I SHOULD HAVE LOVED YOU MORE
© 2022 Rinaldo/ O’Brien; All Rights Reserved
Music by Whitman Rinaldo; Lyrics by Alex O’Brien

Whitman Rinaldo: Vocals, Guitars, Bass, Mixing/Mastering
James Fraser: Banjo, Mandolin

Well, what’s wrong with me?
I should have loved you more
You were good to me
I should have loved you more
You made my dreams come true
I should have loved you more
What’s wrong with me?
What’s wrong with me?

I’m a fool
I should have loved you more
You were true to me
I should have loved you more
You gave me everything
I should have loved you more
I’m a fool
I’m a fool

Sometimes you only get one chance to find love in this life
So you better love your lover like there won’t be one more night

Am I crazy?
I should have loved you more
You were my best friend
I should have loved you more
You were a blessing
I should have loved you more
Am I crazy?
Or am I crazy?

Sometimes you only get one chance to find love in this life
So you better love your lover like there won’t be one more night

Sometimes you only get one chance to find love in this life
So you better love your lover like there won’t be one more night

I Should Have Loved You More

The Moonlight Sessions

The Doors We Closed

Lucency (Quiet Version)

🕺Video HERE!

Streams Of Conscience

C Le chemin de la mort (Démo de différents travaux)...

Nootka

Performance/remix by Loper via iPhone/Groovepad 
Loops produced by Andy Brookes via Groovepad app
Image provided by pxfuel.com

Astral Projection

Starlight

DiZZharmoniXXX RanDoM JamZZZ Vol. 3

A fusion of throwback energy, party spirit, and street attitude. Dissharmonic bends familiar voices and cultural flavors into a bold, saturated sonic palette. Punchy grooves, chunky low-end, and moody breaks make every track hit with personality.

Available on Bandcamp.
Stream it on SoundCloud + YouTube.


Dissha's Lab ©

Bandcamp

Disfruto (Bonus Track)

Sinful (RU) - New Experience [Superordinate Music]

Surrender

Buy on bandcamp

Maximilian Beck - Surrender

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Streams Of Conscience

Frank Mehl