Unreleased Demo of "You'll Miss Us One day".
The final version is released on "Gravity" / Ad Noiseam Nr.168.
http://www.adnoiseam.net/adn168

Ben Lukas Boysen - Variation (Unreleased)

A stochastic experiment with 
three GForce ImpOSCar 3 synthesisers.

Deliberately evocative of 1970s Hawkwind.

Octal City Journey

Order CD + Digital here: https://futuresequence.bandcamp.com/album/subsiding 

Prominent Iranian artist Siavash Amini continues a triptych of works with ‘Subsiding’, an album of instrumental ambient drone. His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting.

Complete with striking cover photography by Alex Kozobolis, “Subsiding” will be available on glass-mastered CD in digipack sleeves (run of 200) and digital formats.

Subsiding by Siavash Amini

The original motion picture soundtrack to ‘Salero’ will be out on November 11th.
Pre-order the (Ltd. Clear) LP/CD/DL here: www.erasedtapes.com/store/index/ERATP091
iTunes: itun.es/de/CdbFeb
Bandcamp: snip.ftpromo.net/salerobc
Original Soundtrack to the film "Salero"
Composed & Orchestrated by Adam Bryanbaum Wiltzie.
Recorded in Budapest @ Magyar Hungarian National Radio
Mixed with Francesco Donadello @ Vox-Ton in Berlin

Adam Bryanbaum Wiltzie, the creative force behind A Winged Victory For The Sullen and Stars Of The Lid, is to officially release his score for the motion picture ‘Salero’ on November 11th.
Having channelled some of the most iconic drift music of our time through A Winged Victory For The Sullen and Stars of the Lid, 2016 has already seen Erased Tapes luminary Adam Bryanbaum Wiltzie provide original scores for a number of feature films including Jalil Lespert’s ‘Iris’ and ‘The Yellow Birds’ by Alexandre Moors.
It’s on ‘Salero’ however, that we see Wiltzie weave some of his finest work and deliver an expertly distilled accompaniment to director Mike Plunkett’s sprawling, uncompromising visuals. Set in Bolivia’s Salar de Uyuni, the world’s largest salt flat, the narrative follows the region’s ‘Saleros’ – those who have for generations gathered salt and earned enough to somehow carve out an existence in such a barren landscape. It’s with the discovery of huge Lithium reserves – a mineral used frequently throughout the tech industry – under the scorched earth that acts as a catalyst for exploitation of the environment and its people; holding a microscope to the drastic effect industrialisation has on local culture and tradition.
Recording took place in Adam’s Belgium-based studio for the guitars, percussion and small string ensemble tracking. Hungary was chosen for the final large string orchestra recordings at Magyar Radio Studio #22 with the Budapest Art Orchestra.


LITHIUM, THE NEW ERA

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

Artwork by Kevin Townsend : 
Website - www.kevin-townsend.com
Facebook - www.facebook.com/kevintownsendartist

daigo hanada - and this is how it ends (near the parenthesis remix)

The Lost

Otto A Totland - Vates

Drops in an Ocean

Taken from Thomas William Hill's upcoming album 'Grains of Space'

The album started life as a series of minimal loops, recorded using a viola da gamba – a stringed instrument most popular in the Renaissance and Baroque eras – and a loop pedal. Using the negative space within each loop as the primary drive for composing, Thomas began a process of ‘joining the dots'.

“I began to see these loops - and recorded music in general - as a kind of fixed perspective that could be exploited. In isolation, a single layer may be no more than one or two notes punctuating four bars of silence, but when laid over multiple variations on that theme, disparate notes start to dance with each other and new connections take form, like constellations or deconstructed sentences.” 

Pre-order here: https://VillageGreen.lnk.to/7YpUIWE

Thomas William Hill - Furnace

This is track from my collaborative album 'Moon Ate the Dark'

Moon Ate the Dark - Explosions in a Four Chambered Heart

Rauelsson - Fluvial

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Gideon Wolf - Falling

Fluid Radio

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