Manchmal sind die leisen Töne die schönsten! Wunderbar! 💗👍

In der Tat Frank, der Himmel sind wir selbst. Zarter melancholischer Rhythmus wunderbar kombiniert mit dem Klavier.

Very sweet composition! Perfect before another Monday :).

Good...but the other version is excellent.

Pleasurebot Party

For electronic version to this track follow link: 
https://soundcloud.com/tasss/wolf

Wolf

En Décembre       

Vidéo Youtube :  https://youtu.be/vN16P4c9ZI8

Texte et chant : Teel        
Musique : Alain Illos

C’est vrai, tu es venu
Un soir de décembre
C’est vrai, tu étais nu
Dans la lueur d'ambre

Le vent vif, emportait
Grains d'opalescence
Petits flocons de lait 
Cadeaux de naissance

C’est vrai, oiseau de nuit
Aux prunelles sombres
C’est vrai, ta peur tes cris
Dans la pénombre

Ont fait trembler les anges 
Sur les verts sapins 
Réveillé la mésange 
Au cœur du fusain


Au temps de Noël, si petit
Dans notre peau à peau blotti
Une fusion vers l’infini
Nous a réunis,  Nous a réunis 

C'était  Noël, et  si petit
Dans notre peau à peau blotti
Une valse d’atomes, une chimie
Nous a réunis, …   nous a réunis

C’est vrai, la neige fondue
A l'aube en janvier 
C’est vrai, la sirène crue
Nous a séparé

Et a fait tomber les anges 
Des cimes des sapins
S’envoler la mésange 
Qui mangeait son pain

Mais qu'import' mon  petit
Dans notre peau à peau blotti
Une fusion vers l’infini
Nous avait unis, 
C’est vrai nous avait unis

Au temps de Noël, si petit
Dans notre peau à peau blotti
Une valse d’atomes une chimie
Nous avait unis, nous avait uni

En Décembre    Teel / Illos

Hello friends! I have been busy with my other musical projects for a while now, but finally was able to finish the first part of The Fall suite that I've been working with for quite some time. 

I-la-rI (Ilari I. Rantala) - Composed, all instruments, vocals, lyrics, field recordings & drum machine programming.
Artwork and produced by I-la-rI.

© 2023 Ilari I. Rantala. All rights reserved.

The Fall (Part I) - Cosmogonic Myth

The Mysterious Decibel - Into The Permafrost

Lyrics, instrumental, Vocals, Sounds, mix, master, song structure - The Mysterious Decibel

Buy it here:
https://themysteriousdecibel.bandcamp.com/track/into-the-permafrost

Music visualizer:
https://youtu.be/7oX3nChZQfs
https://www.instagram.com/p/Cv-TdASsnyz/
  
Lyrics:

Playing The paramedic for the pathogen 
She revives with a warm embrace as she spins
Her babies are back in the fold 
The mark of decease, This story's been told
Frozen with terror on hold
The vault will break open and man will corrode

Into the permafrost
Thaw what has been lost
Into the permafrost 
Release the holocaust

Hibernation, A frozen slumber
Awakened to achieve a number
A silent seed reborn that stenches and stretches the aisles of death
Families shattered and torn from lingering hosts and their final breath

Into the permafrost
Thaw what has been lost
Into the permafrost 
Release the holocaust

(BREAKDOWN)

They!
Don't! 
Rest!

Into The Permafrost

https://www.youtube.com/watch?v=diNKgUBJ-hw

HEAVEN Inspiration

Mission to Mars

It Writes It. 140 BPM

㊙️ https://youtu.be/_CJhVD637yg?si=JaaTiZ_J10qI01H9 | VIDEO special Ed.
Freudvoll
Und leidvoll,
Gedankenvoll sein,
Langen
Und bangen
In schwebender Pein,
Himmelhoch jauchzend,
Zum Tode betrübt;
Glücklich allein
Ist die Seele, die liebt.
------------------------------------------------------------------
Joyful
And sorrowful,
To be thoughtful,
Long
And trembling
In suspended agony,
Rejoicing to the skies,
To the death grieving;
Happy alone
Is the soul that loves.

㊙️ Special Video Ed.

Heaven Is You | simple variation

Terrestrial Hollow

A small bit of ambiance

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Movement IV (Redshift)

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Heaven Is You | simple variation

Frank Mehl

Recent comments

Midisound

Liz Dicker

Benjamin Mayer

ui@gmail.com

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