If love could have saved you

Marco Lucchi : synthesizer, piano, spinet and tape

for the current Disquiet Junto challenge
https://disquiet.com/2022/08/11/disquiet-junto-project-0554-cage-chord/

found sounds
freesound.org/people/felix.blume/sounds/585061/

17 agosto 2022

Hamlet's Mill [disquiet0554] alt version

This week's haiku, by Masaoka Shiki (1867-1902), inspired an improvisation on Equator2 VST synthesizer, played on two ROLI Seaboard Blocks, with added effects. Recorded and mixed in Reaper.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

The Sound Of Water (naviarhaiku450)

This lovely haiku by Taylor Wray led me towards the Phrygian mode. My improvisation, in E Phrygian, is played on Babylon VST synth. Recorded and mixed in Reaper, with Frostbite2 added. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

First Light (naviarhaiku451)

A short improvisation (in A Aeolian) in response to Hakyo's haiku. Played on Acoustic Shadows VST synthesizer, with added effects: Neunaber Wet reverb and Valhalla delay. Recorded and mixed in Reaper. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

White Peaks (naviarhaiku455)

An electronic sequence, sounds created in Pure Data.

Slow Purple (naviarhaiku458)

Slow and relaxing track I composed to keep developing my skills of air control and timing. I tried to let the headjoint do it's job and give the digital effects room to breathe.

Sometimes I focus too much on controlling the metal tube attached to my face but when you play flute it's an extension of not just your hand but how you breathe as a human being. It's quite intimate and not always so easy to produce song with the ease of breathe I am grateful to have everyday.

Enjoy and be well.

Dizzy

一瞬の期待は泡に消える

From the Mist

From The Mist (naviarhaiku464)

Disquiet Junto Project 0573: Float Mode
The Assignment: Add material atop a pre-existing beat to form a complete track.

Note: This week’s project is the second part of a two-parter, following up last week’s, but you don’t need to have participated last week in order to do this one.

Step 1: You will be adding musical elements atop beats created last week by other members of the Disquiet Junto. Select a beat. There are beats from 30 or so musicians in the SoundCloud playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0572 5

=====================================================
Track notes:

Last week, Daniel Diaz's lovely jazz-oriented track stuck for me as something I'd like to rework.

https://soundcloud.com/daniel-diaz/2022wcgroove-disquiet0572

Without a really clear idea of where I wanted to take the track, I started by adding some sombre synth sounds over the top of Daniel's rhythm track and listening back to where things were going. I then listened to the harmonic aspects of the chord progression and reached out for my Telecaster, coaxing a kind of Bill Frissel meets Brokeback (via Tortoise) vibe...I think. Lastly, I added a little phasing to the rhythm track during the guitar solo and outro.

[Disquiet_Junto_0573] "Uncertain Road" (w/ Danial Diaz)

Ambient soundscapes for your pleasure. Relax, chillout and enjoy.

AMBIENT - KITSUKI

My music is freely improvised, usually on VST synthesizers, sometimes fretless bass, guitar, occasionally electric viola or cello, with a variety of effects pedals. Solo music is performed live and recorded as 'FlownBlue'.  I am also in four improvising duos: 'Windfall Light' (with Jim Tetlow), 'Abstract Blue' (with Kevin Buckland), 'Light Fragments' (with Steve Escott), and Szukanie (with Michał Wojciechowski). I'm a member of the Quadelectronic improv group based in Leicester, UK. Duo music is all on Bandcamp - links below.