IN THE FOREST OF MOROIS   from  "PICTURES"

Till infinity   Version 28-8-2021
Thanks to Dennie Pol for singing along on this song.
https://youtu.be/WgtK2nFO3zM 


I'll be a refugee
Loving my enemy

Working secretly
Till infinity

Soon I'll be joining
The time team

Digging and scanning
to figure out
What the signals mean.

Till infinity
Remember vividly

Where we cmoe from
Steadily
Uncover history
And what we stumble upon

Demo discussion also welcome at 
https://www.songwriter-forum-kitchen.com/forum/songs-for-review/2/till-infinity/7100/

ISRC NL1BH2100012

Till infinity

Till infinity (featuring Dennie Pol)

A journey through the free fields of space...
The "track art" image is this time a computer generated graphic from my pixel kitchen
The ingredients to this song this time are:
Electra, Prophet V, SQ80, JV-1080, Dune 3, EMU II, ANA 2, Zebra2 and Nave.
Enjoy it


Eine Reise durch die freien Felder des Weltraums...
Das „Track Art“-Bild ist dieses Mal eine computergenerierte Grafik aus meiner Pixelküche
Die Zutaten zu diesem Song sind dieses Mal:
Electra, Prophet V, SQ80, JV-1080, Dune 3, EMU II, ANA 2, Zebra2 und Nave.
Viel Spaß damit

Free Fields

On the album Things That Go Bump: https://wormholeworld.bandcamp.com/album/things-that-go-bump.

Sahara

Theme for an Imaginary Western - Part 1

“I can stop the heartbeat of angels…”

Revenant

Sun glittering sea (and the everlasting 1972)

This is another song from my "Island Suite". Created with Ableton Live and some virtual instruments like Zebra2, Dune 3, Electra, DS Thorn, Nemesis and other VST plugins. Sit back please, relax and enjoy the atmosphere ;-)
The image was composed from my own photos in GIMP.

Fantasy Island

Fanstasy Island

Recorded live at The Storeroom, Letchworth on 1st November 2025

Eat Their Own Young - Live At The Storeroom

Noises From Above: A Study in Quiet Intrusions is an album shaped around the small, persistent sounds that leak into our private spaces—those half-heard murmurs from neighbours, the distant thrum of traffic, the creaks and hums of a building settling into its own rhythms. The tracks capture a different facet of the world that slips past walls and doors, turning everyday disturbances into textures, moods, and emotional landscapes. It’s an exploration of how these subtle intrusions colour our solitude, interrupt our thoughts, and quietly become part of the soundtrack of living in close proximity to others.

White Noise Transmission

A tribute to the one who suffers in silence to light up lives of others. The joy is in giving.

Erica's Deluge.wav

The Pillars of Creation: Of course, they were far from there the Universe started to "create". Anyway, creating us was not a plan of the cosmos. Where do we come from? Where we are going? The cosmos does not ask itself such questions in view of the dimensions. We should not waste our limited lifetime. Live now, live happily, do what you are. We all take nothing ... there!

Addendum: "I don't know what's happening here, but when I uploaded this track a year ago, it stopped after 49 plays. No one was interested in it anymore. Now it "explodes" (of course I cringe at such a percentage increase, HELLO?) and I'm unsure if I should upload more songs? Or should I go into politics after all?

And please do not think of a blue elephant!!!

The Cradle Of Life

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

The Cradle Of Life

Frank Mehl