Track taken from the forthcoming album 'Eaten Alive' due out on Denovali in January 2014.

An early version also appeared on the Headphone Commute curated-charity compilation '...And Darkness Came'.

Available here:
http://headphonecommute.bandcamp.com/

Talvihorros - Dyspnea

The track "Sadness" (Beatless Ambient Version) completely strips away the rhythmic anchor, resulting in a work of pure, suspended emotion. The sonic journey unfolds within a vast, frozen soundscape of melancholy. Deep feelings are expressed through slow-moving, massive drone textures, and heavily-processed, sustained tones that hang in the air, saturated with reverb and delay. It is an act of deep, profound sonic immersion, where the listener is left adrift in a beautiful, overwhelming sadness. This version is a true ambient catharsis—a deep breath taken in the face of immense feeling.

Sadness ( Ambient Version )

Sun oil

Recorded and produced  
by greyshoes#music-berlin 
12/2025

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Artwork by P. Werzlau.  
Use of the photography: 
Eiszeit (detail).

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All instruments and musical vibrations 
played and created
by Grey Shoes.

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© All rights reserved

Eiszeit

Caught In The Wake Forever is the solo project of Scottish multi-instrumentalist & songwriter Fraser McGowan. 
Treading a path of quiet lo-fi, ambient, folk & modern classical music, Caught In The Wake Forever has had releases on a variety of highly regarded labels such as Archives, Dronarivm, Fluid Audio & Hibernate Recordings. 
From the delicate torch songs of 2011's debut album 'Against A Simple Wooden Cross' to the nocturnal drones of 2016's 'Under Blankets', each recording has dealt with matters of emotional strain and release. 
Caught In The Wake Forever's newest offering 'Waypoints' is the first full length album to step away from this formula. Whilst previous albums drew on deeply personal subject matter to guide the writing process, Waypoints navigates unknown territories using improvisation as its starting point. Recording began with two intense day-long sessions of modular synthesizer and acoustic piano. The resulting hours of improvised material were then gradually shaped over a 4-year period, McGowan relying on his musicianship and intuition to structure the compositions. 

These exploratory pieces retain the abstract textures and sketch-like arrangements from which they were sculpted, finding form with the contemplative melancholy and delicate melodic warmth that characterises Caught In The Wake Forever's music. Seven instrumental works that sound like distant radio signals interspersed with fragments of lonely lo-fi piano, broadcast from an unknown, isolated location. 

Words by Chris Gowers (2019) 

Written & recorded by Fraser McGowan 

Performed by Fraser McGowan 

Rogers Eungblut Upright Acoustic Piano, Yamaha C5 Classical Guitar,
Ibanez Blazer Series Electric Guitar, Korg MS2000, Roland SH101, 
Moog Slim Phatty, Akai S20 Sampler, Make Noise System Cartesian, 
Arturia MicroBrute, Arturia Analog Lab, Harmonium, Pearl Acoustic Drums, AM Radio & Digital Processing 

With 
Colin Morrison 
Ibanez GA5TCE-AM Classical Guitar & Boss RDD-10 Micro Rack Delay (A1 & B3) 

Darren Galloway 
Roland JU-06, Roland Aira TR-8 & Boss DE-200 Digital Rack Delay (B3) 

Yellow6 
Gretsch G6134 Black Penguin Electric Guitar, EHX Platform Compressor & Strymon Flint Reverb (B3) 

Produced by Fraser McGowan & Darren Galloway 
www.connectedbylandscapes.com 

Special thanks to Chris Gowers, Colin Morrison, Darren Galloway, Andrew ‘Woody’ Woods, 
Jon Attwood, Euan & Ali Millar-McMeeken & Agus Mena for making this record possible 

Mastered by Taylor Deupree 
www.12kmastering.com 
Photography by Alexander Kopatz 
www.go70north.com 
Archives58 // ArchivesCD39 
Archives / 2019

Buy Vinyl/CD/Dig

Caught In The Wake Forever - The Houses Here Have Changed Lately

Remix album for 'Strange Parentheses', released on October 2018.
Written and Produced by Pepo Galán
Remixes by r beny, Steve Pacheco, David Cordero, José Soberanes, Eyoko, Suero, Eduardo Briganty, Erissoma, Max Würden, Alberto Lucendo, Shuta Yasukochi and Warmth
Mastering by Ian Hawgood
Photography by Alexander Kopatz
www.go70north.com
Archives61 // ArchivesCD42
Archives / 2019

Buy CD/Dig

Pepo Galán - Barco Amor (Steve Pacheco Remix)

Taken from the upcoming album 'Layers of Memory in the Quiet Voice of Motion', released through Fluid Audio...

Clarinet Solos – James Chu, Recorded by Seaman
Violin Solos – Wei Ping Lin, Recorded by Volkmar Klien
Horn and Violin Arrangements Seaman
Singing - Rin Howell 
Produced by Corder and Seaman
Mastering by Corder
Design - Daniel Crossley

www.fluidaudio.bigcartel.com

Layers of Memory in the Quiet Voice of Motion

offthesky & Bill Seaman - Layers of Memory in the Quiet Voice of Motion

Taken from the upcoming album 'Bij Wat Ook Moog' Gebeuren', forthcoming on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Bij Wat Ook Moog' Gebeuren

Gareth Davis / Rutger Zuydervelt / Leo Fabriek - Bij Wat Ook Moog' Gebeuren II

Available here:
https://thesisproject.us/projects/thesis-17
&
https://thesisproject.bandcamp.com/album/thesis-17-ceeys-constant-presence

To be released on the conceptual collaborative-minded, boutique label Thesis, is the new joint project by the two neo-classical and contemporary ambient acts of CEEYS, and CONSTANT PRESENCE, the new outing between Peter Broderick [Erased Tapes, Type, Efterklang], and Daniel O’Sullivan [Grumbling Fur, Guapo]. Released during Q3AMBIENTFEST, a sterling three-day event of avant-garde, experimental pop and ambient-classical taking place in Potsdam, Germany during the first weekend of April, the limited edition 10inch EP, enriched with Zen ideology, comes replete with bespoke artwork, exclusive handmade packaging, and laser-etched designs.



CONSTANT PRESENCE, the new mesmerizing project by soundsmith Peter Broderick and multidimensional songwriter Daniel O'Sullivan, has been sporadically performing across the globe since coming together in 2019. This new, recorded body of music will see their release alongside the cello-piano brothers, Sebastian and Daniel Selke aka. CEEYS, who also happen to be the founding partners and curators behind Q3AMBIENTFEST. Looking to celebrate the notions of duology, unity and harmony, the EP features two ambient tracks that are enshrined in the teachings Shunryu Suzuki, a twentieth-century Soto Zen monk who gained popularity in the Western world for his teaching of Zen Buddhism outside of Japan. This nature of dualism becomes ever more pertinent when factoring in the 30th anniversary of the fall of the Berlin Wall, the bringing together of new and old worlds, and the pairing of Potsdam and Berlin. The East-West divide is something also very admissible to the works of the Selke brother’s, who imbue various elements of their East German upbringing within their recordings and philosophical approaches. Now celebrating its fourth year, Q3AMBIENTFEST is CEEYS’ labour of love, and it was a great honor, love and respect that they can now release something together with the multitalented and accomplished minds that are Broderick and O'Sullivan.



The Thesis Project, now on its 17th release, has set about on uniting two different artists together to create limited, custom designed bodies of music. Uniquely crafted and designed by Gregory Euclide, each 10” jacket for THESIS 17 consists of laser cut-etched designs portraying brutalist architecture and atomic structures glued on top of airbrushed designs that use the homemade Black Walnut Ink that Euclide made himself from the trees on his property, then letter pressed with the THESIS logo. Each record is hand numbered in an edition of 300, and will be made available on the second day Q3AMBIENTFEST, where it is also possible to get the record hand-signed by the artists. During the second day of the festival CONSTANT PRESENCE will share the stage with CEEYS, for a unique performance that juxtaposes the notion of duality and harmony yet further, in a show that will combine professionalism with liveliness, method with lightness of touch, and efficacy with flexibility.

THESIS 17

Nothing Special

Track taken from the upcoming album 'Call Me When You Can' by Ned Milligan & John Atkinson.

Ned Milligan- chimes
John Atkinson- processing 
Recorded, composed, and constructed in 2019
Mastered by Taylor Deupree

www.fluidaudio.bigcartel.com

Call Me When You Can

Ned Milligan & John Atkinson - Summons

Reprise 214

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.