I have no words to say how fantastic this piece is !!!!

Interesting song with a well-done mix of different style elements in the inimitable "FM-Style"! Good work!

Sehr schön! Atmopshärisch, eine Melodie ohne Zuckerguss. Dieses melodieführende Leadinstrument erinnert mich ein wenig an Christian Bruhns Soundtrack zur Captain-Future-Zeichentrickserie ... kann mich aber auch täuschen, das ist lange her... Jedenfalls ist dein Song auch in den kleinen Dingen groß: z.B. diese ganz leisen Choreinsätze. Toll!

This composition is aporiatically majestic.

[UNDER CONSTRUCTION]

Calm & Steady tracks no. 156

creation: 2021/09/26

HK_Calm-&-Steady_tracks_156

available here: https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-0

fuck the vaccine

Le Pik  108

Zum Video: https://www.youtube.com/watch?v=f7oP3mchPS0

Dies, und das

"I Don't Understand" Electronic music with vocals and eGuitar
Just playing around with ideas, this song could be about life, relationships or even being in isolation and how dreams seem meaningful yet hard to explain or understand ... it's just the way this song came out.

I Don't Understand

follow @user-524074108

https://open.spotify.com/artist/4Ck1JIZA91251fV2hyHGHK
https://www.instagram.com/myceliumbug

Download:
https://brunchcollect.bandcamp.com/album/archipelago
Stream EP:
https://open.spotify.com/album/0h8sQq0r9zUj5TgWEnS1lz?si=LM_YNh4bTTKVN7yL70Ping&dl_branch=1

Steam

MyceliumBug - Clouds

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

The Deep Sea

His Face Doesn't Fit

Diablo

I originally wrote this song when I was a teenager. Before I learned how to play guitar. I didn't understand anything about music. Melodies just came down to me. Recently I shaped it up with my latest knowledge and skills in music.

This song is about an astronomer who seeks for best observation point on a mountain.

Written and performed by Kyo
****************************
(English Translation)
I'm driving with the lights of the city behind me
I'm shaking in the car
I stare ahead without words
I listen to the voice of the stars
Heaven’s on the night

The city is too bright in midsummer
Let's reach for the distance

There are no worries or regrets within.
The feeling of resistance disappears in a moment.
I'll be wrapped in the infinite world and melt

Reaching the top of the mountain
I'll find a place with clear air.
Tonight will be the night
A shower of meteors will cover the sky
Heaven’s on the night

I look up at the night sky and catch my breath
And the stars flowing in the sky

There are no worries or regrets within.
The feeling of resistance disappears in a moment.
Melting into a large universe.

The hot midsummer wind is breaking it to pieces.
Old glass dreams.
The tender emptiness

Thunder, howl!　
Rain clouds, sing!
Blow away the throbbing heartbeat!

Like a little child with gentle destiny
You'll hurt everyone and everything

Like an adult of sad predestination
You take everything in your stride
****************************
(Original Japanese Lyrics)
街の明かり背にして走る
車の中震える俺
言葉なく前を見つめる
星の声に耳をすませる
Heaven on the night 

真夏の街は明るすぎる
もっと遠くをめざして行こう

そこには悩みも後悔もなくて
抗う気持ちも小さく消えてく
果てなき世界に包まれて溶ける

山の頂に辿り着き
空気澄んだ場所を探そう
今夜こそ現れるだろう
空を覆う流星の雨
Heaven on the night 

夜空を見上げ息をひそめる
そして流れる満天の星

そこには悩みも後悔もなくて
抗う気持ちも小さく消えてく
大きな宇宙に包まれて溶ける

熱い真夏の風がボロボロに壊してく
古いガラスの夢を
柔らかな虚ろいを

雷鳴よ響け　
雨雲よ歌え
高鳴る鼓動を吹き飛ばせ

優しい定めの
子供のように
貴方は誰も彼も傷つけてゆく

悲しい定めの
大人のように
貴方は何もかもを虜にする

Heaven's On The Night

dropping.wav

Drummer Boy

Falcon Stereoscape

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: PERPETUEAL TWILIGHT

Dub electronica from Livity Sound signee Azu Tiwaline and her regular collaborator Cinna Peyghamy. Out on On The Corner's 24-track compilation.

Read More & Buy: https://www.stampthewax.com/2020/09/16/premiere-azu-tiwaline-feat-cinna-peyghamy-violet-curves/
Listen on Youtube: http://bit.ly/AzuTiwalineCinna

Listen on Youtube

Azu Tiwaline feat. Cinna Peyghamy - Violet Curves (STW Premiere)

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Aporia(ᾰ̓πορῐ́ᾱ)

Frank Mehl

Recent comments

Steve Matthews

↯Mahan↯💀↯Mahan↯

Gabriel

TSM

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