Name: Glasgow Coma Scale by Fragile X
Duration: 4 min 20 s
Description: Something a little more abstract and experimental than the usual lo-fi shoegaze guitar shenanigans. Headphones recommended for full effect.

The title great- I'm a medic, so it me right away, May I ask whether your Fragile X has any telation to Fragile X syndrome?

very raw i love it, the quality just gives it a more authentic feel

i like the growing energy. teh abstract rhythm really engages the listener

truly enjoyabe experimenta piece from start to finish, and thanks for following. i look forward to listening to more of your work

sweeeet, u have captured that raw emotion I often feel... like life is so precious and fragile. I understand your name now:-)

A nice piece, some very interesting (and sometimes harsh) tones you're getting. If i remember correct from my first aid training, is there actually something used in hospitals called the Glasgow Coma Scale?

The river sine... started with an image of an emu feather resynthesized with sine waves. Added textures that I associate with ice snow and water and that were related to the emu feather sine wave digital river sound.

TheLongRiverThatCutsThroughTheSnow(naviarhaiku375)

After releasing the very much guitar drone based album "Haptics" album back in May, I decided that I should next do a release with melodies and a more positive sound at the forefront. The first track in almost 2 years that I've put together without the use of at least one guitar is "Scintilla". It's s produced purely on various different software apps and also with the use of a Micro Korg and a Yamaha Tenori-on.

"Scintila" is one of the tracks that will be featuring on the new EP "Iridescent". Clocking in at 11 and a half minutes, It's one of the longest tracks I've written, but also one of my most unique ones to date In my opinion. I always like to try a different approach to song structure and used the melodies in this kinda as building blocks if that makes sense. Stacking them on top of each other until at one point during the song they were all layered in alongside each other before fading back out again.

You can download the full "Iridescent" EP at bandcamp for £1.99

https://fragilex.bandcamp.com/album/iridescent

Scintilla

Somber

Title:
Pictorial Score

Dates:
11-Dec-2025 (inception), 13-Dec-2025 (finalised), 14-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund
Graphic Notation by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/pictorial-score

Description:

A SUMMARISED ACCOUNT, see my BandCamp or FaceBook page (https://www.facebook.com/norman.freund.545/) for the full story.

It all started several months ago when I spotted an old video from Stefan Goetsch aka Hainbach "Don't push the sounds around - working with a graphic score" Ref. [1], a documentary on graphic (music) scores instead of the more common and traditional Western Staff notation (five lines on a staff ) (Ref. [2]). Then more recently a video from Walker Farrell of MakeNoise "Iteration 4: The Score | Make Noise" Ref. [3], also describing the process and it was this last video that finally prompted me to try this for myself.

My graphic score was created quite naively, a sketch on my iPad using my fingers as a drawing "brush", none the less, it was a means of a capturing my thoughts without interruption, without the impediments of formal limitations of more complicated drawing systems. A pencil and paper would have done the job as well!

I purposely left off verbal instructions on the graphic score, leaving that up to the performer.

I set up one of my analogue synthesisers, the Soma Enner as the main performance instrument. The Enner has a very tactile interface between musician and the music produced and allows a combination of textural sounds, melodic sounds and can capture sounds from the outside world through it's piezo pickup connected to it's front plate. To me the graphic score I had to work with implied movement and the Enner was perfect for this, allowing my hands to intimately define the spatial position in space where the sound is coming from.

Next came my six track digital software based recorder, FindTheBeat. This was the glue of tying together musical ideas performed on the Enner. It also allowed me to change the speed of the sound fragments and have them loop and layered as desired.

I then proceeded to record melodic lines on the Enner, through to the Soma COSMOS in rhythmic mode #5 algorithm (favouring 1/6 rhythms), adjusting the SUP/COM and FB settings to gradually bring in new ideas replacing the old, or just looping portions for a while before moving on to the next idea.

For further reading on the subject of graphical scores, see References [4], [5], [6], [7].

What music would you author given this score? Feel free to use this score for your own interpretations and send me a link to the music you published. In your description please reference the score I used to spread the good karma around.

References:
[1] Stefan Goetsch (Hainbach), 18-Aug-2020, "Don't push the sounds around - working with a graphic score", YouTube video https://youtu.be/cLCt56s5FZA?si=ojBcFd2VxjD_YSPJ

[2] "Staff (music)", Wikipedia, https://en.wikipedia.org/wiki/Staff_(music)

[3] Walker Farrell, "Iteration 4: The Score | Make Noise", YouTube video, MAKENOISE, 17- Sep 2025, https://youtu.be/uHlq6yit49k?si=GkK8MCcrDZGxmmiA

[4] Brett Boutwell, 30 Nov 2012, "Morton Feldman's Graphic Notation: Projections and Trajectories", Cambridge University Press, Journal of the Society for American Music , Volume 6 , Issue 4 , November 2012 , pp. 457 - 482.

[5] Morton Feldman, https://en.wikipedia.org/wiki/Morton_Feldman

[6] grinblat, 30 Jul 2024, "John Cage: Water Walk [ʍ/ score] (1959)", YouTube Video reproducing television screening 1959 , https://youtu.be/234j2Av1EOM?si=NZLwTkxcV9-q0gWF
Description:
Begin Quote:
John Cage (1912–1992)
Water Walk, for solo television performance involving a large number of properties and a special single track tape (1959)

John Cage, performer

Second Performance, 24 February 1960, “I've got a secret”
...
End Quote.

[7] "John Cage Trust", https://johncage.org/

Pictorial Score

alla ricerca dell'arpa perduta

la crisi del settimo brano

Something a little more abstract and experimental than the usual lo-fi shoegaze guitar shenanigans. Headphones recommended for full effect.

Glasgow Coma Scale

Took the stairs, took them step by step 
Opposite direction from the rest 
Ground floor, i felt someone close 
Then she told me she'd always been a ghost 
She told me her heart is her home 
But she's scared she can't call it her own 
"It's for the best that i always fear the worst" 
"These four walls have always been a curse" 

So we danced with the devil all night long 
We danced and danced to song after song 
I'd never seen that much blood before 
So she's assured me there'd never be no more 
She gave me wings and sat me on a cloud 
She let me float home on the shadows of her doubts 
Those doubts she never seems to be without 
We held hands all the way 
We held hands all the way 
We held hands all the way and never made a sound 
We never made a sound

L'Appel Du Vide

Reminder

night club
the thin red line
of a false smile

haiku by Ian Turner https://www.goodreads.com/book/show/54336842-moment#_=_

picture by Andy Grizzell https://unsplash.com/@andy_grizz

For more information visit http://www.naviarrecords.com/about/naviar-haiku

flub hatchling

halF nightcluB [naviarhaiku344]

This is my 1st of 2 contributions to the Disquiet Junto 0473...a duet with moduS ponY's contribution 'New Unit' to disquiet0472. It is called 'Leaf Blower'

I recorded the sound of leaf blowers working in Kennington Park, South London, on a grey, covid-19 lockdown day, during my one rationed daily excursion. These leaf blowers appear twice, obviously, in the track but also inscrutably as the sampled waveform which provides the melodic/harmonic base. There is subtle modulation of the pitch, and filter throughout. Tools used include:

iPhone voice memos
Ableton live
Valhalla Delay and ValhallaVintageVerb
iZotope Mobius filter
Arturia Mini Filter
Roland keyboard controller

Torpid Scorpion

--
More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Leaf Blower

disquiet0473 Placebo Effect - Leaf Blower (Torpid Scorpion On ModuS PonY)

Borderlands (Version 1)

Rasputin- Borderlands (Version 1)

Drifting in the audio void.  Somewhere between the chaos and the calm.
--------------------------------------
Production (Fragile X) 
Label Owner (soundcloud.com/bricolage-g5)
Sleep Research as (soundcloud.com/leit-motif-sleeper)
The visible half of (soundcloud.com/futurendeavours)

Music released on Bricolage, Intellitronic Bubble, Waxing Crescent, Móatún 7, noci miste, Cue Dot, Neo Ouija, Soundtracking The Void, Disintegration State, See Blue Audio, Subplant, Triplicate Records, Tribal Pulse, Light At The End, Unstrung, Gorecki Productions, Neotantra, Soundscape Versions, BFW Recordings and Bath Dub.
------------------------------------

Glasgow Coma Scale

Fragile X

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