #loopmaker #composer #arranger #flip #flips #samples #diggin #chillin #piano player #midi converter #beatproducer #beatminer #flossy #chop #chopping #bandlab #mk3 #native instruments

LDSR 184 Seltsam


"Moins, c’est moi" is a poetic manifesto dressed as a lo-fi lullaby. Through fragments of story and soft-spoken verses, Anissa Boualem explores the strange beauty of choosing less. It's about the weight of things, the illusion of accumulation, and the quiet joy of space. Inspired by the minimalist philosophy, this song is both tender and sharp, absurd and wise a meditation wrapped in analog warmth. A whispered anthem for those who breathe better with less.

Lyrics : 
[Outro ]
J’ai connu un homme qui collectionnait des posters.
Des centaines. Mais il n’avait pas de murs.
Il disait : “Un jour peut-être, j’aurai l’espace.”
J’ai trouvé ça beau. Et triste.
Moi, j’ai préféré garder le vide.

[Couplet 1]
J’ai trop voulu :
des livres, des chaussures, des preuves,
des clés de rechange pour des portes qui n’ouvraient rien.
Et chaque chose prise… me pesait.
des clés de rechange pour des portes qui n’ouvraient rien.
Et chaque chose prise… me pesait.
Je croyais que plus = mieux.
Mais mieux, c’est souvent : moins.

[Refrain]
Moins, c’est moi.
Quand j’en ai trop, je perds la foi.
Moins, c’est droit.
Quand j’ai peu, je vois pourquoi.

[Couplet 2]
Un jour j’ai acheté sept réveils.
Je croyais que j’allais mieux dormir.
Je me suis réveillée… dans le silence.
Et là j’ai compris :
j’avais juste besoin… d’une nuit. Pas d’un bruit.

[Pont]
J’ai vendu mes idées… une à une.
Pas pour de l’argent.
Pour de la place.
Et dans cet espace,
j’ai entendu une chanson que j’avais oubliée.

[Refrain final]
Moins, c’est moi.
Quand je respire, c’est que j’ai froid.
Mais pas de peur.
Juste… moins de poids.
Et dans ce vide — j’ai trouvé ma joie.

[Outro]
J’ai tout réduit…
et j’ai grandi.

Moins, c’est moi

"Oran Will Remember" closes Anissa Boualem’s 1994 with quiet strength. Inspired by the timeless lament of Wahran Wahran, this ballad flips the farewell now it's the city that remembers. A song for every exile who still dreams in their mother tongue, and for the cities that never forget.

It’s not just nostalgia, it’s memory made music.

Oran Will Remember

My submission for the LoopDiggers Sunday Roulette #210!

good reasons (LDSR #210)

The Blues

Behold

Casper

We Miss You

MF Doom "Butter softy, leather flossy, fatty juggy"

Sample based creations by LoopDiggers Collective on Discord. DM if you'd like to get involved.

LDSR 184 Seltsam

FlossyBeats

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