A new collection of work titled 'Sodium Light' from myself has just been released on Lee Norris's excellent NeoTantra label. The work was inspired by a series of night walks my daughter and I took towards the back end of 2019; pre all the states we find ourselves in at the moment. It's an impressionistic work of night-time cityscapes. Mastered by Fraser McGowan.

Sodium Light

Night #2

'Night #2' - Taken from the release 'Sodium Light' - [Neotantra, 2021]

Tracklist

01. Celer - Melancholy Movement
02. Ambalek -  Dark Pines Beachen Leaves
03. Maps and Diagrams - The Colour of Numbers
04. City Of Dawn - Where The World Quietly Sing Their Song
05. Hawgood - Hüwels - Murray - Dusk Filters
06. Andrew Tasselmyer -  Forgotten Futures
07. Moss Covered Technology - Night #4
08. Federico Durand - Cedrón
09. Dudal - Van Harte Wederkerige Wensen
10. Morimoto Naoki -  Nod
11. Alex Bober - Burning Moths
12. M. Grig - Mount Carmel

239. Sleepy Sunday Podcast (Elm Records)

~ LAAPS 023 ~ [SEQ.03 - LP23]

artist : Seabuckthorn
 album : Of No Such Place
duration : 39.34 mn
 date : November 04th, 2022

edition :
-  vinyl : limited to 200 copies / solid silver LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : October 07th, 2022 / official release : November 04th, 2022
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Guitars, field recordings, clarinet, tongue drum, cymbals, effects and mixing by Andy Cartwright.
Double bass on 1,2,3,5,6 by Phil Cassel.
Recorded at home between March and April 2022 in Veynes, France.

Mastered by Ian Hawgood
Cover photo taken by Andy Cartwright in Le Dévoluy in Oct 2021.
 Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://seabuckthorn.bandcamp.com/
https://seabuckthorn-music.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S  0 2 3

Seabuckthorn - Hand In The Upward Sky

DR-83; DAVID CORDERO & MIGUEL OTERO - A Possible Distance is due out on CD / DL October 14th

dronarivm.bandcamp.com

The world is undergoing severe social and political changes in a short time that has taken individualism to the far extreme.

For this reason Possible Distances is a reflexion on the gap between human relations and everyday life; distance and closeness. The immediacy and the small personal moments that make us feel even more alone.

Written in the distance, Cordero and Otero build a bridge between their recording studios with minimalist melodies wrapped in luminous skies to enhance common places while nature takes its course.

After Salinas (Archives, 2020) and Distension (Playneutral, 2021), this work together brings us the kindness of small daily details.
credits
releases October 14, 2022

Written and produced by David & Miguel in Cadiz, south of Spain
Mixed & mastered at Nada Nueva Studio
Illustrations by Eva Arango

A Possible Distance

Buy CD / DL

DAVID CORDERO & MIGUEL OTERO - Everyday Things

Coming soon on Fluid Audio...

Music: Fields We Found
Mastering: Ian Hawgood
Design: Daniel Crossley

Paths

Fields We Found - Retrieve

This album consists of unreleased tracks. Some were not suitable for labels or collaborations, others were just outtakes that I refused to include in any works.

When I listened to them again, they sound interesting. I think my subscribers will find them interesting as well.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

The Forgotten Music

Levitation

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“I could hear everything, together with the hum of my hotel neon. I never felt sadder in my life.” - Jack Kerouac, “On the Road” (1957)

In chapter 13 of Jack Kerouac’s “On the Road,” we find Sal in a Los Angeles hotel room with his new girlfriend, Terry, soon after they’ve decided to hitchhike back to New York with the $10 they share between them. Staring out the window in a sleepless fit, Sal observes a domestic dispute across the street: the humming neon sign of the hotel is an audible element amidst the police’s questioning, family’s sobbing, and city’s howling sirens, all of them blending together in an oddly poignant moment. 

This idea of sound adding context and emotion to human experiences is the foundation of Hotel Neon. The project formed in 2012 under far less desperate conditions than Sal’s, but it has always been anchored in the practice of recording musical responses to the current moment. The chord progression of “A Lament,” for instance, was recorded in the hours following the breaking news out of Sandy Hook on December 14, 2012. Ever since then, we have continued to create soundtracks for specific settings and situations in our lives.

“Hotel Neon 10: Reworks” is a reflection on the 10th anniversary of our debut self-titled album, which was released on July 30, 2013 in a batch of 100 cassettes. Initially a loose collection of minimal drone experiments with no intention for follow-up after the tapes ran out, Hotel Neon has morphed into the central musical identity for each of us, leading to friendships, experiences, and purpose that we could never have imagined at the time.

This is not simply a remaster or remix; HN10 has been entirely reworked from the ground up. You will notice that some of the essential elements and structures from the original songs come through, but we made a concerted effort to build on those early ideas and present a new album with our current tools, techniques, and experience.

We deeply appreciate your support, and thank you for listening.

Music: Hotel Neon (Andrew Tasselmyer, Michael Tasselmyer, Steven Kemner)
Mastered: Rafael Anton Irisarri
Design Daniel Crossley

Hotel Neon 10: Reworks

Hotel Neon - Dust And Drag

Tracklist

01. Anthéne -  Balance (featuring Fields We Found)
02. Glåsbird - Kata
03. Old Amica - Signal
04. Tomotsugu Nakamura - Heliotrope
05. Will Samson - Beatrijs' Theremin
06. Far away Nebraska - Lei
07. Jason Calhoun -  Small Circle
08. 't Geruis - In Purple
09. Arovane - Endett
10. Sonmi451 -  Hyperbole
11. Shuttle358 - Meteor heart

349. Sleepy Sunday Podcast (Elm Records)

Hey, you remember the Icelandic independent imprint called INNI Music, yes? It opened up with Atli Örvarsson's You Are Here back in 2020, and then there was Rose Riebl's Do Not Move Stones in 2021, followed up with Jónsi, Sin Fang, Alex Somers, Kjartan Holm's Sounds of Fischer Vol. 1 a year after, all of which have consistently made to my Best of the Year lists, in every single year. Right. So, yes, this is the same Holm from that Jónsi (of Sigur Rós fame) collaboration, this time with a solo release. Hailing from Reykjavik, Kjartan Holm is a musician and a film composer with half a dozen scores under his belt. This album, titled HORIZON, was originally written for a same-named documentary about the late Icelandic painter Georg Guðni, "whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting." The music, as conveyed in a piece I am premiering for you today, is capturing the vast and sprawling atmospheres, blending abstract textures with ethereal melodies in pastel haze, shifting tones, and wide brushstrokes. You don't even need to look up the paintings to see the resemblance (but I recommend that you do). Lovely tonalities to get lost in on this one, and I recommend that you pick up the album, in just a few days...

HORIZON

Limitless Pt. II

TRACK PREMIERE : Kjartan Holm - Limitless Pt. II

Solo Synth Piano.  Created in Real-Time at Music & Arts, St. Louis MO.

Year of Music: August 8, 2025

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Fields We Found - Retrieve

Fluid Audio

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