Inspired by the wonderful series "Cosmos" by Carl Sagan, Ann Druyan and Steven Soter from 1978-1979, I am trying to dedicate a piece of music to every single episode of the 13-part series; partly based on the theme tune by Vangelis, but also my own ideas. I hope you have fun with it...
Carl Sagan opens the program with a description of the cosmos and a "Ship of the Imagination" (shaped like a dandelion seed). The ship journeys through the universe's hundred billion galaxies, the Local Group, the Andromeda Galaxy, the Milky Way, the Orion Nebula, our Solar System, and finally the planet Earth. Eratosthenes' successful calculation of the circumference of Earth leads to a description of the ancient Library of Alexandria. Finally, the "Ages of Science" are described, before pulling back to the full span of the Cosmic Calendar. Note: the revised version of the series adds an introduction by Ann Druyan to this episode, recorded after Sagan's death, in which she discusses some of the changes that occurred in the years after its broadcast.

Cosmos

Cosmos Part I - The Shores Of The Cosmic Ocean

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

Amateur Guitar Player. Physician, Psychiatrist and Psychoanalyst.

I am Blues oriented, but open to other musical styles. Of course I like B.B. King, Robert Johnson, Muddy Waters, Luther Allison, Jimi Hendrix, Johnny Winter, the early Eric Clapton with Cream, Bob Dylan, SRV, Jeff Beck, Gary Moore, Angus Young, Lynyrd Skynyrd, AC/DC, The Stones and The Beatles, Led Zeppelin, The Allman Brothers, Dire Straits, Tony Joe White, Billie Holiday, Etta James, Tina Turner, Ella Fitzgerald, Beth Hart, Joe Bonamassa, Dan Patlansky, John Mayer, Pat Metheny, Prince — and Lou Reed. 

Until 2017 I played with two bands: A band in Hannover, since 2007 (BH). This work has been finished in September 2017. 2017-2019 I concentrated on a Blues Band in Hameln (WINTERBAND), a Reunion of an old band from the 80s, started 2016/2017 with 3 former and 2 new members (BBH).

All other tracks are Solo projects and have been recorded by me alone or together with friends in a studio (Anca Graterol's Frida Park Studio, Hannover).

In the future, I want to write and sing more own songs. First ideas and recordings you can find here. I am eager to finish some tracks.

Songs from the edge of somewhere. Bluesy, soulful rock with roots in folk and blues, shaped by years of traveling and chasing sound.

My debut album Strange Part of the Country earned ★★★★ from Q Magazine, a Blues Matters cover feature, and reached #3 on the U.S. Alternative Radio Chart, with airplay on BBC Radio 2, WWOZ New Orleans, and KROQ Los Angeles. Peter Green (Fleetwood Mac), Marc Ribot, and Danny Thompson have all been part of the journey.

I’m now finishing a new album with Marc Ribot, Tchad Blake, and Danny Thompson — music that digs deep, raw and real.

just walking around
Free download
High resolution-spotify, apple music

Art should uplift, ​not favor the lowest tastes

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Collaboration of
Negative Headphones - Japan
Side Hustle Prophets - USA

Thank you for your visit. Your comments have encouraged me to continue my endeavor to improve my music. 
Please also visit my new SoundCloud 2 page.
Thank you.

Lifeboats set adrift across global oceans. From Cornwall and New Zealand. Fans of freeware. Love music. Lighthouse by Jeremy Eden. Alien Chestnut by Rock Hodgson.

Cosmos Part I - The Shores Of The Cosmic Ocean

Frank Mehl